iOS 14.5 Releases

Apple

iOS 14.5 has been released and MacStories has a good overview:

Apple today released version 14.5 of iOS and iPadOS, a substantial update to the operating system for iPhone and iPad that debuted in September and introduced features such as Home Screen widgets, multi-column app layouts on iPadcompact UI, a redesigned Music app, and more.

Version 14.5 is the biggest – or, at the very least, most interesting – update to iOS and iPadOS we’ve seen in the 14.0 release cycle to date. That’s not to say previous iterations of iOS and iPadOS 14 were low on new features and refinements – it’s quite the opposite, in fact. Perhaps the pandemic and Apple’s work-from-home setup played a role in the company spreading new iOS functionalities across multiple releases throughout 2020 and the first half of 2021, but, regardless of the underlying reason, iOS and iPadOS 14 have evolved considerably since their public launch six months ago.

Watch unlock for the phone has been 👌.

Andy Hull Reviews Every Manchester Orchestra Album

Uproxx:

I’ll never forget being in the office at Columbia, and playing them the record, and the radio team just having these blank stares on their faces. They had no idea what to do. I was like, “I have a pretty good idea: I think this song ‘Pensacola’ is really catchy.” And, they were like, “No, no, no, it can’t be that, there’s no real chorus to it. We should do ‘Simple Math’ and then also the next week release ‘April Fool,’ so that nobody knows what the single is.”

Streaming Music Payouts

This breakdown from Nick Heer about music streaming payouts touched on a point I think about often:

I get millions of songs for my $10 per month. In about the same timeframe in 2009, I also added Burial’s “Untrue” to my library. I have played the thirteen songs on that album 684 times in total, leading to an estimated payout of $6.84. My CD copy of that album probably cost $15, of which William Bevan probably earned just a few pennies. Apple Music obviously has not existed since 2009 but, if it had, I cannot work out how much less artists would have made if I had streamed all of my music instead of buying physical copies.

Somehow, we are still paying just $10 per month for music in an era where streaming must be paired with live performance to have any hope of generating an income for an artist, all the while fighting the paradox of streaming music, and artists are still getting screwed in the middle of all of it. There would not be a music industry without music, but the industry gets all of the money while musicians still have to fight for scraps.

Apple Music Editorial Content Is Coming to Apple News

John Voorhees, writing for Mac Stories:

The integration of Apple Music and News, which Apple said nothing about during its event on April 20th, is clearly just getting going, so there’s not a lot to see yet. However, it’s also the sort of integration that has the potential to differentiate Music from competitors like Spotify and give users a much-needed reason to visit News. This is a feature we may learn more about next week when iOS and iPadOS 14.5 are released to the public, and that we’ll be keeping a close eye on and as we learn more about Apple’s plans for the fall during WWDC.

Make Everything Important

What a great interview with Mads Mikkelsen:

Q: Is there a life philosophy that you feel has carried you through your career?

A: My approach to what I do in my job — and it might even be the approach to my life — is that everything I do is the most important thing I do. Whether it’s a play or the next film. It is the most important thing. I know it’s not going to be the most important thing, and it might not be close to being the best, but I have to make it the most important thing. That means I will be ambitious with my job and not with my career. That’s a very big difference, because if I’m ambitious with my career, everything I do now is just stepping-stones leading to something — a goal I might never reach, and so everything will be disappointing. But if I make everything important, then eventually it will become a career. Big or small, we don’t know. But at least everything was important.

They Hacked McDonald’s Ice Cream Machines

McDonalds

Andy Greenburg, writing at Wired:

Of all the mysteries and injustices of the McDonald’s ice cream machine, the one that Jeremy O’Sullivan insists you understand first is its secret passcode. 

Press the cone icon on the screen of the Taylor C602 digital ice cream machine, he explains, then tap the buttons that show a snowflake and a milkshake to set the digits on the screen to 5, then 2, then 3, then 1. After that precise series of no fewer than 16 button presses, a menu magically unlocks. Only with this cheat code can you access the machine’s vital signs: everything from the viscosity setting for its milk and sugar ingredients to the temperature of the glycol flowing through its heating element to the meanings of its many sphinxlike error messages.

“No one at McDonald’s or Taylor will explain why there’s a secret, undisclosed menu,” O’Sullivan wrote in one of the first, cryptic text messages I received from him earlier this year.

Wild story.

How Tramp Stamps Became the Most Hated Band on TikTok

Vox

Rebecca Jennings, writing at Vox:

Then, a predictable cycle happened: Multiple TikTokers made videos accusing the group of being industry plants, citing the fact that their PR-ready website and Instagram page appeared far too polished for a seemingly independent trio of musicians who happened to meet each other at a bar. User @hard_cope dug into the members and found that lead singer Marisa Maino was, until mid-2020, performing as a solo pop artist under a more standard-issue glam persona and that drummer Paige Blue has written and produced commercial music for years. “It’s almost like it’s a bunch of people who were like, theatre majors and shit who had rich parents and now they’re co-opting riot grrrl aesthetics that people literally dedicate their lives to for money,” he said in his video

That’s when the accusations that the band was legitimately problematic started to come in. Once more TikTokers (as well as users on Reddit and Twitter) started digging, they found that both guitarist Caroline Baker and Maino have deals with Prescription Songs, which is owned by Dr. Luke, who was accused by Kesha of sexual assault. Others found several tweets of Maino’s in which she uses the n-word and implied that she supported Trump. Many more criticized the song “I’d Rather Die,” which they argued advocates for sexual coercion in lyrics that complain about men who can’t “get it up” because of alcohol.

Yikes.

By far the biggest critique of the band, however, has been centered around its alleged inauthenticity, which I’d argue is a much graver transgression for young fans than a past tweet or associations with problematic figures — Doja Cat, Kim Petras, Dua Lipa, and Saweetie have all worked with Dr. Luke, for instance, while celebrities like Justin Bieber and Post Malone have been filmed saying the n-word in the past with little detriment to their careers. There are now hundreds if not thousands of videos on TikTok explaining the Tramp Stamps drama, where commenters compete to post the most ruthless own: They’ve been described as “buzzfeedcore,” “the band version of Riverdale,” and “major ‘alt & goth amazon finds that you NEED to purchase’ vibes.” 

In response, the band posted a statement to their Instagram that begins “Hi fuckers” and goes on to scorch cancel culture and claim that actually, the band is technically independent, because they started their own label called “Make Tampons Free” under a company called AWAL, or “Artists Without a Label.” (They did not mention that AWAL is owned by Kobalt Music Group, one of the world’s largest music publishing companies.)

Double yikes.

Non-Fungible Taylor Swift

Taylor Swift

Ben Thompson, writing for Stratechery:

This is the inverse of Swift leveraging her fans to acquire her masters: future artists will wield that power from the beginning (like sovereign writers). It’s not that “art is important and rare”, and thus valuable, but rather that the artists themselves are important and rare, and impute value on whatever they wish.

To put it another way, while we used to pay for plastic discs and thought we were paying for songs (or newspapers/writing or cable/TV stars), empowering distribution over creators, today we pay with both money and attention according to the direction of creators, giving them power over everyone. If the creator decides that their NFTs are important, they will have value; if they decide their show is worthless, it will not. And, in the case of Swift, if she decides that albums are valuable they will be, not because they are now scarce, but because only she can declare an album “Taylor’s Version”.

I found this article interesting. I’m not sure how much of it I agree with, and how much seems to be reaching to draw connections between unrelated things, but it did make me think.

Taylor Swift Dominates the Charts

Taylor Swift

Taylor Swift once again has the number one album in the country:

More than 12 years after Taylor Swift notched her first No. 1 album on the Billboard 200 chart in 2008 with her second studio set Fearless, she’s back atop the list with a re-recorded version of the album, titled Fearless (Taylor’s Version). The new set is her ninth No. 1 and scores the biggest week of 2021 for any album. It launches with 291,000 equivalent album units earned in the U.S. in the week ending April 15, according to MRC Data.

Display Book Covers on Your Kindle Lock Screen

amazon

The Verge:

The Display Cover feature is only supported on some Kindle devices without ads. These devices include the Kindle (8th, 10th generation), Kindle Paperwhite (7th, 10th gen), Kindle Oasis (8th, 9th, 10th gen), and Kindle Voyage (7th gen). If you can’t recall which Kindle you have then click here to identify it. Promotions on ad-supported devices can be disabled for $20, or by calling into customer support and asking real nicely, according to many reports on redditkindle.

Supported Kindle devices running the latest firmware can activate the Display Cover feature by enabling the Show Cover option under Settings, Device Options

Finally.

South by Southwest Stake Is Sold to Owner of Rolling Stone

SXSW

Wall Street Journal:

Penske Media Corp., the publisher of magazines like Rolling Stone, Billboard and Variety, agreed to acquire a 50% stake in South by Southwest, the famed tech, music and movie festival, people familiar with the matter said.

The Texas festival, one of the largest and best known in the U.S., was dealt a severe financial blow last March after being canceled at the last minute by Austin city officials because of the outbreak of the coronavirus pandemic.

Organizers said at that time that their insurance policies didn’t cover cancellation because of a pandemic. They believed the cancellation would cost them millions, raising questions about the future of the festival, which is also known as SXSW or simply “Southby.” Last spring, SXSW laid off a third of its 175 year-round employees.

Arts Venue Closures Likely After Months-Long Delay in Federal Grant Program

Riot Fest

David Dayen, writing for The Prospect:

A critical $16.25 billion grant program to sustain thousands of small creative venues that haven’t been able to open since the pandemic began has yet to deliver a cent of relief four months after passage, due to delays and faulty technology at the Small Business Administration (SBA). A website constructed to take grant applications closed last week after only four hours online, because of constant crashes and an inability to intake documents. It has not been restored and there’s no timetable for its return.

The program, based on the landmark Save Our Stages legislation put into last December’s COVID relief bill, was the largest investment in the arts in U.S. history. But the byzantine application process (often requiring over 100 pages of documents) and stubborn lack of payout has music clubs, small museums and movie theaters, and other venues either closing or looking to sell out to larger firms.

Phoebe Bridgers’s Guitar Goes for $100k

Phoebe Bridgers

Variety:

“I know she has a loyal fan base,” says Anthony Ramos, the supervising producer of the GLAAD Media Awards, an event held Thursday night, to which the auction was tied. “Saturday night when I went to bed, it was around $18,000, and I was like, ‘That’s a great number!’ I was kind of hoping we would get to 25. Then I woke up and it was 40, then 50, then 80, and finally over 100. Obviously we were very pleasantly surprised. I’m so thankful someone wanted to support our work and wanted that guitar so badly.”

Justin Bieber Tops the Charts

Justin Bieber

Justin Bieber has the number one album this week:

Justin Bieber’s Justice returns to No. 1 on the Billboard 200 albums chart (dated April 17), scoring its second nonconsecutive week atop the list – and becomes his first multi-week No. 1 album since 2010. Plus, Demi Lovato lands her highest charting album since 2015, and Lil Tjaydebuts in the top five.

Phoebe Waller-Bridge Lands Female Lead in ‘Indian Jones 5’

Indiana Jones

Deadline:

Following the confirmation at the Disney Investors Presentation in December that the next film was a go, Lucasfilm and director James Mangold look to have their sights set on Harrison Ford’s first new co-star in the next installment of the Indiana Jones franchise. Sources tell Deadline that Fleabag Emmy winner Phoebe Waller-Bridge is set to co-star opposite Ford in the fifth installment, with Ford returning as everyone’s favorite fedora-wearing, whip-slinging archaeologist.