Recently I had a chance to talk with Brian McTernan (producer, vocalist) of Be Well. McTernan has a storied past of producing legendary records from bands such as Thrice (Illusion of Safety, The Artist in the Ambulance), The Movielife (Forty Hour Train Back to Penn), and Senses Fail (Still Searching, Life is Not a Waiting Room). These are just a few of the many producer credits to McTernan’s name, and we discussed his process for producing bands as well the advice he would give to young producers looking to make their unique stamp on an album. Not to be lost in the shuffle, Brian McTernan also released a solid album from a project called Be Well this past summer, and he shared his favorite tracks from The Weight and The Cost, and what he’s most looking forward to once its safe to tour again.Read More “Brian McTernan of Be Well”
This week’s newsletter has thoughts on the new Foo Fighters and my usual commentary about music and entertainment I experienced last week. There’s also a playlist of ten songs I enjoyed this week, and this week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.Read More “Liner Notes (January 30th, 2021)”
Mighty has finally properly followed up their 2018 self-titled debut. The following year they dropped the “David’s Park Bench” single, then last year saw the release of a b-sides EP, but now, at long last, they’ve put out their true studio EP followup, You Deal With the Trash. It’s a continuation of the grimy alt-rock sound explored on Mighty, and in many ways also both a refinement and an extension thereof. Angelo Fiaretti, frontman of Mighty, walked us through the EP track-by-track.Read More “Mighty – ‘You Deal With the Trash’ EP Track-by-Track Breakdown”
This week’s newsletter has early thoughts on the new Jetty Bones album, some commentary about a few new apps I discovered this week, and the usual thoughts on music and entertainment I consumed. And, as always, there’s a playlist of ten songs worth your time, and this week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.Read More “Liner Notes (January 23rd, 2021)”
Much has been made about if Camp Trash is a real band or not. Sure, we’re heard rumors of such a band existing – hell we’ve even heard a few songs from the mysterious quartet. Today, however, will hopefully serve as evidence that “Camp Trash” is actually “a band” that plays a style of “emotional rock and roll” in the vein of scene staples like The Get Up Kids, Oso Oso, and the like because we are premiering their debut release Downtiming. The four-track extended play will hit streaming services this Friday, January 22nd, via Count Your Lucky Stars Records but you can exclusively stream it here this week (and then smash that pre-order). And just like Big Foot or the Loch Ness Monster, you’ll find your ears believing in the legend of Camp Trash.Read More “Camp Trash – ‘Downtiming’ (Album Premiere)”
This week’s newsletter has some thoughts on The Starting Line’s streaming performances and the usual commentary on music, movies, and TV shows I’ve been enjoying recently. There’s also a playlist of ten songs I liked this week, and this week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.Read More “Liner Notes (January 16th, 2021)”
I’m just saying I woulda banned him way earlier. 🤷♂️
This week’s newsletter looks at the end of the year feature and shows some of the stats behind the top fifty, plus some thoughts on the Series 6 Apple Watch, and the usual commentary about music, movies, and TV shows. There’s also a playlist of ten songs I enjoyed this week and this week’s supporter Q&A post can be found here.
Um. So, that was quite a year.
We’ve been publishing some version of our favorite albums of the year since at least 2005, and the past twelve months have been unlike anything I’ve ever been through. It’s a year that will leave an indelible mark on all who experienced it, and I worry it will be years before we will be able to best understand and cope with the collective mass trauma. It was a year of uncertainty, a year of isolation, and a year of reshaping even the little routines that make up our lives. Tasks as simple as a trip to the grocery store are now measured risks, and going outside includes masks and a social construct with those around us to keep a safe distance. And I don’t know about you, but I found it very comforting to have music to turn to this year. It’s been such a constant in my life, and I often found myself reaching for it like a comfort blanket. As a way to regain a shred of normalcy, or as a way to connect with others across the internet as we shared a moment or discussion about a new song.
Before we reflect on the music that was released last year, I wanted to take a quick moment to thank everyone who read this website this year. We all went through this together, and I’m as appreciative as ever for having an outlet to write about things I’m passionate about and share with likeminded readers. Thank you.
Now let’s rank things.Read More “Chorus.fm’s Top 30 Albums of 2020”
This week’s newsletter looks back at 2020 and the year from hell. I also share some articles I read this week that I found interesting, share thoughts on the music I’ve been checking out that I missed throughout the year, and talk a little about the bad movie I saw (Wonder Woman) and the good movie I saw (Soul). And as always, there’s a playlist of ten songs I enjoyed this week, and this week’s supporter Q&A post can be found here.
In this week’s newsletter, I share some thoughts about the end of The Mandalorian and the first half of Wonder Woman 1984, and there’s some discussion of the holiday and prepping to finalize my end of the year list before the end of next week. As usual, there’s a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here.
During the week of the release of the new Less Than Jake record, Silver Linings, I had the chance to sit down with J.R. to discuss everything that went into the recording process of the new album. The conversation also captured J.R.’s perspective on looking back on his band’s album anniversaries, what he misses most about touring and the venues he’s played at, as well what he draws inspiration from to continue his growth as an artist.Read More “J.R. of Less Than Jake”
This week’s newsletter has random thoughts on random things and then the usual commentary on music and entertainment I enjoyed this week. There’s also a playlist of ten songs I liked this week, and this week’s supporter Q&A post can be found here.
Something For Kate should be held with the highest regard for what makes the city of Melbourne so great, alongside our coffee, world-class research facilities, and richly diverse communities. The trio was formed in Melbourne in 1994, with singer and lead guitarist, Paul Dempsey; drummer Clint Hyndman, and Julian Carroll on bass guitar. After the release of the band’s 1997 debut album, Elsewhere for 8 Minutes, Carroll left the band after recently getting married and relocating to rural Australia. He was then replaced by Toby Ralph, who wasn’t the best fit for Something For Kate. In 1998, Stephanie Ashworth joined the band after the disbandment of the short-lived indie rock band, Sandpit. Upon early recording sessions with the lineup of Dempsey, Hyndman, and Ashworth, Dempsey remarked, “We’ve just been lucky because we’ve got this really natural chemistry between the three of us… We’ve finally got the right combination of people and we’re collaborating the way a band should.”
To date, Something For Kate has released seven albums. The first album recorded with Ashworth on bass, Beautiful Sharks (1999) reached the top 10 of the ARIA Albums Chart; as did Echolalia (2001) and Leave Your Soul to Science (2012). The Official Fiction (2003) and Desert Lights (2006) sat pretty atop the ARIA Albums Chart. Their first album in eight years, The Modern Medieval; released last month, debuted at #4 on the Albums Chart. I chatted with Stephanie Ashworth on a surprisingly chilly day in Melbourne last week, and it’s a conversation I won’t soon forget.Read More “Stephanie Ashworth of Something For Kate”
This week’s newsletter has thoughts on the new Taylor Swift album and other entertainment I enjoyed this week. I finally saw Tenet and I’ve been watching a whole lot of holiday content. There’s also a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here.