The Optimal Distinctiveness Theory

Oliver Burkeman, writing for The Guardian, on the phenomenon of when something gets so much praise, or hype, and then you end up avoiding the praised thing expressly because of how much everyone else seems to like it:

So what’s going on? One explanation is what psychologists call “optimal distinctiveness theory” – the way we’re constantly jockeying to feel exactly the right degree of similarity to and difference from those around us. Nobody wants to be exiled from the in-group to the fringes of society; but nobody wants to be swallowed up by it, either. In toddlerhood and teenagerhood, this manifests as a bloody-minded refusal to do what we’re told, precisely to show we can disobey our parents. Perhaps it never entirely goes away.

I’ve been reading up on the optimal distinctiveness theory on Wikipedia today and it’s almost funny how well it describes interactions I see in our forums on a daily basis.

Jack From All Time Low Working on Music With Tyler Posey

Teen Wolf actor Tyler Posey spoke with Billboard about working with Jack from All Time Low on some new music together:

It’s so early in the works, but Jack from All Time Low, he and I have become really good friends over the past year, and just recently we talked about producing something with each other and writing music with each other. So we’re about to do something really big and, hopefully, do a collab with a bunch of other punk guys. It’s all punk. My whole life is punk. That’s all I want to do is be performing punk onstage, so it’s going to happen. Within the next year, I guarantee you.

Aziz Ansari: Why Trump Makes Me Scared for My Family

Aziz Ansari, writing for The New York Times:

The vitriolic and hate-filled rhetoric coming from Mr. Trump isn’t so far off from cursing at strangers from a car window. He has said that people in the American Muslim community “know who the bad ones are,” implying that millions of innocent people are somehow complicit in awful attacks. Not only is this wrongheaded; but it also does nothing to address the real problems posed by terrorist attacks. By Mr. Trump’s logic, after the huge financial crisis of 2007-08, the best way to protect the American economy would have been to ban white males.

30 Minute Guide To Getting More Fans

Jesse Cannon, from Noise Creators/Off the Record, has released a free ebook breaking down his guide to getting into the music business:

After four annual editions of Get More Fans: The DIY Guide To The New Music Business, and being added to a dozen University programs, and tons of praise from the music world, the one complaint I would always get is that it took too long to read. So I decided to make a free version that contains all the information a musician needs to get their music off the ground. The 30 Minute Guide To Getting More Fans is the most concise way to learn how to promote you music and it’s free over at Noise Creators.

The Complicated Genius of Morrissey

Morrissey

Sean Nelson, writing for MTV, all about Morrissey:

If you were born after 1990 or didn’t grow up in London, Manchester, or Los Angeles, there’s an excellent chance your only knowledge of Morrissey consists of music blog news dispatches about cranky statements he’s made on the subject of animal rights or British immigration policies or the music business. Or perhaps you’ve seen the odd mention of an aging English singer with a reputation for being a “miserablist” whose robust cult audience would happily follow him into hell while the rest of the world cheered their departure. This is unfortunate, because, while all those things are true, Morrissey and his former band The Smiths have a legitimate claim to having transformed the culture and sound of indie rock and pop in far-reaching ways.

Descendents Interviewed in Rolling Stone

Descendents

Hank Shteamer interviews the Descendents for Rolling Stone:

During Descendents’ June visit to RS, it quickly became apparent that the band is much more than an escapist outlet for these four men in their early fifties. “I think there’s quite a bit on the record that’s kind of unflinchingly looking at getting older,” the heavily tattooed, gruff-voiced Alvarez says of Hypercaffium. “And it’s nice because I think a lot of rock bands aren’t very honest about that; they all want to exist in some universe where they’re perpetually between the ages of 21 and 35. We’re codgers; we’re not afraid to admit it.”

Why LaCroix is Suddenly Everywhere

LaCroix

Libby Nelson and Javier Zarracina, writing for Vox:

LaCroix isn’t the only brand to benefit from the sparkling water boom. But it’s the one that’s risen to the coveted status of lifestyle brand, not just generating loyalty but becoming part of how we define ourselves. The secret behind LaCroix’s rise is a mix of old-fashioned business strategy and cutting-edge social marketing. When Americans wanted carbonated water, LaCroix was positioned to give them them fizzy water. Then, sometimes by accident, LaCroix developed fans among mommy bloggers, Paleo eaters, and Los Angeles writers who together pushed LaCroix into the zeitgeist.

When I’m working on the computer I need something to drink nearby.1 About a year ago, I made it a priority to remove (as much as I could) sugar from my diet, and picked up the habit of drinking sparkling water almost every day. I didn’t know it had become a trend. I feel so fashionable.


  1. I’ve long joked I can tell what time of day it is by what I am drinking; progressing from coffee to sparkling water to beer.

Next iPhone to See More Subtle Changes

Daisuke Wakabayashi and Eva Dou, writing for the Wall Street Journal:

Apple Inc. plans to break with its recent pattern of overhauling the design of its flagship iPhone every two years and make only subtle changes in the models it will release this fall, according to people familiar with the matter….

The biggest planned change in this year’s phones is the removal of the headphone plug, which will make the phone thinner and improve its water resistance… Apple plans bigger design changes for 2017, the 10th anniversary of the original iPhone.

The “like the 6S but without a headphone jack” is going to get beat to death by the tech press. I’m willing to bet the internals are a nice upgrade. At this point Apple should just introduce new colors since the outside appearance is what seems to matter the most to some people. But, it definitely looks like it’s time to prepare for our 3.5mm jack-less world.

Drake Continues Run at Top of the Charts

Drakespends his seventh week at number one on the Billboard charts. Nick Jonas debuts at number two and the Hamilton soundtrack rises up to number three.

At No. 3 on the Billboard 200 is the original Broadway cast recording of Hamilton, which zooms from No. 13 to No. 3 following its huge night at the Tony Awards on June 12. (The set earned 62,000 units — up 119 percent, with 45,000 of that in traditional album sales — up 164 percent). This is Hamilton’s first week in the top 10, as it had previously topped out at No. 11. It debuted at No. 12.

180 Artists Sign Petition For Digital Copyright Reform

YouTube

Rob Levine, writing for Billboard, on how 180 musicians have signed a petition to close some of the loopholes from the DMCA:

In an ad that will run Tuesday through Thursday in the Washington DC magazines Politico, The Hill, and Roll Call, 180 performers and songwriters are calling for reform of the Digital Millennium Copyright Act, which regulates copyright online. A range of big names from every genre signed the ad — from Taylor Swift to Sir Paul McCartney, Vince Gill to Vince Staples, Carole King to the Kings of Leon — as did 19 organizations and companies, including the major labels.

I think this is good, but also hope they don’t go too far in the other direction. As someone that runs a forum where anyone can sign up and create an account, some of the safe harbor protections of the DMCA make a forum of that size possible.

Ticketmaster Awards Free Show Vouchers

Sabrina Weiss, from Refinery 29, explaining why you may have some free ticket vouchers available from Ticketmaster:

The 50 million customers who purchased tickets from Ticketmaster.com between October 21, 1999, and February 27, 2013, are eligible to receive at least one (and up to 17) vouchers good for two free tickets to an event. They’ll also receive discount codes (up to 17) for $2.25 toward the purchase of future tickets and, if they arranged for UPS delivery in past transactions, up to 17 coupons of $5 toward future UPS charges. To see what you’ve got, log in to your Ticketmaster account, click on My Account, and then Active Vouchers.

I wonder what the “eligible events” will be.

Bill Simmons on His ESPN Ouster

Lacey Rose, writing For The Hollywood Reporter:

For the time being, Simmons has taken no other outside investment, using what insiders describe as seven-figure revenue generated primarily by sponsorship and branding deals to help fund The Ringer side of the enterprise. “I had all of these people who wanted to [invest,] famous f—ing people,” says Simmons. “But one of my goals was to have as few people in my life as possible who would be like, ‘Why are you doing that? What’s going on here?’ ” Looking ahead, he and Eric Weinberger, whom he recruited from the NFL Network to run the company, won’t rule out taking on additional investors.

Fascinating story.

Streaming Only Now Eligible For Grammys

Grammys

The Grammys have announced that streaming only projects will now be eligible for the awards ceremony.

Works must be released via general distribution, defined as the nationwide release of a recording via brick and mortar, third-party online retailers, and/or applicable digital streaming services. Applicable streaming services are paid subscription, full catalogue, on-demand streaming/limited download platforms that have existed as such within the United States for at least one full year as of the submission deadline.

Trent Reznor Not Happy With YouTube’s Business Model

YouTube

Trent Reznor, speaking with Billboard, blasted YouTube for their stance on copyrighted material:

“Personally, I find YouTube’s business to be very disingenuous,” said Reznor. “It is built on the backs of free, stolen content and that’s how they got that big. I think any free-tiered service is not fair. It’s making their numbers and getting them a big IPO and it is built on the back of my work and that of my peers. That’s how I feel about it. Strongly. We’re trying to build a platform that provides an alternative — where you can get paid and an artist can control where their [content] goes.”

YouTube has responded:

The overwhelming majority of labels and publishers have licensing agreements in place with YouTube to leave fan videos up on the platform and earn revenue from them. Today the revenue from fan uploaded content accounts for roughly 50 percent of the music industry’s YouTube revenue. Any assertion that this content is largely unlicensed is false. To date, we have paid out over $3 billion to the music industry–and that number is growing year on year.

I get what YouTube is saying, but I can go there right now and type in virtually any song and find dozens of “copyright not intended” videos uploaded.