How Spotify’s Tool Went From ‘Payola’ Accusations to Widespread Use

Ashley Carman, writing for Bloomberg:

In 2020, Spotify made waves in the music industry with the announcement of a tool that would alter how people hear music on its platform: Discovery Mode, which allows labels and artists to accept a 30% reduction in royalties in exchange for an algorithmic boost. These promoted songs can show up in certain playlists  , including Spotify Radio, autoplay and particular personalized selections. […]

The Discovery Mode tool has become a critical part of many marketing strategies, particularly around an album release or to promote a catalog. Almost everyone I spoke with emphasized that the tool alone won’t create new fans or offer long-lasting impact. It requires a more holistic strategy, meaning people might hear a song on Spotify because of Discovery Mode, but, at the same time, also encounter a billboard with the artist in question or hear the song in a TV show or on TikTok. Shortly thereafter, the artist might go on tour. This means artist teams try to be selective about what they include, though people I spoke with noted that both Spotify and distributors encouraged them to opt every song into it.

AI Generated Songs Appearing on Dead Artists’ Spotify Pages

404 Media (paywalled) is reporting on how Spotify is allowing AI-Generated songs on various dead artists’ pages:

According to his official Spotify page, Blaze Foley, a country music singer-songwriter who was murdered in 1989, released a new song called “Together” last week. The song, which features a male country singer, piano, and an electric guitar, vaguely sounds like a new, slow country song. The Spotify page for the song also features an image of an AI-generated image of a man who looks nothing like Foley singing into a microphone.  

Craig McDonald, the owner of Lost Art Records, the label that distributes all of Foley’s music and manages his Spotify page, told me that any Foley fan would instantly realize “Together” is not one of his songs. 

Consequence has more:

Update: In a statement a spokesperson for Spotify said, “The content in question violates Spotify’s deceptive content policies, which prohibit impersonation intended to mislead, such as replicating another creator’s name, image, or description, or posing as a person, brand, or organization in a deceptive manner. This is not allowed. We take action against licensors and distributors who fail to police for this kind of fraud and those who commit repeated or egregious violations can and have been permanently removed from Spotify.”

‘Scrubs’ Gets Series Order at ABC

Scrubs

Scrubs is officially returning.

A long-discussed revival of the 2000s comedy series has landed a series order from ABC, where it’s been in development since December 2024 — though series creator Bill Lawrence and members of the cast have talked about reuniting for years before that. Donald Faison and Sarah Chalke, who starred in the original version of the show, have signed on to join series lead Zach Braff in the revival. All three will also be executive producers on the show, which is set to premiere in the 2025-26 season.

BPI Calls for AI Labels on Spotify and Other DSPs

AI

Digital Music News:

“That’s why we’re calling on the UK government to protect copyright and introduce new transparency obligations for AI companies so that music rights can be licensed and enforced, as well as calling for the clear labelling of content solely generated by AI,” Jones indicated.

The latter adverb raises interesting questions about what an across-the-board labeling system would look like in practice. For obvious reasons, if they do incorporate AI, established artists probably won’t want their music labeled as such – hence the “solely” clarifier.

This seems like a no-brainer to me.

Spotify CEO Invests in AI Defense Company

TechCrunch:

The billionaire, who primarily lives in Stockholm, just led a €600 million investment in Helsing, a 4-year-old, Munich-based defense tech company that is now valued at €12 billion, as first reported by the Financial Times and confirmed separately by TechCrunch. The deal makes it one of Europe’s most valuable privately held companies; it also highlights Europe’s scramble to build its own military muscle as the world grows messier and the U.S. turns inward. […] But what started as an AI software company has grown much more ambitious. Helsing is now building its own strike drones and aircraft and said it’s working on a fleet of unmanned mini submarines in order to improve naval surveillance.

mewithoutYou’s ‘Pale Horses’ Turns 10

mewithoutYou

Stereogum with a nice write-up on (the still criminally underrated) mewithoutYou:

I am writing this on the 10th anniversary of their sixth album, Pale Horses, because I believe that this band, and this album in particular, is still perplexingly overlooked and under-discussed. Part of the reason for this is that it’s hard to explain the band’s appeal. They’re hard to contextualize. Most people just don’t know what their deal is. mewithoutYou appears only sporadically in this fine publication, despite a 20+ year career opening for bands like Cursive and the Dismemberment Plan. One of their songs is namechecked in a 2014 list of 30 songs from the golden era of emo, and there’s a few honorable mentions of their new music in the postscripts of articles about other Songs/Albums of the Week. The only real dedicated coverage came in 2022 in write-ups of the band’s farewell tour.

Blog: The Best Time to Start a Blog, Is Now

Adam Mastroianni:

The blogosphere has a particularly important role to play, because now more than ever, it’s where the ideas come from. Blog posts have launched movements, coined terms, raised millions, and influenced government policy, often without explicitly trying to do any of those things, and often written under goofy pseudonyms. Whatever the next vibe shift is, it’s gonna start right here.

The villains, scammers, and trolls have no compunctions about participating—to them, the internet is just another sandcastle to kick over, another crowded square where they can run a con. But well-meaning folks often hang back, abandoning the discourse to the people most interested in poisoning it. They do this, I think, for three bad reasons. 

One: lots of people look at all the blogs out there and go, “Surely, there’s no room for lil ol’ me!” But there is. Blogging isn’t like riding an elevator, where each additional person makes the experience worse. It’s like a block party, where each additional person makes the experience better. As more people join, more sub-parties form—now there are enough vegan dads who want to grill mushrooms together, now there’s sufficient foot traffic to sustain a ring toss and dunk tank, now the menacing grad student next door finally has someone to talk to about Heidegger. The bigger the scene, the more numerous the niches.

Blog: Smart People Don’t Chase Goals

Linked List

Joan Westenberg:

The cult of goal-setting thrives in this illusion. It converts uncertainty into an illusion of progress. It demands specificity in exchange for comfort. And it replaces self-trust with the performance of future-planning. That makes it wildly appealing to organizations, executives, and knowledge workers who want to feel like they’re doing something without doing anything unpredictable. But the more interesting question is: who is not setting goals? And why?

It turns out that many of the people doing genuinely innovative work avoid explicit goals entirely. They work within constraints instead.

Loved this.

Ingrid Andress, After the Anthem

Ingrid Andress

Ingrid Andress talks with Glamour about the viral National Anthem performance:

In 2024, country star Ingrid Andress made a mistake: She sang the national anthem at a televised baseball game, and did it drunk. The internet was ruthless in that very particular way that seems to be reserved for successful young women in the public eye. Now, the 33-year-old—happy, peaceful, and working on new music—reflects on the lead-up, the fallout, and the future.

Gibson Launches Search for ‘Back to the Future’ Guitar

The Hollywood Reporter:

Gibson — the guitar brand behind the iconic cherry red ES-345 Michael J. Fox wielded in the movie — announced that it’s on the hunt for the guitar, with the company sharing a callout Tuesday asking for anyone who may have details on its location to reach out with tips. “Have You Seen This Guitar?” Gibson’s poster reads, accompanied by a still from the movie of Fox playing the instrument. The search — and if all goes the way Gibson would like, the re-discovery — will be featured in an upcoming documentary the company is producing called Lost to the Future. 

Record Labels in Talks to License Music to AI Firms

AI

Lucas Shaw, writing for Bloomberg:

Universal Music Group, Warner Music Group and Sony Music Entertainment are pushing to collect license fees for their work and also receive a small amount of equity in Suno and Udio, two leaders among a crop of companies that use generative AI to help make music. Any deal would help settle lawsuits between the two sides, said the people, who declined to be identified because the talks could fall apart.

Blog: 28 Slightly Rude Notes on Writing

Linked List

#16:

I worked in the Writing Center in college, and whenever a student came in with an essay, we were supposed to make sure it had two things: an argument (“thesis”) and a reason to make that argument (“motive”). Everybody understood what a “thesis” is, whether or not they actually had one. But nobody understood “motive”. If I asked a student why they wrote the essay in front of them, they’d look at me funny. “Because I had to,” they’d say.

Most writing is bad because it’s missing a motive. It feels dead because it hasn’t found its reason to live. You can’t accomplish a goal without having one in the first place—writing without a motive is like declaring war on no one in particular.

I recommend this entire thing.

Zach Braff Returns for ‘Scrubs’ Reboot

Scrubs

Hollywood Reporter:

Zach Braff has signed on for the Scrubs update that’s in development at ABC. 

Braff will reprise his role from the 2001-10 series as John, aka J.D., the narrator and central character for most of the show’s first run. ABC confirmed it was developing a Scrubs reboot in December, after creator Bill Lawrence, Braff and other members of the cast had for years said they’d like to reunite.

Tom DeLonge Producing ‘Suburban Kings’

Tom Delonge

Deadline:

Jaime Eliezer Karas (Acapulco) has come aboard to direct Suburban Kings, a coming-of-age film penned by Peter Hoare (Kevin Can Wait), to be produced by Chris Mangano (Mangano Movies & Media), Blink-182’s Tom DeLonge (To The Stars Media), and Stan Spry (Evoke Entertainment).

The film follows Wolfgang Binder, a rebellious, skateboarding-obsessed 13-year-old, who is hellbent on spending the summer of ’99 cheering up his best friend after the tragic, unexpected death of his mother.