Review: The Lumineers – III

The Lumineers - III

When The Lumineers set out to record the follow-up their highly successful sophomore effort, Cleopatra, the band managed to raise their expectations for what would become III. The album is presented in three chapters: each coming with their own set of themes, topics, and overall feel. The album itself progresses nicely as it unfolds over these chapters, and co-founder/multi-instrumentalist of The Lumineers, Jeremiah Frates mentioned in an interview that, “This collection of songs worked out in a beautiful way, and I feel with this album we’ve really hit our stride.” The confidence that comes through on this record can be felt, but it’s a bit of a departure from the upbeat nature of their second record. What we are left with is an “artist’s record” that stays true to who The Lumineers are as both people, as well as musicians.

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The Billboard 200 (Week Ending April 14th)

The Lumineers have their first number one album on the Billboard 200. Deftones appear at number two with 71,000 copies sold (69,000 pure album sales).

Chris Stapleton’s Traveller dips 2-3 with 48,000 units (down 34 percent), while Kanye West’s The Life of Pablo descends 1-4 with 47,000 units (down 50 percent). The album fell 95 percent in traditional album sales, falling from a 28,000 start to a little more than 1,000 copies sold. (Much of its first week sales were bolstered by pre-orders not delivered until after the album saw a wide release on April 1. Those pre-orders were sold as part of a ticket/album bundle to his Yeezy 3 fashion show held at Madison Square Garden and screened via a live stream in movie theaters. The remaining sales were from Tidal and West’s official website.)