A Moon Shaped Pool of Money

Radiohead

M.G. Siegler, writing on Medium, about the release of Radiohead’s new album and the idea of “up-selling” to your die-hard fans:

But the Radiohead release points to another way forward. One I’m far more excited about as a fan. Distribute broadly, upsell deeply.

That is, put your album out there for all (or most) to hear, but then pull in your truly die-hard fans to buy exclusive content at a premium. That is a natural extension of what Radiohead did in 2007 with In Rainbows. You know, the “pay-what-you-want” album. The clever call out to a soon-to-be-dying model was even more ingenious in hindsight. Now this reality is here.

Why do all old statues have such small penises?

Ever wonder? How To Talk About Art History has the answer.

Firstly, they’re flaccid. If you compare their size to most flaccid male penises, they are actually not significantly smaller than real-life penises tend to be.

Secondly, cultural values about male beauty were completely different back then. Today, big penises are seen as valuable and manly, but back then, most evidence points to the fact that small penises were considered better than big ones

The More You Know™

Torn Between Two YouTubes

YouTube

Shira Ovide and Leila Abboud, writing for Bloomberg, on the music industry’s love/hate relationship with YouTube:

More than half of Internet users in the U.S. listen to music on YouTube — by far the most popular access point — but YouTube is responsible for only 4 percent of revenue to the industry, according to a music industry trade group. The biggest record labels say Google should pay more, and they want more control over music that is responsible for what Bernstein Research estimated is one-quarter of all YouTube videos watched.

Julien Baker Believes in God

Julien Baker

Rachel Syme, writing for The New Yorker, with a really great piece on Julien Baker:

There is equal humility and precocity to these statements, a duality that kept popping up in my conversation with Baker. She called me “ma’am” with a soft drawl, and apologized often when talking about her creative process, worrying that she was being “conceited or indulgent.” Onstage, she offers aw-shucks-ish disclaimers before launching into particularly gloomy refrains, saying, “I’m sorry for bumming everyone out.” At shows, she sometimes wears a T-shirt that says “Sad Songs Make Me Feel Better.” And yet, despite any outward embarrassment, Baker’s lyrics are bold and unapologetic—about having big, bloody emotions, about the kind of epic feels that come in tsunamis and do not abate. Though Baker sings about God, she is not explicitly a Christian artist; instead, whether or not a supreme being exists is just one of many questions she has about the way the world works, and about the mechanisms available to us to process pain.

My Father, Woody Allen, and the Danger of Questions Unasked

Ronan Farrow, writing for The Hollywood Reporter, about his father, Woody Allen:

But the old-school media’s slow evolution has helped to create a culture of impunity and silence. Amazon paid millions to work with Woody Allen, bankrolling a new series and film. Actors, including some I admire greatly, continue to line up to star in his movies. “It’s not personal,” one once told me. But it hurts my sister every time one of her heroes like Louis C.K., or a star her age, like Miley Cyrus, works with Woody Allen. Personal is exactly what it is — for my sister, and for women everywhere with allegations of sexual assault that have never been vindicated by a conviction.

Instagram Redesigns, Gets New Icon

Instagram

Instagram has finally updated their icon to go along with a new layout. The icon’s not my favorite (I think it would look better reversed), but the new layout is well conceived.

Today we’re introducing a new look. You’ll see an updated icon and app design for Instagram. Inspired by the previous app icon, the new one represents a simpler camera and the rainbow lives on in gradient form. We’ve made improvements to how the Instagram app looks on the inside as well. The simpler design puts more focus on your photos and videos without changing how you navigate the app.

Read More “Instagram Redesigns, Gets New Icon”

Budweiser Renaming Beer “America”

Budweiser are renaming their “beer” America for the summer.

The campaign is Budweiser’s plea for attention — and it’s working. (You’re reading this article, after all.) But the fact that it’s needed at all shows how much American beer-drinking habits have altered in the past few decades. Tastes have changed several times, and each change has pushed Budweiser further down on America’s list.

This feels straight out of a Futurama plot.

Yacht Fakes a Stolen Sex Tape for Publicity

The band Yacht faked having their sex tape stolen to try and build hype for their new video. There’s a sentence I never thought I’d be typing.
Here’s Anna Merlan, writing for Jezebel:

That wasn’t quite right, of course, because there was no actual sex tape: when I tried to download it, I just got an error message, and so did lots of other people. The only folks claiming to have seen it, as we noted in an update yesterday, were Yacht’s famous friends. (I’m going to stop capitalizing their band name now because it’s tiresome and because I find them tiresome).

But most folks probably didn’t try to download it at all, because Yacht said the video was leaked without their consent. Most people are not craven and/or horny enough to watch a video whose participants are begging you not to view it. Most people don’t suck. Most people aren’t Yacht.

The thing about revenge porn—the real kind, not the desperate fake kind cooked up to attract extra attention to your mediocre art band—is that it ruins lives.

Uncanny Valley

Anna Wiener, writing on N+1, with the best thing I read this weekend:

We get ourselves out of the office and into a bar. We have more in common than our grievances, but we kick off by speculating about our job security, complaining about the bureaucratic double-downs, casting blame for blocks and poor product decisions. We talk about our IPO like it’s the deus ex machina coming down from on high to save us — like it’s an inevitability, like our stock options will lift us out of our existential dread, away from the collective anxiety that ebbs and flows. Realistically, we know it could be years before an IPO, if there’s an IPO at all; we know in our hearts that money is a salve, not a solution. Still, we are hopeful. We reassure ourselves and one another that this is just a phase; every start-up has its growing pains. Eventually we are drunk enough to change the subject, to remember our more private selves. The people we are on weekends, the people we were for years.

A Podcasting Divergence

Apple

Federico Viticci, writing for MacStories, with a fantastic look at the crossroads facing podcasting:

If you’re a Leading Content Professional and you think that’s what you want, more power (and money) to you. I understand and respect what you’re doing. But the great thing about the free and decentralized web is that the aforementioned web platforms are optional and they’re alternatives to an existing open field where independent makers can do whatever they want. I can own my content, offer my RSS feed to anyone, and resist the temptation of slowing down my website with 10 different JavaScript plugins to monitor what my users do. No one is forcing me to agree to the terms of a platform. My readers are free to link to my articles, copy them, print them, subscribe to my feeds, and view them in any browser or feed reader they like.

A highly recommended read.

Blink-182 Achieves Its Highest Alternative Songs Debut

Mark Hoppus

Kevin Rutherford, writing for Billboard, points out that Blink-182 just had their highest alternative song debut ever with “Bored to Death.”

All three chart positions mark the highest debuts on each tally in the band’s two-decade career. On Alternative Songs (the only chart of the three that predates Blink-182’s first album, Cheshire Cat, in 1995), the No. 18 opening of “Bored” bests the band’s previous top entrances of No. 25 logged by “First Date” in 2002 and “Up All Night” in 2011. (Those songs went on to peak at Nos. 6 and 3, respectively.)

Don’t Knock CGI: It’s Everywhere, You Just Don’t Notice It

Film

Andrew Whitehurst, writing for The Guardian:

The anti-CGI backlash, which is really a reaction against poorly conceived CGI, rather than the form itself, stems from such overuse and misapplication. No one complains about the mountain of well-planned and well-executed CGI, because no one’s attention was drawn to the fact that it was CGI in the first place. Perhaps unsurprisingly, the studios’ publicists are now frequently keen to emphasise how much of a film was shot “for real”, and play down the use of CGI on a production. A cursory glance through the credits of the film will tell you how true those claims are.

How Much Music Fits on an LP Side?

I saw this question posed in our forums and found a really good answer from the mastering engineer Scott Hull:

It’s a simple question with a complex answer. Many websites publish charts explaining how much music fits on one side of a vinyl record. The main purpose of those guidelines is to make it easy for the cutting engineer to do his job. But do you want to have an average record or an extraordinary one? Ah, I thought so. You need to read on.

Apple Music Connect Expected to be Demoted in iOS 10

Mark Gurman, writing for 9to5Mac, on how Apple Music’s Connect is expected to be “demoted” in iOS 10:

In the iOS 10 Apple Music redesign, the Connect feature will follow Ping’s lead and will be demoted. Apple Music Connect currently exists as its own tab across the Apple Music interface, but multiple sources say that the feature will lose its tab and become integrated into the “For You” recommendations page. Connect will still exist within applicable artist pages as it does today, but its demotion from the set of Apple Music tabs indicates that the feature has not lived up to Apple’s expectations from last year. Along with the demotion, Connect is unlikely to see notable new features this year.

Streaming Now Warner Music’s Biggest Business

Peter Kafka, writing for Recode, on how streaming music has now become Warner Music’s biggest business:

The company announced that money from services like Spotify and Apple Music was the single biggest source of recorded music revenue in the first quarter of the year, surpassing both physical sales and sales of digital downloads. That’s the first time any of the big music labels has hit that inflection point.

Warner’s streaming music revenue increased $72 million for the quarter — more than half of which came from sales outside the U.S. — while downloads declined by $17 million and physical revenue dropped by $6 million. Warner’s recorded music sales increased by 10 percent overall, and the company’s total revenue also increased 10 percent.