This past week, I was able to chat with Ryan Locke (lead vocalist) of Seaway to discuss everything that went into writing and recording their fantastic fourth album, Big Vibe. Ryan describes the band’s live performances, the artistic comparisons others have made to the sound the band went for on the new record, as well as their core influences.
Read More “Ryan Locke of Seaway”
Today I’m pleased to premiere the brand new single from Who Will Meet Me At The Gates, called “Wet Cement.” Who Will Meet Me at the Gates is the latest installment in the ever-expanding universe of The Inevitables. Initially conceived as a soundtrack album and comic book, The Inevitables is evolving into a multilayered, multimedia project that extends into toys, art, and branded collectibles. On October 16th, the first single “Good Grief” dropped from a new five-song acoustic EP, featuring a veritable punk rock supergroup featuring members of Pears, Less Than Jake, The Jeff Rosenstock Band, Big D and the Kids Table, and Westbound Train.
As with the rest of the Inevitables project, the group was not satisfied stopping with music. For the graphic side of the concept, they brought in Portland-based artist Tomo77 to lend a visual experience to the songs. The result is a 6-print series reflecting the impact of the pandemic amid a tumultuous and changing social and racial landscape. Rendered in isolation, Tomo77’s images explore themes of racism, police brutality and a society in the throes of political chaos and disease, entwined with symbolism reminiscent of the middle ages. The art will be made available in a limited run of numbered and embossed prints.
If you like what you hear, you can stream the album here.
Read More “Who Will Meet Me At The Gates – “Wet Cement” (Song Premiere)”
First of all, thank you to everyone for the massive feedback from last week’s article about dealing with the collapsing ad market due to the pandemic. All of the kind words made a time of uncertainty a little more bearable, and it was the best week of membership signups we’ve had since the first week I launched the website. Everything is still very much up in the air, but the last week gave me a feeling of comfort I haven’t had in a few months, so thank you for that.
While I was putting together the “Back to” and “My Nostalgia” series, I tried to capture as many of the significant memories as I could about the years and, specifically, the music. However, as I finished, I realized something was missing. While I felt good about documenting the music and what was going on behind the scenes of running the website, I couldn’t pull in as many of the other random anecdotes or bigger things that were happening around the website and our community through those years. Various moments stand out to me, usually related to a dramatic event, that felt almost as memorable as the music itself. This week I’d like to reminisce about five of them. I don’t always remember the specifics of the years and timing, but I’ll try and pull in what I can track down.
Read More “The Biggest Memories Are Always Chaos”
A few days ago I was able to have a conversation with Ali of Fear No Empire, and we chatted about why he decided to form a new, politically-charged rock band after so many years with pop-punk band Zebrahead. Fear No Empire is Ali Tabatabaee – Vocals (Zebrahead,) Ben Ozz – Bass (Zebrahead,) Dan Palmer – Guitar (Zebrahead, Death By Stereo,) and Mike Cambra – Drums (The Adolescents, Death by Stereo and Common War). Their new single, “Revolt” captures their punk rock spirit with some hip-hop elements thrown into the mix. During my conversation with Ali, we discussed the formation of this new band, what makes Fear No Empire unique, and the recording process of their new self-titled EP that will be released this October.
Read More “Ali Tabatabaee of Fear No Empire”
Today I’m happy to share with you the exclusive video premiere of “The Worst Part of December,” the great new single by Barely Civil. Frontman Connor Erickson had this to say about the direction of the record, “I feel like our music revolves around the process of analyzing who we are and where we come from. Possibly, even, where we belong.”
Barely Civil’s new album, I’ll Figure This Out, will be released on September 4th via Take This to Heart Records. Pre-orders are now up.
Read More “Barely Civil – “The Worst Part of December” (Video Premiere)”
I know that it’s 2020 and time has lost all meaning, but we’re actually halfway through the year already. I know, right? The Chorus.fm contributors have once again put together a comprehensive list of their favorite albums of the year (so far). It’s full of incredible albums that are definitely worth your time. Less chit-chat, more ranking!
Read More “The Best Albums of 2020 (So Far)”
This past week, I was able to connect with Derek Zanetti (aka The Homeless Gospel Choir) and discuss everything that went into making his new album, This Land is Your Landfill. I asked Derek about how he is staying connected to his fans during this pandemic, his take on the current political climate, his cassette collecting passion, and what he is most looking forward to when things return to normal.
This past week I was able to have an in-depth conversation with Colin Dieden, who has launched a new project called Little Hurt. Colin discussed his decision to leave his previous band (The Mowgli’s), how his new EP is coming together, and what the future looks like in this band in terms of touring plans and creating a grassroots campaign of getting the word out about Little Hurt.
Last month we shared our favorite albums of 2019, and now that 2020 is upon us, it’s time to look at what we’re anticipating throughout the year. What records do we think we’re going to fall in love with over the next few months? What albums can we just not wait to hear? A bunch of contributors have written up blurbs about the albums and artists we’re most excited about, and we’d love to hear what’s on your most anticipated list as well.
2020? Are you sure?
It seems like just yesterday that I was combing through the AbsolutePunk.net boards, reading the 2009 end-of-the-year lists that crowned records like Manchester Orchestra’s Mean Everything to Nothing and Thrice’s Beggars among the finest releases of the year. A lot has changed since then—in music, in our lives, and with the state of the world—but here we are again 10 years later, taking stock of another ending.
There have been a lot of endings over the past decade. Bands we loved have called it quits. Staff members who gave countless hours of their time writing for this website have moved on to other things. AbsolutePunk had its own sunset in 2016, relaunching as Chorus.fm that spring. And yet, a lot of things have lived on, too. Our love for music, certainly, is alive and well. The vibrancy of this community as a place to talk about bands and share things you love with like-minded souls has persisted, too. And some of us have been here for a very long time, watching the state of the music scene and the world at large shift from behind our keyboards, the headphones in our ears playing us the latest thing that might get our hearts racing like our old favorite records always have.
I don’t have a neat little bow to tie around the 2010s to commemorate their impending conclusion. It’s been a chaotic decade in a lot of ways. It’s certainly been the most chaotic music era on record. The way we listen to music has changed. Entire formats have shifted. Trends have sprung up and others have died. Artists have reshaped the way that music is written, recorded, packaged, released, shared, and marketed. And perhaps most importantly, there’s just been more: more music making its way into the world on a weekly basis; more ways to hear it all; more ways to discover; more ways to think about what art can do, both in our personal day-to-day lives and to the world that we live in.
Perhaps it’s fitting, then, that our list of favorite records from the 2010s is a bit chaotic in its own right. It’s a smorgasbord of genres; a kaleidoscope of emotions; a place where massive pop superstars can coexist with the bands that really feel like they are ours, the ones that have been so foundational to this community and its unique musical identity. The list is also a testament to how much opinions on music can change over time. Some of our former Album of the Year winners are missing entirely; other albums have grown in our estimation, swimming to the forefront as, we think, the foremost artistic achievements of the past decade. Ask us again in two months and we might see things differently. For now, it’s time to put our pencils down and close the book on this chapter.
To everyone who is reading, or to anyone who has played a part in the AbsolutePunk/Chorus.fm story over the past decade, we say thank you. What a long, strange trip it’s been. Here’s to another 10 years of music mending broken hearts. [CM]
This past week, I had the opportunity to sit down with Jade of Oso Oso, before he played a supporting set at the Fillmore Silver Spring near Washington, DC. In this interview, I asked Jade about how much he follows what others say about his music, the recording process he went through during the Basking in the Glow sessions, and how he continues to find inspiration as an artist. Throughout our chat, I got a glimpse into what makes Jade such a talented songwriter, and found our conversation to be a hell of a lot of fun too.
Welcome back to Track List, your monthly dose of 30 songs aimed to match the time of year, sequenced into a playlist for you to vibe out to however you see fit. Hopefully some names will be familiar, and hopefully some will give you a new discography to dive into. Drop me a line with some of your seasonal favorites and check back every month for a new playlist.
You can find the playlist on Spotify and Apple Music, and read more about the selections below.
Welcome back to Track List, your monthly dose of 30 songs aimed to match the time of year, sequenced into a playlist for you to vibe out to however you see fit. Hopefully some names will be familiar, and hopefully some will give you a new discography to dive into. Drop me a line with some of your seasonal favorites and check back every month for a new playlist.
You can find the playlist on Spotify and Apple Music and read more about the selections below.
Welcome back to Track List, your monthly dose of 30 songs aimed to match the time of year, sequenced into a playlist for you to vibe out to however you see fit. Hopefully some names will be familiar, and hopefully some will give you a new discography to dive into. Drop me a line with some of your seasonal favorites and check back every month for a new playlist.
You can find the playlist on Spotify and Apple Music and read more about the selections below.
Welcome back to Track List, your monthly dose of 30 songs aimed to match the time of year, sequenced into a playlist for you to vibe out to however you see fit. Hopefully some names will be familiar, and hopefully some will give you a new discography to dive into. Drop me a line with some of your seasonal favorites and check back every month for a new playlist.
You can find the playlist on Spotify and Apple Music and read more about the selections below.