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Anthropic Apologizes After One of Its Expert Witnesses Cited a Fake Article

Legal
Jason Tate

Maxwell Zeff, writing for TechCrunch:

A lawyer representing Anthropic admitted to using an erroneous citation created by the company’s Claude AI chatbot in its ongoing legal battle with music publishers, according to a filing made in a Northern California court on Thursday.

Claude hallucinated the citation with “an inaccurate title and inaccurate authors,” Anthropic says in the filing, first reported by Bloomberg. Anthropic’s lawyers explain that their “manual citation check” did not catch it, nor several other errors that were caused by Claude’s hallucinations.

Anthropic apologized for the error and called it “an honest citation mistake and not a fabrication of authority.”

Review: Cellar Dwellar – “Digital_Drive_By”

Adam Grundy

The latest single from experimental/prog-rock band Cellar Dwellar scratches that itch for fans of bands like The Mars Volta, NIN, and Stabbing Westward. “Digital_Drive_By” takes the listener on an epic journey over its plus six-minute running time that the Columbus, Ohio based band expand upon the possibilities of their unique music. The band shared, “The lyrics of the song come from the current political climate of queer people being targeted by the state along with my heavy interest in the Act Up movement during the AIDs crisis of the 80s and my personal connection to family who were impacted during that time.”

Cellar Dwellar have started to gain a loyal following in the Ohio area, and have opened for bands like The Jesus Lizard, among others. “Digital_Drive_By” is a cool mix of styles that demands be listened to on a good pair of headphones to fully wrap your head around all of the sounds being pulled into the mix.

Review: Safari Room – “Cut Out”

Adam Grundy

”Would it be better just to cut you out, become a ghost and never speak to you again?” are the haunting words in the chorus of the latest single from Safari Room called “Cut Out.” The song is largely about falling head over heels in love with someone who doesn’t feel the same way. Safari Room is the solo project of Alec Koukol and he quickly showcases his songwriting improvements on this acoustic single. The song comes from Safari Room’s new forthcoming EP, Kindling, and the campfire-esque delivery of the track hits its intended target in its delivery.

The song reaches its crescendo on the pointed-bridge of “You’re like a never ending siren / You are famine and you are feast / You’re the monster underneath my bed, a mosquito on a leash / A bad penny always turning up / I will never shake you loose / I’m a ticking bomb when you’re around / You’re the match, and I’m your fuse / You’re like a tattoo on my mind,
you are the one that I can’t have / Every time I think I’m healing, you’ll find me picking at the scab.” It’s really hard to not be impressed by the songwriting found here, and it reminded me a lot of Thrice front-man Dustin Kensrue’s solo work, with equally-pleasing results. Safari Room is developing his sound in such a majestic way, and I’m really excited about the direction this solos project took here.

DOJ Probes Live Nation, AEG for Covid-Era Refund Collusion

Legal
Jason Tate

Reuters:

The U.S. Justice Department is conducting a criminal antitrust probe of Live Nation and AEG’s response to concert cancellations at the beginning of the pandemic in 2020, Live Nation confirmed while denying any collusion on Thursday. The probe is focused on whether the live-event companies colluded on refund policies for canceled concerts, according to an earlier report by Bloomberg News.

Collusion with competitors can be a criminal offense under antitrust laws. Probes do not always result in charges.

Review: The Starting Line – Based On A True Story

The Starting Line - Based on a True Story
Adam Grundy

Most bands wouldn’t survive the label turmoil that went on during the promotional period of Based On A True Story, the sophomore record from The Starting Line. Despite reaching as high as #18 on the Billboard 200 upon its release in May of 2005, the album was basically shelved once Geffen Records decided that they were not going to make the LP one of their priorities. It’s a shame that only one single (“Bedroom Talk”) was released from this album since there really are a lot of gems to be found in The Starting Line’s songwriting here. Tim O’Heir produced the majority of the songs on Based On A True Story, but the label wasn’t thrilled with the sound found on the songs they were hoping would take off on radio, so they recruited veteran hitmaker Howard Benson (My Chemical Romance) to provide some guidance on “The World” as well as “Bedroom Talk.” A third producer, Eric Rachel, was enlisted for “Making Love To The Camera”, which would explain some of the unbalanced production elements when played from front to back. The Starting Line battled with their label to the bitter end to ensure they could release the record that the band wanted to make, even if it led to them forfeiting the rights to the recordings themselves. Ultimately, this is what happened, leaving some uncertainty to the future of the album for vinyl represses and so forth. With so much drama going on behind the scenes, it’s truly a miracle that this record saw the light of day, yet fans have adored Based On a True Story for a reason: the songs are really great.

Read More “The Starting Line – Based On A True Story”

Max Changes Name Back to HBO Max

HBO
Jason Tate

Variety:

This summer, streamer Max will bend the knee and rebrand back to its original name, HBO Max. 

The change comes just over two years after Warner Bros. Discovery decided to drop HBO from the streamer’s name to become just Max. Note that while HBO and Max have carried separate commercial branding during that time, they’ve competed under one “HBO/Max” label for industry awards.

LOL.

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