A structural engineer who trained at the prestigious Technical University in Delft, he joined Philips in 1952 and was head of the company’s product development department when he began work on an alternative for existing tape recorders with their cumbersome large spools of tape.
His goal was simple: making tapes and their players far more portable and easier to use.
“During the development of the cassette tape, in the early 1960s, he had a wooden block made that fit exactly in his coat pocket,” said Olga Coolen, director of the Philips Museum in the southern city of Eindhoven. “This was how big the first compact cassette was to be, making it a lot handier than the bulky tape recorders in use at the time.”
The final product created in 1962 later turned into a worldwide hit, with more than 100 billion cassettes sold, many to music fans who would record their own compilations direct from the radio. Its popularity waned with the arrival of the compact disc, an invention Ottens also helped create as supervisor of a development team, Philips said.
2021 NCAA Bracket Challenge
I didn’t watch much college basketball this year, but that doesn’t mean I won’t fill out a bracket that gets busted in within five minutes. There’s a Chorus group over on ESPN if you’d like to join.
The Weeknd Boycotts Future Grammys
For the Weeknd, the entire process has proved unacceptable. In a statement to The New York Times, he said he would boycott the awards from now on. “Because of the secret committees,” the Weeknd said, “I will no longer allow my label to submit my music to the Grammys.”
How Phoebe Bridgers Became a Lockdown Rock Star
Variety profiled Phoebe Bridgers:
“It would all be more tangible if a tour was happening — I would gradually be playing bigger venues, maybe getting more opportunities to go to lunch with someone cool, and see more fans and more tattoos of my lyrics,” she says. “Instead, every once in a while somebody at the grocery store comes up to me, very respectfully. But yeah, other than that, I’ve just got my same little life going.”
How Pandora Won Its Royalty Battle But Lost the War to Spotify
Tyler Hayes, writing for Vice:
For a few years in the late 2000s, Pandora was the on-demand DJ for tens of millions of people, creating the soundtrack to college dorm room parties, quiet coffee shops, busy kitchens, and family get-togethers. The days of building massive MP3 music collections through file-sharing was receding quickly into the past, and instead the shared experience of radio was making a comeback via the clever algorithmic matchmaking of Pandora’s endlessly customizable stations based on individual taste. Today it’s a feature we take for granted across every music service, even if Pandora’s implementation still seems like it was the best. Pandora itself, however, can feel like an afterthought. Betamax to Spotify’s VHS, or maybe more accurately, MySpace to on-demand streaming’s Facebook.
The Weeknd Has First Song to Spend Year in Billboard Top 10
The Weeknd’s former leader “Blinding Lights,” at No. 3, becomes the first song in the Hot 100’s history to spend a year in the top 10, as it logs its 52nd week in the region.
Weezer Release Audio Liner Notes
Weezer have released an audio version of the liner notes for OK Human via Audible.
Weezer and Jaron Lanier dive deep into the band’s new album, OK Human. The team discuss the album’s lyrical topics of modern life, technology, and what it is to be human as well as add insights into the sonics and recording process.
Steve Klein, Ex-New Found Glory Guitarist, Issues Statement
Steve Klein, formerly of New Found Glory, has issued a statement after his recent conviction.
Read More “Steve Klein, Ex-New Found Glory Guitarist, Issues Statement”Morgan Wallen’s ‘Dangerous’ Hits Eighth Week at No. 1
The charts are just depressing every week now:
Morgan Wallen’s Dangerous: The Double Album continues to rule the Billboard 200 chart for an eighth week, all consecutively, after having bowed atop the tally seven weeks ago (chart dated Jan. 23). Dangerousis now one of only six country albums that have spent at least eight weeks in total at No. 1.
Turntable.fm Is Back From the Dead
Mitchell Clark, writing at The Verge:
It’s rare that apps come back from the dead, but it seems like that may be what’s happening with Turntable.fm, a site that let users create their own radio stations and DJ sets with music they curated before it got shuttered in 2013. Even rarer, it seems like there are two versions involved in the revival: the original Turntable.fm site is back up and running (with the involvement of its original founder, Billy Chasen), but there’s also Turntable.org, which will reportedly be launching in beta this April.
Square Acquires Majority Stake in Jay-Z’s Tidal for $297 Million
Square, the mobile payments firm run by Jack Dorsey, has agreed to acquire a majority stake in Jay-Z’s music streaming service Tidal for $297 million, the companies announced Thursday.
Through the deal, Jay-Z and Tidal’s other artist shareholders — including Beyoncé, Madonna and Rihanna — will continue to own their piece of the business, which will operate as an independent division within Square.
Billboard Charts to Include Facebook Music Video Streams
Streams of officially licensed music videos on Facebook, which were added to the social platform on Aug. 1, 2020, in the U.S., will soon be factored into the Billboard Hot 100, Billboard 200, Artist 100 and Billboard Global 200 charts, as well as all other charts that incorporate streaming data, it was announced Wednesday.
The changes will take effect with the charts dated March 27, reflecting sales and streams from March 12-18. Only data from officially licensed music videos will be factored in, with user-generated content excluded from the tallies. Facebook video plays are categorized as ad-supported on-demand streams and represent U.S.-based activity only. Within MRC Data’s Music Connect platform, Facebook videos will be included among On-Demand Video totals, with the data visible beginning with activity on March 5.
Well, at least Facebook’s never been in trouble for overstating video metrics before.
SoundCloud Debuts New Payout Model
Fan-powered royalties are a more equitable and transparent way for independent artists who monetize directly with SoundCloud to get paid. The more fans listen on SoundCloud, and listen to your music, the more you get paid.
Under the old model, money from your dedicated fans goes into a giant pool that’s paid out to artists based on their share of total streams. That model mostly benefits mega stars.
Under fan-powered royalties, you get paid based on your fans’ actual listening habits. The more of their time your dedicated fans listen to your music, the more you get paid. This model benefits independent artists.
Steve Klein, Ex-New Found Glory Guitarist, Convicted of Indecent Exposure
Matt Fountain, writing at The Tribune:
A founding member of the pop-punk band New Found Glory was convicted of felony indecent exposure in San Luis Obispo Superior Court last month after accepting a plea agreement in a case that had idled for more than six years.
Stephen Lee “Steve” Klein, who lived in Atascadero, was charged in 2014 with five felony counts of lewd acts on a child, as well as a count each of contact with intent to commit a sex offense and possession of child pornography, stemming from sexual two-way chat room videos involving underage girls found on an external hard drive at Klein’s home.
At a trial-setting conference Feb. 9, Klein agreed to plead no contest to an added felony charge of indecent exposure, and the remaining charges were dismissed. […]
His attorney, Ilan Funke-Bilu, said Monday that if his client successfully complies with the terms of his probation for one year, his felony conviction will be reduced to a misdemeanor and his probation terminated.
The 41-year-old will be required to register as a sex offender for at least 10 years, however, Funke-Bilu said.
Martin Johnson Talks With Alt. Press
Martin Johnson of The Night Game talks with Alt. Press about the upcoming album:
When you’re a kid and you’re posing in the mirror with your first guitar and you’re thinking about being a rock star, you’re really not thinking about maintenance. You’re thinking about glory and telling your story and being honest and your internal torture and what that means and allowing the world to hear that and see that and do something great. And then you end up in this 12 by 12 box with no windows—in the major-label guts creating songs just to pay the mortgage. And it was like, “All right, let me see if I can do something great.” I said no to working on a lot of big projects in 2014 and just said I’m going to quit, or I’m going to make something that I believe in and that I feel is real, and I’m grateful I did it. I found my love for music again, and I found my love for creating and the art of it. I guess the biggest thing for the Night Game was I just detached from the results. I never really detached from results before. My personal validation has always depended on whether or not people like the song. Who I felt like I was as a man really depended [on], “Do you like my work?” And with the Night Game, it was like, “Do I like my work?”