Paramore’s Influence Is All Around Us

Quinn Moreland, writing for Pitchfork:

Now, Paramore’s influence is being felt by a new group of artists navigating the turbulence of youth, when every heartbreak and setback can feel apocalyptic. Beyond Moriondo, the band’s sound and snarl can be heard in the gleeful middle finger that is Olivia Rodrigo’s No. 1 hit “good 4 u,” the Hot Topic thrash of Willow Smith’s “Transparent Soul,” the diaristic bliss of girl in red’s “Serotonin,” and Billie Eilish’s caustic eye-rolls. That these artists were an average of 5-and-a-half years old when Riot! was released only underscores Paramore’s staying power—and Williams’ role as a sage pop-punk den mother.

Who’s Going to Stop Spotify’s Viral Rap Impersonators?

Pitchfork

Noah Yoo, writing for Pitchfork:

There’s a rapper on Spotify named Lil Kambo who’s racked up 2 million streams and counting on his song “Kid Carti.” This would be a significant feat for any unsigned, self-releasing artist in the modern day. The only problem is that “Lil Kambo” doesn’t exist and “Kid Carti” is a pitch-shifted leak of Playboi Carti’s yet-unreleased track “Kid Cudi” (previously referred to as “Pissy Pamper”), a song the rapper’s been teasing for some time and even playing out live. Lil Kambo isn’t a viral hit—he’s a fraudster.

Pitchfork Details the Best Albums of the ’80s

Pitchfork

Pitchfork have put together a feature on the “200 best albums of the 1980s.”

Longtime readers may remember that, in 2002, we made a list of The Top 100 Albums of the 1980s. That list was shorter, sure, but it also represented a limited editorial stance we have worked hard to move past; its lack of diversity, both in album selections and contributing critics, does not represent the voice Pitchfork has become. For this new list, we gathered votes from more than 50 full-time staffers and regularly contributing writers to open up our discussion.

Why Indie Bands Go Major Label in the Streaming Era

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Marc Hogan, writing at Pitchfork:

Scott Rodger, who manages Arcade Fire, Paul McCartney, and Shania Twain, points me to various artists’ pages on Spotify. Arcade Fire have 5 million monthly listeners on the streaming service. Radiohead have 6 million, while Grizzly Bear, the War on Drugs, and LCD Soundsystem all have more like 2 million. But Imagine Dragons, while critically scorned, have 30 million-plus. And the most popular artists right now, like “Despacito” hitmakers Daddy Yankee and Luis Fonsi, along with Ed Sheeran and Calvin Harris, have upwards of 40 million. “With the world moving towards streaming, most indie or alternative acts simply don’t stream as well,” Rodger says.

Pitchfork Launches Beer-Focused Website

Pitchfork

Pitchfork have launched a new digital publication focused on beer. It’s called October:

A destination for devotees and novices alike to read about, learn about, and share their appreciation for beer and celebrate the culture around it. The site is being launched in partnership with ZX Ventures, AB InBev’s incubator and venture capital fund that focuses on increasing awareness and excitement around beer and brewing culture.

The web design is infuriating, but the writing seems to be of Pitchfork’s well-known style:

October aims to capture the spirit, ambition, and wort-soaked labor of the gambrinus pursuit — the making and drinking of the good life. Through essays, travels, events, and an objective look at what makes beer so damn good, our hope is that you’ll find resonance here, something of unusual quaffability, as part of the drinking class.