Hayley Williams on Mental Health

Paramore

Hayley Williams of Paramore, writing for Paper Magazine:

I woke up from that crash with one less bandmate… another fight about money and who wrote what songs. And I had a wedding ring on, despite breaking off the engagement only months before. A lot happened within a short time. But then I didn’t eat, I didn’t sleep, I didn’t laugh… for a long time. I’m still hesitant to call it depression. Mostly out of fear people will put it in a headline, as if depression is unique and interesting and deserves a click. Psychology is interesting. Depression is torment.

We wrote and wrote and I never liked what I put to the music Taylor sent me. His stuff sounded inspired. My parts sounded, to me, like someone dead in the eyes.

This is really great and worth the read.

BTS Top the Charts

BTS have the number one album in the country this week:

It’s a big week for K-pop, as Korean boy band BTS debuts at No. 1 on the Billboard 200 chart with Love Yourself: Tear — the first chart-topper for the K-pop genre.

The set, which was released through BitHit Entertainment on May 18, launches with 135,000 equivalent album units earned in the U.S. in the week ending May 24, according to Nielsen Music. Of that sum, 100,000 were in traditional album sales.

Vevo to Shut Down Site

YouTube

Amy X Wang, writing at Rolling Stone:

The company announced in a blog post Thursday that it is shuttering its mobile apps and website, and that “going forward, Vevo will remain focused on engaging the biggest audiences and pursuing growth opportunities.” It will continue investing in original content and sponsorships, but phase out its own independently-operated platforms, it said. Read: Vevo is almost entirely succumbing to YouTube, the juggernaut that has long supplied most of its audience.

‘Bummer Presents: A Compilation for ADAPT and NNIRR’

Bandcamp

Bummer Presents: A Compilation for ADAPT and NNIRR is officially out today. It’s a benefit compilation I curated featuring nearly forty songs, including unreleased material by JouskaThe Republic of Wolves, and Cheem’s Sam Nazz. The proceeds with be split fifty-fifty between ADAPT and NNIRR – two organizations doing great work that I thought it was important to highlight. The compilation can be purchased through Bandcamp.

Spotify Plans to Change Content Policy, Again

Lucas Shaw, writing at Bloomberg:

Facing a rebellion among artists and even some of its own employees, Spotify Technology SA will partially walk back a move to punish musicians for their personal misconduct.

The music-streaming giant has told artists, managers and record-label executives that it will eventually restore songs by XXXTentacion to playlists, according to people with knowledge of the matter. The company’s top executives are talking to the music industry and civil-rights activists about how and when to adjust its rules in a manner suitable to both sides.

I stopped being surprised when companies show their spineless side a long time ago, but this is some eye-rolling bullshit right here. You can choose what kind of platform you want to be and when you are the size of Spotify you can choose how you want to wield your editorial-power.

“Cheaters Edition” of Monopoly

Monopoly

Monopoly have released an official “Cheaters Edition” of the classic game. Fast Company has more:

“We’ve had this data for years. 50% of all Monopoly players cheat,” says Randy Klimpert, Hasbro’s senior director of design and games development. This fact of life was always something of a running joke within the walls of Hasbro. It became the giggly fodder of proposed ad campaigns. Employees got a kick out of listening to the messages left on its holiday helpline, established in 2016, to help families settle disputes in their games and address accusations of creative cheating. “We were literally sitting around thinking, ‘what would really corrupt Monopoly?’ And someone said, ‘what if we cheated?’”

Brian Fallon Ranks The Gaslight Anthem’s Albums

Brian Fallon sat down with Noisey to rate The Gaslight Anthem’s albums:

I wasn’t sure which was my favorite record, but Handwritten was definitely a contender. Handwritten is one where the whole band was firing on all cylinders. We accepted our place in the world, we were playing in front of a lot of people, and there were a lot of people watching us. So we were just writing a record that was a good, fun record to listen to.