Magic: The Gathering is the True Soul of Rock & Roll

Magic the Gathering

Bear vs Shark were really into Magic: The Gathering:

For almost a decade, I was in Bear vs. Shark, a cold fusion of Loggins and Messina and Jem and the Holograms. We were like if Pantera was really into Michael Haneke — or a one-man band that was actually six druids from the future. We toured a lot and then we broke up — haunted Michigan and parts of New York, played steel drums in the desert. Our Constrobot deconstructed and we became lawyers, teachers, bounty hunters. Some made death masks for pets, others false teeth. One of us has a pushup academy.

Yahoo Secretly Scanned Customer Emails for U.S. Intelligence

Technology

Joseph Menn, writing at Reuters:

Yahoo Inc last year secretly built a custom software program to search all of its customers’ incoming emails for specific information provided by U.S. intelligence officials, according to people familiar with the matter.

The company complied with a classified U.S. government directive, scanning hundreds of millions of Yahoo Mail accounts at the behest of the National Security Agency or FBI, said two former employees and a third person apprised of the events.

Review: Ceres – Drag It Down on You

Ceres

Throughout most of the new Ceres album, Drag It Down on You, vocalist Tom Lanyon sounds pissed. Not pissed in the way that The Story So Far’s Parker Cannon sounds pissed, not the kind of pissed that makes you want to punch your bedroom wall, but the kind of pissed that makes you want to punch yourself. See, Lanyon and the rest of Ceres have done a lot of growing up since 2014’s remarkable debut, I Don’t Want to Be Anywhere But Here, and the result of that growth is the band’s sophomore album, which will go down as one of the best albums in an absolutely stacked year.

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Designing Bon Iver’s ’22, a Million’

Bon Iver

Emmet Byrne interviewed Eric Timothy Carlson, the artist behind Bon Iver’s latest album, 22, a Million:

In the following interview we present the finished artwork, supplemented with process work and related materials. Eric takes us down the rabbit hole, describing the intense, fluid work sessions with Justin Vernon and others at the Eau Claire studios, the numbers that permeate the track list, the influence of digital culture on the new album, the prevalence of cryptic symbolism throughout the Minneapolis/Wisconsin music scene, and the Packers.