Review: The Used – The Used

Adam Grundy Jun 23, 2022

I’m not quite sure when my fondness for a band called The Used started. I seem to remember hearing about a hyped band, from an article in Alternative Press, where producer and Goldfinger founder John Feldman was gushing over this band that he helped get signed to a major label. The Used were comprised of lead singer Bert McCracken, bassist Jeph Howard, drummer Branden Steineckert and guitarist Quinn Allman, and their incredible band chemistry was able to capture early and inescapable magic on their self-titled debut. The first track that I ever heard from The Used was “A Box Full of Sharp Objects” from a Warped Tour compilation, and it became increasingly evident to me that this band demanded to be taken seriously. The lead single from their debut LP was an abrasive, wall of sound effort that captured a punk rock spirit paired with screamo vocals that many other bands would emulate later in our scene. The Used would go on to sell over a million copies in the United States and cement the band’s legacy as one of the emo/punk scene’s primary front-runners.

Adam Grundy May 4, 2020

There were a lot of moving parts that came together to make Heartwork, the eighth full-length studio album from The Used. For starters, the band made the conscious effort to reconnect with their longtime collaborator/producer John Feldman. The Used also welcomed a new guitarist, Joey Bradford, into the fold for this album as a permanent band member. Lastly, the band decided to use some outside collaborations, including Travis Barker, Mark Hoppus, Jason Butler, and Caleb Shomo, to enhance their sound on this album further. All of these efforts paid off as The Used have created one of their strongest and most cohesive albums in years.

Review: The Used – Vulnerable

Drew Beringer Mar 30, 2012

Despite playing a genre of music that seemingly died out years ago (as evidence of many of their peers from the early 2000’s emo-pop boom having gone the way of the dodo bird), The Used have found a way to remain relevant within the scene, as they possess some of the most die-hard fans I’ve ever encountered. It probably helps that their first two albums are revered by fans and non-fans, and, despite releasing a pair of duds since then, The Used are still able to stir up a lot of anticipation and debate whenever they’re about to release a new album.

But after releasing the poor Artwork in 2009, the band parted ways with Warner Bros. Vocalist Bert McCracken has gone on to say that Artwork is his least favorite album and directed some of the blame towards the band’s former label for meddling with it. Now three years since, their fifth studio album, Vulnerable, is the result of the band having 100% creative control for the first time in a long time, releasing the album collaboratively between their own label, Anger Music Group, and indie power Hopeless Records. McCracken stated that Vulnerable is a direct response to everything surrounding the band’s last release and is his favorite Used record ever. Those are pretty bold words and while I don’t agree with them (I’ll rep the self-titled release till I die), Vulnerable is definitely the band’s best and most versatile release since 2004’s In Love and Death.