After Ours – “Different Now” (Video Premiere)

After Ours

After Ours, the musical project of Kayla Janowitz, is releasing her music video today for a key song called “Different Now.” From the After Ours new LP of Imaginary Friend that releases on June 6th, this single dances around self-reflection and the realization that we can all find solace in self-healing. I was also able to catch up with Kayla for a brief interview below. If you’re enjoying the music video, please consider pre-saving Imaginary Friend here.

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Review: Twenty One Pilots – Blurryface

The game-changing fourth studio album by rock band Twenty One Pilots is turning ten years old over the weekend, so it’s only fitting for us to take another look at what made Blurryface so special. The Fueled By Ramen release was an immediate success. The record debuted at the top of the Billboard 200 in its first week of release, it was the first album in Billboard history for every song on the record to be at least Gold certified, and it has since been certified as 4x Platinum by the RIAA. Putting a fresh pair of ears on Blurryface in 2025 brings back a flood of good memories for me. I had become a fan of the band from a friend sharing the band’s third record, Vessel, with me, but I was floored by the artistic development found on Blurryface. Tyler Joseph had a hand in co-producing each of these tracks with a handful of other producers gently adding some insight and their experiences to make sure the songs really shined. From the frenetic opening drum sequence by Josh Dun on “Heavydirtysoul” all the way to the somber reflection of “Goner” that slow-builds to a dramatic crescendo, Blurryface has a little bit of everything in it for fans of all genres to enjoy. Fueled By Ramen would happily release six singles from the 14-track effort, and each of these infectious songs are as immediately gripping as the first time I heard them.

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“Why Jesse Lacey and Brand New Should Not Be Touring”

Another woman has shared her story for the first time detailing what she describes as a “pattern of grooming” from Jesse Lacey of Brand New and why she does not think the band should be touring:

I am sharing my story publicly for the first time, and it’s one I’ve kept to myself for years. In 2006, I was 15 years old, a teenager at the height of adolescence, trying to navigate the complexity of identity, self-worth, and relationships. Brand New’s music defined that time for me, and like so many others, I idolized Jesse Lacey. His lyrics spoke to the vulnerability of youth, the pain of growing up, and the confusion of unrequited love. To be seen by him as someone worthy of his attention was intoxicating — it felt like a validation of my worth, my place in the world, and my identity as a young woman.

The entire thing is worth your time. And the words toward the end have stuck with me since I first read them:

To those who feel that people like me demanding accountability want Jesse to “burn” or have his life ruined — this was never about destruction. It’s about responsibility. No one is asking for his exile, only for an acknowledgment that goes beyond vague apologies and self-preserving statements. True accountability isn’t just admitting to “sex addiction” or “manipulation”; it’s about recognizing the full extent of harm caused and taking meaningful steps to repair it. Jesse has never done this. Defending him by claiming he’s “done his time in therapy” suggests that personal growth absolves public harm, which it does not. […]

If you truly believe Jesse has changed, ask yourself: why has he never directly addressed the people he harmed? Why, in 20 years, has he done nothing to make things right? And why are you more comfortable questioning his victims than questioning him?

I’ve said what I want to say about the band’s return at this point, but I think this is important to share.

Review: The Starting Line – Based On A True Story

The Starting Line - Based on a True Story

Most bands wouldn’t survive the label turmoil that went on during the promotional period of Based On A True Story, the sophomore record from The Starting Line. Despite reaching as high as #18 on the Billboard 200 upon its release in May of 2005, the album was basically shelved once Geffen Records decided that they were not going to make the LP one of their priorities. It’s a shame that only one single (“Bedroom Talk”) was released from this album since there really are a lot of gems to be found in The Starting Line’s songwriting here. Tim O’Heir produced the majority of the songs on Based On A True Story, but the label wasn’t thrilled with the sound found on the songs they were hoping would take off on radio, so they recruited veteran hitmaker Howard Benson (My Chemical Romance) to provide some guidance on “The World” as well as “Bedroom Talk.” A third producer, Eric Rachel, was enlisted for “Making Love To The Camera”, which would explain some of the unbalanced production elements when played from front to back. The Starting Line battled with their label to the bitter end to ensure they could release the record that the band wanted to make, even if it led to them forfeiting the rights to the recordings themselves. Ultimately, this is what happened, leaving some uncertainty to the future of the album for vinyl represses and so forth. With so much drama going on behind the scenes, it’s truly a miracle that this record saw the light of day, yet fans have adored Based On a True Story for a reason: the songs are really great.

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Max Changes Name Back to HBO Max

HBO

Variety:

This summer, streamer Max will bend the knee and rebrand back to its original name, HBO Max. 

The change comes just over two years after Warner Bros. Discovery decided to drop HBO from the streamer’s name to become just Max. Note that while HBO and Max have carried separate commercial branding during that time, they’ve competed under one “HBO/Max” label for industry awards.

LOL.