Review: Weezer – Weezer (Teal Album)

Weezer - Teal

The internet giveth and the internet taketh away.

Late last May, a 14-year-old Twitter user created an account dedicated to getting Weezer, now uniquely divisive in this stage of their career, to cover “Africa,” Toto’s 1982 hit and a resurging meme in the same lineage of Smash Mouth’s “All-Star” and Owl City’s “Fireflies.” Now, eight months later, the cultural tides have shifted. “Africa” has been viciously chewed up and spit out by the merciless internet machine, largely due to the outrageous popularity that accompanied Weezer’s studio cover. The song peaked number one on the Billboard Alternative Songs chart, the band’s first number one hit since 2007’s “Pork and Beans.” The band closed shows with it, made a bizarre, self-referential music video starring Weird Al for it, and even teased the song’s release with a superior cover of another Toto single, “Rosanna.”

In less than a year, “Africa” became the sort of meme your family would recognize or bring up in casual conversation, essentially nullifying the status it once held and finalizing its new residence in the lexicon’s void.

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Review: AM Taxi – Shiver By Me

AM Taxi - Shiver by Me

Nearly a decade has passed since the last AM Taxi full-length, their debut We Don’t Stand a Chance. Similarly to other acclaimed 2010 albums by punk bands like Against Me!, Titus Andronicus, and The Gaslight Anthem, it was much indebted to rock and roll acts like Bruce Springsteen and the E Street Band; unfortunately, perhaps because of that, the band didn’t quite gain the traction the others did on the album’s release. They spent most of the 2010s since laying low, releasing a couple of EPs, but now they’re back with Shiver By Me, and what a return it is.

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Review: Maggie Rogers – Heard It in a Past Life

Maggie Rogers

Talent is a remarkable thing. When you see it, you recognize it almost instantaneously, and it becomes nearly blinding to any of the other faults surrounding that artist. On the debut full-length LP from Maggie Rogers, her talent oozes through the speakers with rare confidence not usually found from a new artist. Heard it in a Past Life is a remarkable introduction to an artist who is 100% comfortable in her skin and knows exactly the type of music she wants to create.

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Review: Cassettes – Wild Heart

Cassettes - Wild Heart

On the debut LP from Cassettes, Wild Heart is an earnest love letter to the 90’s era of pop-rock that dominated the airwaves. The five-piece band from Philadelphia shows a ton of promise on this debut record that was co-produced by Ace Enders (The Early November) and Nik Bruzzese (Man Overboard), and was carefully mixed by Vince Ratti (The Wonder Years). This album features a wide range of summery vibes and good times that finds the band reminiscing while still keeping an eye on the future.

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Review: Britney Spears – …Baby One More Time

Britney Spears - ...Baby One More Time

On January 12, 1999, Britney Spears hit the music scene with …Baby One More Time. Boy bands, Britney Spears, and company ruled the late 90s and early 2000s with their music. The title track dropped in October 1998, which gave fans a taste of what to expect. It also helped blast Britney into her celebrity status. It’s the only track I can imagine having such a big impact from the get-go. Wouldn’t it have been odd for them to have the lead single be literally any other song on the album? That’s sure how it feels now, anyway.

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Review: Radar State – Strays

Radar State - Strays

Radar State is a new powerhouse band that consists of Matt Pryor and Jim Suptic of The Get Up Kids, Josh Berwanger of The Anniversary, and Adam Phillips of The Architects. Each of these guys has been in the game for quite some time. The Get Up Kids’ Something to Write Home About turns 20 this year, to put things into perspective.

Strays feels like a cohesive album even with the tradeoffs at lead vocals. No matter who is singing, you get what this album is all about. “What’s a Rebel” is a jam that feels like it could be a summer anthem. As soon as the hook comes in, energy courses through you. I found it hard to sit still while listening to the song because it just makes you want to jump. If I were sitting while listening to it, I’d either have my head bobbing along to the beat or had my feet bouncing up and down. It’s just that catchy.

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Review: AFI – The Missing Man

AFI - The Missing Man

AFI have never been strangers to the darker side of things, as clearly evident from the shadowy packaging and artwork of their latest EP, The Missing Man. However, what I’ve always admired about this band is the silver linings found in their music. After releasing arguably their darkest-toned LP to date in 2013’s Burials, they followed this effort with 2017’s AFI: The Blood Album, an album that incorporated many of their past styles into a single record. On this EP, AFI has found a way to pay homage to the path they blazed before, while still adding new elements to their trademark sound.

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Review: The 1975 – A Brief Inquiry Into Online Relationships

The 1975 - ABIIOR

As I sit here looking at a blank page, pondering about how I’m going to approach writing about The 1975’s gargantuan third album, A Brief Inquiry Into Online Relationships, I turn to my dear friend procrastination and flick open Twitter on my iPhone. After a few minutes of scrolling through an endless timeline, disgusted and amused simultaneously, I had the belated (and probably way too obvious) realization that A Brief Inquiry Into Online Relationships is an exploration of our codependency of the things – whether it’s drugs, sex, the internet – we use to temporarily numb the sting of loneliness.

Much has been written about The 1975’s leader Matty Healy decision to spend six weeks in a rehab facility in Barbados to fight his addiction to heroin – a stint that helped Healy reflect not only on his life, but the lives he was affecting. His decision to get clean came shortly after the band started writing A Brief Inquiry Into Online Relationships, so unsurprising a lot of the lyrical content is derived from the recovering addict’s time spent in therapy.

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Review: William Ryan Key – Virtue

William Ryan Key - Virtue

On William Ryan Key’s second solo EP, Virtue, he continues to stretch out his sound and repertoire with one of the better singer-songwriter works of art to date. While Thirteen was primarily based around the acoustic guitar, Key uses a fair amount of piano, electric guitar, and percussion on this recording to fill out the expansive sound that he was likely going for.

“The Same Destination” cuts through the opening bars of faint strings with carefully struck piano chords that help set the table for another brilliant showing from the former Yellowcard front-man. The wall of sound that opens this track features some more electric guitar elements that were missing on his previous EP and serves as a nice opening for the record. “Mortar and Stone” follows the tender opening with some intricately played acoustic guitar and layered vocals from Key. Key’s confidence broods throughout this EP that he self-described on his website as an “exploration of a new sound” and “evolution.” I concur with his line of thinking, as William Ryan Key has delivered another collection of songs worthy of his underrated legacy.

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Review: Rita Ora – Phoenix

The drought is over, and Rita Ora is back with a shower of blessings in the form of new music. It’s been more than six years since the release of her debut album, ORA which gained the attention of several music fans in the world. With songs like “How We Do (Party),” “R.I.P,” and “Fall in Love” it was like love at first listening for pop fans. Since then, she has released impactful singles like “Let You Down,” “Poison” and “Body On Me” that made fans thirst for another album. Unfortunately, the legal tussle with her previous record label, Roc Nation stopped this from happening.

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Review: Muse – Simulation Theory

Muse - Simulation Theory

Synth lovers, rejoice! Muse have crafted a powerhouse of a record in Simulation Theory that is one of the more immediately gratifying albums to date. From the futuristic artwork that could easily be mistaken for the poster art of the next Blade Runner film, Muse has their sights set on making everything that they have alluded to in the past few efforts bigger and brighter.

From the dramatic introductory track, “Algorithm” sets the stage perfectly for a thrilling ride of an album. Lead singer and guitarist Matt Bellamy opens the set by singing, “Burn like a slave/Churn like a cog/We are caged in simulations/Algorithms evolve/Push us aside and render us obsolete.” Bellamy and company have never been strangers to using samples and synths to enhance their sound, but on Simulation Theory, they ultimately went for everything that they had been hinting at over the past few LPs.

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Review: Girih – Eigengrau

Girih - Eigengrau

The New Hampshire post-metal trio, Girih, are here with their debut EP, Eigengrau, and it channels several key influences of similar “math rock” bands such as Thrice. The dark tones found throughout this EP mesh well with the variety of riffs and noises on this debut. The major disclaimer for this EP is that it is instrumental only, but there are plenty of redeeming qualities to find on this record.

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