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Review: Spitalfield – Better Than Knowing Where You Are

Spitalfield - Better Than Knowing Where You Are
Drew Beringer 
It’s just another stretch of highway. 
I never asked for ordinary. 
Time and time change. 
If I rewrote this it might just sound the same.

Those are the words that begin Spitalfield’s third album, Better Than Knowing Where You Are. That intro (titled “Dare To…”), backed by dreamy guitar tones and softly sung by vocalist and guitarist Mark Rose, displays the writing perspective from the Chicago quartet. Spitalfield has never written the same record twice, from the pop-punk goodness of their debut, Remember Right Now to the more rock-orientated second album, 2005’s Stop Doing Bad Things. These lyrics can also be directed towards Spitalfield’s fans, the majority of which despised the critically acclaimed Bad Things, longing for the pop-filled hooks that dominated Right Now. Fans need not worry about the groups latest (and best) offering yet. Combining the hooks and melody of the first record along with the maturity of the second, Better Than Knowing displays how much progression this band has made over the course of their eight year existence.

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Review: John Mayer – Continuum

John Mayer - Continuum
AbsolutePunk 
And if we had the power 
to bring our neighbors home from war
They would have never missed a Christmas
No more ribbons on the door

John Mayer aims straight for the heart with his poignant fourth studio album, Continuum. The anti-war anthem and lead single “Waiting On the World to Change” gives listeners, both old and new, an idea of how far Mayer has come. To be frank, this is no “Your Body Is A Wonderland.” With Continuum, Mayer broadens his fan base by infusing a very blues and R&B-influenced sound. On the next track, Mayer strips down the soft-pop sound and builds “I Don’t Trust Myself (With Loving You)” around an effervescently jazzy guitar piece. He has proven both his durability and versatility as a songwriter with Continuum. Mayer designs each melody delicately in order to best capture the listener’s heart; this stellar CD should attract an amalgam of old and new fans.

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Review: mewithoutYou – Brother, Sister

mewithoutYou - Brother, Sister
AbsolutePunk

Last summer, my friend Scott Weber told me I must get into mewithoutYou—that they are a pivotal band, creative and non-linear—every five-dollar word Pitchfork Media would use to worship a Sufjan Stevens or Mogwai album. Putting it nicely, I thought they were rather over-the top and boring at the same time. Where were the driving choruses and upbeat melodies? I mean you have to have one or the other right? Fast forward almost a year later and I’m singing their praises, first acknowledging the pure poetry of their art—from there it was all butter. 

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Review: Senses Fail – Still Searching

Senses Fail - Still Searching
Drew Beringer

In the August issue of Alternative Press, Senses Fail vocalist and lyricist Buddy Nielsen had this to say about his lyrics for the new album: “No violence; no blood; none of that stupid shit. I want to be as honest as possible. Most of the songs are about the past year of my life, when I had a mental breakdown – I basically went crazy.” These words hold true on the New Jersey quintet’s second album, Still Searching. Gone are the songs about chainsaws, digging up dead girlfriends, and his obsession with fire. Instead, Nielsen’s lyrics are self-reflective and open about his struggles with depression and alcohol. This is a nice change from the cliché-ridden lyrics from Let It Enfold You and instantly you can tell Senses Fail have grown up, which was helped by Midtown guitarist Heath Saraceno, who joined the band on tour and then played and influenced the sessions of Searching. Immediately, the musicianship, most notably the guitars, have improved tenfold, thus strengthening all thirteen songs. The effort still has some notable flaws, but that’s not to take away from how much this band has matured and improved over the course of 2 years.

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Review: New Found Glory – Coming Home

New Found Glory - Coming Home
Jason Tate

New Found Glory have always been a musical-staple of my summers. Since the release of Nothing Gold Can Stay, so many years ago, it seems that when the weather gets warm the pop-punk goodness of NFG is always close in tow. However, the band’s latest album hits us as the summer months fade and the air bends to the onslaught of fall. Incidentally, the band’s musical thermometer is still intact. Instead of an album full of summer-fist-pumping-anthems they’ve released the perfect music by which to watch the leaves fall from the trees.

The changing of seasons seems to be the perfect metaphor for New Found Glory; however, it’s important to note that while the color of leaves may change, the underlying nature never does.

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Review: Norma Jean – Redeemer

Norma Jean - Redeemer
Drew Beringer

Don’t be fooled by those promo photos of Norma Jean all dirtied up in your new AltPress issue because their latest album, Redeemer, shines with a clean-cutting and smooth sound from alt-rock master producer Ross Robinson. Norma Jean’s last offering, 2005’s sludgy O` God The Aftermath, was the first with vocalist Cory Brandan, who replaced the much loved Josh Scogin. O` God was received with mixed reactions, but one thing most people could agree on was that it sounded like Botch Jr. Now, don’t get me wrong, there is nothing wrong from being influenced by such a great band, but when it dominates your sound, it becomes a bit much, and that was the major downfall to O` God. Norma Jean looked to redeem themselves with their third album from Solid State, and, with help from Robinson, succeeded greatly. The eleven track beatdown is a return to what made Norma Jean so loved in the first place. Back is the melody, Brandon’s vocals have improved dramatically, and the guitars are bombastic. 

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Review: The Matches – Decomposer

The Matches - Decomposer
Jason Tate

I am going to be up-front with you right now: This band is not for everyone. In fact, there are a good many of you that are going to straight up hate this album. There are quite a few reading this that would probably rather place nails in their ears than ever listen to this band. I, however, am not one of those people. In fact – I think this is one of the best albums to be released this year and one of the most creative and innovative bands to be creating pop/punk/rock music in our, or any, genre.

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Review: As Tall as Lions – As Tall as Lions

As Tall as Lions - As Tall as Lions
AbsolutePunk

The idea of a summer record invokes for most people thoughts of an album such as New Found Glory’s Sticks and Stones, The Beach Boys’ Sounds of Summer, or who knows… maybe Sheryl Crow’s “Soak Up The Sun” is the only smooth jam on your iPod “summer love” playlist. Either way, when sound waves and heat waves collide it’s the fair-weather combination of energetic melodies, warm tones, and lifting progressions that we love to turn up while we roll the windows down. This being the case, As Tall As Lions’ self-titled full length, in all its murky, ambient glory, would appear very much a fish out of water as an early August release. Who’s the genius over at Triple Crown who thought we would take Head Automatica, Gym Class Heroes, and Hellogoobye out of our stereo for this semi-challenging, mostly somber, and generally soft-tempo collection of songs? Well, whoever he or she is, they deserve a promotion, for As Tall As Lions is perhaps the most awesomely anti-summer album of all time.

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Review: Alexisonfire – Crisis

Alexisonfire - Crisis
Drew Beringer

Alexisonfire are like a cult. They aren’t wildly popular and haven’t rode the wave of “popular screamo” like most bands have, but they have a fiercely passionate core of fans and two albums that match that intensity. After spending a few years on the Equal Vision roster, Alexis has jumped ships to one of the biggest independent labels ever, Vagrant, to release their third album, Crisis. Possessing one of the finest vocals talents in the scene, Dallas Green, Alexisonfire are looking to break into new ground. Incorporating three styles of vocals (from Green, George Pettit, and Wade MacNeil) with dual guitar work, Crisis is a bag full of mixed results. Throughout the eleven tracks, you’ll come across some songs that are good, some that are horrible, and a lot that sound like watered down versions from Watch Out!. 

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Review: Over It – Step Outside Yourself

Over It - Step Outside Yourself
Jason Tate

The best way to describe Over It’s major label debut Step Outside Yourself is as a giant coming out party for everyone involved. The vocals are strong and impressive, the lyrics are poignant and refreshing, the guitars are predominately displayed, the bass is powerful, the drums blistering, and the production flawless. Every single aspect of this album is a step above everyone’s past work and in reaching this new plateau the album sits a step above their peers as well.

The time is ripe, the stage is set, and the curtains drawn. If there was ever a time when the phrase “the next big thing” was perfectly fitting – that time would be now.

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Review: Saosin – Saosin

Saosin - Saosin
AbsolutePunk

There have been few inaugural full-length releases in the recent modern rock mire that could be considered anywhere near as “make or break” as Saosin’s self-titled Capitol Records debut. While it is largely indisputable that the band’s game-changing breakout EP, Translating the Name, was a high water mark in its own right, it had the benefit of making impressions without the complication of prior expectations and the proverbial “hype.” However, with the passage of time, the residual fame from that release has begun to wear thin after three long, empty years. A crappy (though supposedly wrongly-released) EP two years later did little to reinforce fence fans’ confidences, but a bevy of high-profile tours and festival appearances have kept the bottom from falling out on Saosin, despite the defection of one of the scene’s most prolific frontmen, and other lineup changes from the white EP’s revered roster.

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