Brian Fallon Explains Why The Gaslight Anthem Have Reunited

Uproxx:

Well, I think it’s two sides that have always been there. Even on like the early, early records, like Sink Or Swim, you have “The Navesink Banks” and “Red At Night” that are more Americana. But I know that when I finished doing Local Honey, there was very strong sense of completion. When that record was done, I felt I had achieved something, whatever it was that I was working at. And I was like, “Well, chapter closed. What am I going to do now? You know what’s pretty cool? Rock music. Playing guitars. I want to turn up something to 10 and play. Kick an amp over or something. That sounds great right now.”

Sum 41 Announce New Double Album

Sum 41

Sum 41 talk with Rolling Stone about their upcoming double album, Heaven and Hell:

What came out of this creative renaissance was Heaven and Hell. The first part of the two-part LP, known as “Heaven,” taps back into the current nostalgia surrounding pop-punk — a style Whibley started writing in before it became a thing again: “When that happened, I was like, ‘What kind of luck is that?’ ” he says. The album’s second, heavier side (“Hell”) features metallic tracks closer to the band’s most recent sound. “As I listened to almost all of it, it just kind of dawned on me,” he recalls. “‘Did I just make a double record by accident?’ “

Lil Durk Tops the Charts

Lil Durk has the number one album in the country:

Lil Durk scores his second No. 1 album on the Billboard 200 chart (dated March 26) as 7220 debuts in the top slot. The rapper previously topped the list with The Voice of the Heroes, a collaborative set with Lil Baby, for one week in 2021.

7220 launches with 120,500 equivalent album units in the U.S. in the week ending March 17, according to Luminate, formerly MRC Data – Lil Durk’s best week for a non-collaborative project. 7220 was released on March 11 via Alamo Records.

Will Butler Leaves Arcade Fire

Arcade Fire

Will Butler has left Arcade Fire. He wrote this op-ed in The Atlantic last year:

I have another concern that’s hard to shake. After this pandemic year, I’m more aware of the responsibility I have not only to the people who buy tickets, but to the driver making deliveries to the show and to the family of the woman working arena concessions, people who really don’t care about what I’m doing onstage. Vaccination numbers will grow, and the pandemic will end, God willing. I’m not worried about the spread of the coronavirus in particular. But these links of responsibility remain. The analytical part of my brain turns off when touring starts. Before scrambling back to normalcy, I want to make sure that this sense of connection becomes embedded in how I think. I would really love to just be a musician—but I’m also an employer and a player in an industry that has chewed up and spit out plenty of people, especially in this past year.

My hesitations are all about shows, though, not music. Over the past year, I’ve rarely played music with others—a few practices and filmed performances; work on the new Arcade Fire record in November; a handful of Zooms with bandmates to help a school’s PTA fundraiser or support a candidate in the city-comptroller race. But in all of those instances, I’ve experienced an ease, a rightness to the communication—not through the screen with whoever was listening, necessarily, but the people I was playing with. That connection felt restorative, like having a night of deep sleep that repairs parts of yourself you don’t know how to access.

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Spotify Closes Russian Office

Variety:

Spotify has taken several steps in response to Russia’s military attack on Ukraine, including closing its offices in Russia “indefinitely.”

The company is not disabling access to its service within Russia. “We think it’s critically important to try to keep our service operational in Russia to allow for the global flow of information,” a Spotify representative said in a statement provided to Variety.

Like other internet platforms, Spotify has restricted the discoverability of Russian state-affiliated content on the streaming audio service. In addition, the company has removed all content from Kremlin-backed outlets RT and Sputnik from Spotify’s platform.

Bandcamp is Joining Epic Games

Bandcamp

Bandcamp is joining Epic Games:

I’m excited to announce that Bandcamp is joining Epic Games, who you may know as the makers of Fortnite and Unreal Engine, and champions for a fair and open Internet.

Bandcamp will keep operating as a standalone marketplace and music community, and I will continue to lead our team. The products and services you depend on aren’t going anywhere, we’ll continue to build Bandcamp around our artists-first revenue model (where artists net an average of 82% of every sale), you’ll still have the same control over how you offer your music, Bandcamp Fridays will continue as planned, and the Daily will keep highlighting the diverse, amazing music on the site. However, behind the scenes we’re working with Epic to expand internationally and push development forward across Bandcamp, from basics like our album pages, mobile apps, merch tools, payment system, and search and discovery features, to newer initiatives like our vinyl pressing and live streaming services

🤯

Phoebe Bridgers Launches SiriusXM Radio Show

Phoebe Bridgers

Phoebe Bridgers will be launching a new SiriusXM Radio Show:

Saddest Factory Radio will feature Bridgers in conversation with artists — including label signees Muna, Sloppy Jane, Claud, and more — while she introduces listeners to her favorite songs. “My favorite way to consume music is incidentally — something playing in the grocery store, an opening band I’ve never heard, a college radio station while trying to find signal on a road trip,” Bridgers tells Rolling Stone. “I hope I can offer something like that to people who tune in. […]

Saddest Factory Radio will premiere on March 3 at 6 p.m. ET and 9 p.m. ET on SiriusXMU (Channel 35, with encores continuing throughout the weekend. Each episode will arrive the first Thursday of each month.

‘Encanto’ Still Tops Charts

The Encanto soundtrack is still the number one album in the country:

The Encanto soundtrack stays firm at No. 1 on the Billboard 200 chart for a sixth nonconsecutive week on top. It is now tied with Adele’s 30 for the third-most weeks at No. 1 in the last five years. Only Morgan Wallen’s Dangerous: The Double Album (with 10) and Taylor Swift’s Folklore (eight) have tallied more weeks at No. 1 since January 2017.

Talking Tech With Dashboard Confessional

Dashboard Confessional

Chris Carrabba talked with Newsweek about the tech used on his new album:

My home studio is Pro Tools based. My new record is centered around acoustic guitars, and I found that a mic chain that I knew I loved for recording vocals seemed to also work really well for tracking acoustic guitars.

I tracked both vocals and acoustics with my Wunder CM7 microphone through a Vintech Audio 273. These two pieces of gear really were outstanding.

Another great piece of gear was one that I used during the demo phase. I was trying to do things really quickly, to demo the songs on acoustic guitar to give the producer James Paul Wisner what I had in mind for us to work on together. I didn’t want to send him lousy-sounding stuff he couldn’t enjoy listening to, but I was also trying to work quickly. I was able to do both by using the Fishman Aura DI. It’s more than just a simple DI [direct input]—it does microphone simulation, creating a bit of air and space and depth to your DI sound and replicates a microphone incredibly well.

‘Futurama’ Getting New Season at Hulu

Hulu

Deadline:

Fry, Leela and Bender are set for more 31st century adventures. After months of negotiations, Hulu has finalized deals for 20 new episodes of Matt Groening and David X. Cohen’s cult animated sci-fi comedy Futurama to premiere in 2023 on the streamer. In addition to Groening and Cohen, set to come back is the majority of the series’ voice cast, including Billy West, Katey Sagal, Tress MacNeille, Maurice LaMarche, Lauren Tom, Phil LaMarr and David Herman.

Missing from the list is one of the three lead voice actors, John DiMaggio, who voices foul-mouthed robot Bender among half a dozen characters. The role is currently being recast ahead of the first table read on Monday. The decision was made after DiMaggio’s negotiations with Futurama studio 20th Television Animation came to a standstill though there is a desire on both sides to have him rejoin the cast and reprise his role.

Punk in Drublic Festival Announced

NOFX

NOFX are set to headline four separate dates of the Punk in Drublic Craft Beer & Music Festival. The dates will be: March 19th (Mesa, Arizona), March 26th (San Diego), March 27th (Ventura, California), and May 7th (Sacramento, California).

Created from the mind and livers of NOFX’s frontman Fat Mike and craft beer fanatic / festival promoter, Cameron Collins, the Punk In Drublic Craft Beer & Music Festival will take place in various cities across the US and will  also be making some stops in Europe this summer.  These events featuring the best in punk rock music and regional craft beer.   Additional lineups and dates will release soon!  

Each festival date will feature up to three hours of craft beer tastings showcasing an impressive selection of craft beers, including some of the regions best and local favorites.