Pitchfork Lived and Died by the Internet


Nick Heer:

If your music listening experience is mostly driven by playlists and suggestions, you might be less interested in reviewers and critics. That is not a denigration of how anyone listens to music, mind you — I am not a prescriptivist about this kind of stuff. You should experience art in the way you choose.

But streaming music is ultimately just a catalogue into which anyone can dive. It reduces the bar to entry and, on the other side of the same coin, reduces the cost of exiting. If you do not like an album, there is not a $20 sunk cost compelling you to keep going. But you also do not need to spend $20 to experiment with something you are unsure if you will like.