Kayleigh Hughes, writing for The Establishment, on the topic of mis-gendered band names:

Women and nonbinary people are desperate to see ourselves in, well, any kind of pop culture. We’ve created organizations around the world such as Girls Rock Austin, Gender Amplified, and Girls Inc to try to work toward a future where seeing women making music, working in tech, appearing onscreen, or working behind the scenes is normalized and not othered. So, when members of dominant cultural groups take terms used to describe us or our bodies, such as “girls” or “pussy,” this works against that goal by pushing us out of even lingual spaces. Even our words aren’t ours anymore; they’re being snatched back and reappropriated by those who already have so much.

If you’re thinking, “oh god another think piece,” I would beg you to reconsider and give this a full read, it’s well researched and well argued.

The Wall Street Journal, with an interesting article about how Nigeria is changing the strategy of Scrabble:

Nigeria is beating the West at its own word game, using a strategy that sounds like Scrabble sacrilege. By relentlessly studying short words, this country of 500 languages has risen to dominate English’s top lexical contest.

Last November, for the final of Scrabble’s 32-round World Championship in Australia, Nigeria’s winningest wordsmith, Wellington Jighere, defeated Britain’s Lewis Mackay, in a victory that led morning news broadcasts in his homeland half a world away.

I’m always fascinated by new ways of thinking and strategizing at games that seem to have had the same techniques for years.

Tom Breihan, writing for Stereogum, with a remembrance of the late ’90s swing revival:

Looking back, it’s hard to figure out how all this shit happened, but there are some threads to pick at. After grunge began to pass out of favor, this stuff seemed like its polar opposite: sharp rather than slovenly, crisp and efficient rather than wild and intuitive, knowingly silly rather than deadly self-serious. Within the rapidly atomizing alt-rock universe, there was a hunger for something smooth and sophisticated. A few years before the grunge revival popped off, there was the deeper-underground but just as silly lounge revival, with Combustible Edison releasing music on Sub Pop and a ton of Esquivel reissues coming out. But if you’re looking to blame the swing revival on anyone, blame Hollywood.

Ever wonder? How To Talk About Art History has the answer.

Firstly, they’re flaccid. If you compare their size to most flaccid male penises, they are actually not significantly smaller than real-life penises tend to be.

Secondly, cultural values about male beauty were completely different back then. Today, big penises are seen as valuable and manly, but back then, most evidence points to the fact that small penises were considered better than big ones

The More You Know™