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Liner Notes (November 23rd, 2018)

I finished this up early, so I figured I’d post it now. I hope everyone is having a great holiday weekend and getting filled up on good food (and booze) and then taking mid-day naps on the couch.

For the Thanksgiving edition of this roundup, I rank my favorite Thanksgiving foods, give some thoughts on new music, and give my regular media diet roundup from the past week. The supporter Q&A post can be found here.

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Liner Notes (November 16th, 2018)

This week went by insanely fast.

In this week’s roundup, I rank New Found Glory albums, talk a little about my thinking behind rolling out the new ad system, discover some cool new iPad apps, and go through my usual media diet from the past week. The supporter Q&A post can be found here.

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Gang Of Youths – Live at The Forum, Melbourne, Australia

Gang of Youths

Gang Of Youths are Australia’s biggest success story in years. The Sydney-based band formed in 2012 and has enjoyed a steady stream of success, be it selling out larger and larger venues or recipients of critical acclaim. Flash forward to now, when Gang Of Youths had to announce a whopping 21 dates (all sold-out) for their Say Yes To Life Tour, with eight sold-out dates at Melbourne’s iconic Forum Theatre alone. Last year, the band received seven ARIA award nominations for their brilliant #1 album, Go Farther In Lightness. They won four of them (Album Of The Year, Best Group, Best Rock Album, and Producer of The Year – for Gang Of Youths & Adrian Breakspear). They even supported the mighty Foo Fighters for seven nights in the US during the band’s Concrete and Gold Tour last month! So, Gang Of Youths’ Say Yes To Life Tour is a big deal; for the band and their loyal, growing fan-base. It’s an absolute triumph: a homecoming for our dearest indie rock band, and a celebration of positivity and growth.

A Year After Reputation

Taylor Swift

One year ago, Taylor Swift’s somewhat infamous LP Reputation hit the shelves and digital libraries of 700,000 listeners. It would go on to sell 1.26 million copies in that first week, making it a member of an elite club of albums to have broken a million copies (at all, let alone that first week) in the last decade… a club that is mostly comprised of Swift’s other records. It was an auspicious achievement in the pop star’s increasingly controversial career – every album she’s released since 2008’s Fearless has broken a million records sold in its first week.

Swift has become a polarizing figure in the pop culture sphere. Between the ongoing Kimye saga, 100% valid conversation and critiques about the downfalls of white feminism, her own personal #MeToo moment and the usual, misogyny-fueled obsession with her love life that’s been prominent since that first record broke a million all those years ago. (She has arguably used that obsession to her advantage in the years since, but… wouldn’t you?) The stage was certainly set for Reputation to be as polarizing as the woman herself – it was the first Swift record that broke her every-other-year-pattern ever, and followed a nearly year-long (and highly advisable) social media hiatus/blackout on Swift’s part. It’s safe to say, nobody knew what to expect; uncommonly for an artist whose unflinchingly loyal following was built on the closeness she shares with her fanbase, “nobody” included the vast majority of her fans.

Liner Notes (November 9th, 2018)

Another week has come and passed. As I sit here writing this, I can see the leaves falling from the trees, and we’re already making plans to cook turkeys and put together gift lists. I love this time of the year.

In this week’s roundup, I rank Star Wars movies, talk about new iPad apps I love, recommend digitizing your paper files, give some first impressions of the new Andrew McMahon album, and go through my usual weekly media diet. Plus, a playlist of ten songs I loved this week. The supporter Q&A post can be found here.

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Site Update: A Few Changes to the Ad System Coming

One of the biggest challenges to running this website has been figuring out a business model that works, and that allows me to sleep well at night. This website is my full-time job, and the income it provides is how I put food on the table. My goal from the start has been to find a way to make this website the only job I have to have.1 Right now I do some consulting work to make up the difference between what the website brings in and what my family needs. The vast majority of the website’s revenue comes from our readers and our supporter system. It’s because of all the people that read this website and visit our forums that it exists.

Over the past two years I’ve played around with a few other ways to bring in additional revenue, the main one being advertising. I set up a self-serve advertising system where anyone could buy display ads on the website, and I priced them way under what most websites charge for the number of impressions they would get. Unfortunately, they never sold as well as I hoped they would. So, it’s time to try something different again.


  1. The long-term goal was, and continues to be, to hopefully find a way to expand the website into an entity that could support more than one person.

Liner Notes (November 2nd, 2018)

November is here. Leaves are now covering the ground and the switch from spooky movies to holiday cheer can begin. I’m already getting excited about Thanksgiving and itching to decorate the place for Christmas. I want to take a quick moment to encourage everyone reading this to make a plan to vote, vote early if you are able, and get your friends involved as well. The mid-term elections are extremely important.

This week’s roundup has me ranking Yellowcard albums (it was time), talking about the new iPads announced this week, and going through my usual weekly media diet. Some good movies were watched, some great music was heard. The supporter Q&A post can be found here.

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Interview: Justin Courtney Pierre

Justin Courtney Pierre

I recently had a chance to chat on the phone with former Motion City Soundtrack front-man, Justin Courtney Pierre. Below are the highlights from our conversation, and we chatted about everything from his preparations for his solo tour, his personal life, and what went into making his new record, In the Drink. Justin’s debut solo album is now available everywhere via Epitaph Records.

Liner Notes (October 26th, 2018)

It finally got cold enough to where I had to turn on the fireplace — only to find out that the pilot light wouldn’t ignite. Which, of course, meant I had to wait to have it fixed. After a few days of being sad, it has been fixed, and I’ve turned it on for the first time this season. It’s gloriously warm and the cats are cuddled up next to it like it’s the only thing in this world that matters. They may just be right.

This week’s roundup finds me ranking Anberlin albums and going through my usual media diet. There’s also a playlist of music I loved this week and some way-too-early talk about holiday decorations. The supporter Q&A post can be found here.

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Liner Notes (October 19th, 2018)

I blame Federico Viticci over at MacStories for going on a deep dive of playing around with Siri Shortcuts all week. Once I start down the path of automating things or organizing my phone, I always end up going overboard. Still, it was a fun way to spend a few nights.

In this week’s roundup, I look at a few new apps I’ve been using and explore the Siri Shortcut stuff I’ve been playing around with. I also share my first thoughts on the upcoming album from Saves the Day, go through my usual media diet from the past week, and share ten songs I loved this week. There’s been lots of Halloween and fall-themed entertainment in our household recently. The supporter Q&A post can be found here.

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Interview: Typesetter

Typesetter

Typesetter recently signed to 6131 Records and announced their sophomore record – it’s called Nothing Blues and it’s a masterclass in anthemic punk rock. I spoke to Alex Palermo, bassist/vocalist, and Marc Bannes, guitarist/vocalist, about writing the album and what the band did in the four years since their debut. Nothing Blues is out October 26 and is available for preorder through 6131’s store.

Liner Notes (October 12th, 2018)

Bring on the weekend! We’re moving into “pumpkin-spice-everything” territory, and I’m getting excited to start watching some of my favorite Halloween movies, breaking out the festive beers, and making all kinds of warm foods in the ‘ol Crock Pot.

This week I rank albums from Andrew McMahon, give the first impression on the new Laura Jane Grace album, share a playlist of ten songs I loved this week, share what I’ve been working on behind-the-scenes, and go through my weekly media diet. Some outstanding albums out this week you shouldn’t sleep on. The supporter Q&A post can be found here.

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The Podcast Worm: Halloween Unmasked

Halloween Unmasked is my kind of podcast. I’m three episodes in on it, and it feels like a new take on film podcasts. Usually, I’m listening to pop culture podcasts that are discussion-based (and mostly hosted by dudes). I listen to shows like Fatman On Batman (now branded Fatman Beyond), The Watch, and Channel 33, which has a lot of sub-shows within its feed. I listen to a lot of shows from The Ringer.

Interview: Matt Nathanson Is the Most Nostalgic Guy in the Room

When Matt Nathanson started writing his new record, he had a vision. He wanted it to be political. He wanted it to be uplifting. He wanted to inspire his listeners to see a brighter future.

The songs that came out of him had other plans.

Sings His Sad Heart, the follow-up to Nathanson’s 2015 LP Show Me Your Fangs, is personal instead of political, sad instead of uplifting, and lost in thoughts about the past instead of looking forward to the future. It is a complete contradiction of the album that Nathanson wanted to make. And yet, it’s also the most at home he’s sounded on a record since 2010’s breezy Modern Love.

Then again, Nathanson has always been an artist defined by his contradictions. He’s a riotously funny and jovial live performer who makes crushingly sad records. He’s a guy who exudes confidence and charisma onstage but admits he isn’t very confident as an artist. And he’s a songwriter who’d name the happiest song on his record “Sadness.”

When I spoke to Nathanson in August, I called him “the most nostalgic guy in the room.” It’s a role I often find myself playing: the guy who digs through TimeHop every day and sends pictures and “remember this?” messages to old friends, or the guy who spends entirely too much time thinking about people he lost touch with, wondering if they ever think of him too.