Review: The Format – Interventions + Lullabies

How does one begin to encapsulate the meteoric rise of lead vocalist Nate Ruess’s career? Like most stories, you start at the very beginning. The Format (Nate Ruess and multi-instrumentalist Sam Means) formed in February 2002, and while their friendship goes as far back as grade school, their band chemistry was felt almost immediately. That electric-charged feeling of when a group of talented musicians come together to make art was felt far and wide in The Format. I first got wind of this band when they opened up for Jimmy Eat World and Paramore, and I found their charming mix of emo, pop, and Beach Boys-esque melodies to be immediately infectious. The Format was signed to Elektra Records for what would become their debut LP, Interventions + Lullabies, and much like many other major label artists during this period of time, the merging of record companies led to conflicts on whom the executives found worth pushing on radio, MTV, etc. The Format were ultimately left on the outside looking in when Warner Brothers (and finally Atlantic Records) had the rights to the band’s music. “The First Single” was the only song to be promoted during this album cycle, and it would remain a staple in the band’s set until their breakup in 2008.

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Review: The Format – Dog Problems

The Format - Dog Problems

At the proverbial heart of the record everything about this sophomore full-length is actualized in the form of one solitary line. Let me explain: Midway through the album sits the title track, “Dog Problems,” and midway through the song, the music gently wilts and Nate sings, “Can you hear me? Are you listening? This is the sound of my heart breaking and I hope it’s entertaining. Because for me, it’s a bitch. Was it worth it when you slept with him? Did you get it all out of your system?” If there was ever a defining moment in what is sure to become The Format’s opus, this is it.

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