The Format Announce ‘Live at The Mayan Theatre’ Vinyl Release

The Format are putting out Live at The Mayan Theatre on vinyl for its 13-year anniversary. Pre-orders are up.

In addition to the vinyl drop, on February 4th Live At The Mayan will be available for the first time to listen to on Spotify, Apple Music, and Amazon, and watch on Amazon Prime Video and YouTube. It will be added to the iTunes Video Store at a later date.

To celebrate the re-release, Sam is hosting a Live At The Mayan viewing party on February 3rd in Phoenix at Hello Merch. If you’d like to go, RSVP. Space is limited so RSVP here ASAP.

If you have a chance to go to this viewing party, I’d take it. [shakes magic eight ball] You may rely on it.

Interview: Sam Means (ex-The Format)

Sam Means

Late last week, I had a chance to sit down for an extensive phone conversation with the wonderful Sam Means. Back in January, Sam released his debut full-length solo record Ten Songs, a record I have connected with a lot during these long, hot summer days in the Northeast. We discuss that record pretty thoroughly before delving into a number of other topics, including why Dog Problems has remained relevant even ten years later and why he feels a The Format reunion is “inevitable,” even if it’s not imminent.

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Review: The Format – Dog Problems

The Format - Dog Problems

This review was written in 2006 and originally published on AbsolutePunk.net. It has been very minimally edited before being republished.

At the proverbial heart of the record everything about this sophomore full-length is actualized in the form of one solitary line. Let me explain: Midway through the album sits the title track, “Dog Problems,” and midway through the song, the music gently wilts and Nate sings, “Can you hear me? Are you listening? This is the sound of my heart breaking and I hope it’s entertaining. Because for me, it’s a bitch. Was it worth it when you slept with him? Did you get it all out of your system?” If there was ever a defining moment in what is sure to become The Format’s opus, this is it.

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