Gerard Way has updated the song descriptions of a bunch of the songs he put on SoundCloud earlier this week detailing the songs and where they started and came from. For example, he writes about how “Success!” was originally written for a new band that never came to be:
Back before Hesitant Alien was a thing, and before I wanted to pursue a solo career, I wanted to start a band and just sing and play guitar, after my chem broke up. The name of the band was going to be Baby Animal Hospital (the record label hated the name, especially since it included both the words ‘baby’ and ‘hospital’ in the same phrase), and I did a bunch of rough graphic design for it, but in the end, it really felt like a solo thing, so that’s what it became. But when it was Baby Animal Hospital (I wanted something that sounded warm and fuzzy and loud, like the tones) I recorded this track with Doug for the opening of the record. The lyrics/sounds are just the word BAH over and over again, which where the first letters of each word of the band name, but that wasn’t intentional, I just liked the sound. And this was us really messing with auto-tune to try and make it sound like an instrument. It was supposed to be this track as track one and go right into Action Cat. Later on, I figured I would just make a zine with the name Baby Animal Hospital, but I didn’t get very far with it. Still like the name, and may do something with it in the future. Maybe one day I’ll share all the graphic design I did for it when it was a band, a lot of which was cut and paste by hand.
Gerard Way is releasing a new version of the The True Lives Of The Fabulous Killjoys graphic novel. It will be released on September 2nd.
Smith revealed that Gerard Way will be scoring Clerks 3, according to /Film reader Mario R, who was in attendance at a Monday roadshow event for Jay and Silent Bob Reboot. Smith has been hitting the road for the past few weeks to promote the Fathom Events release of Jay and Silent Bob Reboot, but that doesn’t seem to have prevented him from calling up a few favors and getting the band back together for Clerks 3.
George Gene Gustines, writing at The New York Times:
My initial inspiration was a few different things. I had been such a fan of the Marvel Silver Age, and I grew up reading Chris Claremont’s X-Men. Marvel characters had a lot of issues and problems, but I wanted to give them deeper, more complex problems. I was also reading Hellboy by Mike Mignola, and to me that was a postmodern horror comic. There was nothing like that for superheroes. I usually try to make things that I wish existed that I would want to listen to or read.
Leonie Cooper, writing at The Guardian:
“That’s stuff I thought about when the world started to get super fucked-up again,” he reveals. “It definitely came into my head, but I’d changed so much as a person. I didn’t know how I’d fit into it any more, I didn’t know how the band would fit into it any more. But you’re right, the world is definitely in need of something positive.”
I am evidently not the only one inquiring about the possibility of a comeback for a band that meant so much to so many. “We definitely get offers regularly to reunite – it’s a constant thing,” he says. “It’s flattering, it’s really nice of people …” But no chance? “I miss playing with the guys, but I don’t think so …”
What I did for Steve Blackman (the showrunner) and the writers in that first writers room was to create an eighteen page document that laid everything out. Even of the graphic novels that haven’t come out yet. Which should equal eight when we’re all done. So I gave them the blueprint for what happens, because you do want to seed certain things in there for future series and the hope is that it’s a success so that you do a lot more of these.