Review: MxPx – Panic

MxPx - Panic

They’re back. Modern-day punk legends MxPx have released yet another studio full-length after being a band for well over a decade. After their last album received mixed reactions (too poppy, overproduced), MxPx signed up with an indie label (Side One Dummy) and decided to return to their roots. Well, as much as they could. We all remember when MxPx claimed to be returning to their roots the last time – the result was the largely mediocre The Renaissance EP. This time around, it’s different. It’s a nice combination of MxPx circa 1996 and modern day MxPx. Overall, it’s a much faster album than their past 2 studio full-lengths, and for the first time in years (thank God) the production is excellent. While this record is a step in the right direction for the band, it’s far from a perfect record. On every MxPx album, there are one or two songs that are just pure crap, and Panic is no exception, but more on that later. After hearing the first five tracks to Panic, something became apparent – this is the album I wished MxPx had released after Slowly Going the Way of the Buffalo. The tempo, the lyrics…everything would have matched up perfectly. Instead, they released the terribly produced The Ever Passing Moment, followed by the super-sappy pop-fest that was Before Everything and After. Mind you, I enjoyed both of these albums, but they were far below what the band was capable of. Keep in mind, MxPx is the reason I listen to music today – Life in General is my favorite album of all time.

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Review: Circa Survive – Juturna

Circa Survive - Juturna

Circa Survive’s debut record hits stores with an undeniable amount of hype behind it. Vocalist Anthony Green is one of the most respected and idolized singers in the scene today. He is of course known for his work in such bands as Saosin, Zolof the Rock and Roll Destroyer, etc. His latest endeavor comes courtesy of Equal Vision’s Circa Survive, a technical indie rock band with interesting time signatures and melodies. The music itself can be compared to Further Seems Forever, but with a bit more quirk to it. Anthony’s vocals vary from straight forward blasting of melodies (“Act Appalled”) to bizarre rhythms matched with slightly odd musicianship. The album’s opener, “Holding Someone’s Hair Back” is an example of Circa’s weird side. Still, the intentional clash between vocals and offbeats melds together nicely for a solid head-nodding tune. The second track, “Act Appalled,” is easily my favorite on the album. Saosin fans will love this song, as Anthony hits the peaks of his range and strains his voice on the higher notes. Listeners who are unfamiliar with Anthony’s style of singing will be pleasantly surprised at his ability to max out his range and turn each note into a second of raw emotion. The music is basic enough to let the song be driven by Anthony’s voice, which I see as a smart decision. 

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Review: Minus the Bear – Menos El Oso

Minus the Bear - Menos El Oso

Minus the Bear has returned with their highly anticipated sophomore full-length. The appropriately titled Menos El Oso (meaning Minus the Bear in Spanish) is different from the band’s previous works, but still distinctly Minus the Bear. MTB is known for electro-rock songs full of finger tapping work on the guitar, with lyrics about girls, booze, women, alcohol, and more drinking. While Menos El Oso is a bit toned down from their previous releases, the lyrics are still dark and witty, and the music is as unique as ever. Minus the Bear is so very different from other bands out there in the sense that they are extremely talented song writers. Instead of settling for cheap hooks and choruses, Minus the Bear writes songs that get better with ever listen. Menos El Oso is an album that I was grossly unimpressed with upon first listen. The overall tempo is slower than the band’s earlier releases, the music seems to be less technical at first glance (not really the case), and the whole album just seemed to drag. Then, after weeks and weeks of constant listening, Menos El Oso has grown to be one of my favorite albums this year. As it gets better with each listen, I realized that Minus the Bear has created a brilliant album, full of mid-tempo songs that contain melodies in all kinds of places. In almost every track, you’ll find yourself singing along to the guitar line or the bouncing bass line instead of the vocal melody. The songwriting displayed on Menos El Oso is outstanding.

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Review: Every Time I Die – Gutter Phenomenon

Every Time I Die - Gutter Phenomenon

”Gutter Phenomenon” was a term coined in the 1950’s to describe rock and roll and its “sinfulness”. 50 years later, Every Time I Die is a band from that gutter that stands out among the rest. With two chaotic-filled albums under their belt already, ETID has become the hottest thing out of Buffalo since those world-famous wings. With Gutter Phenomenon, ETID brings a different sound. This time around ETID brings less chaos, more structure, and refined singing from vocalist Keith Buckley. Still evident are the biting, intelligent lyrics and overall passion and intensity from the band. This isn’t the ETID you’re used to; rather this is an ETID that proves that overall they are great musicians. Produced by Machine (Lamb Of God, Armor For Sleep, Boys Night Out), “Gutter Phenomenon” is an 11-track rock and roll beat down. Along with Buckley, ETID is rounded out by guitarists Jordan Buckley and Andrew Williams, with Mike “Ratboy” Novak on drums. The bass was done by Kevin Faulk for the record, but he was dropped by the band afterward. While this may be a more mature ETID, they still have the same bite as before.

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Review: Allister – Before the Blackout

Allister - Before the Blackout

Before The Blackout, Allister’s third full-length album, refers to the many drinking binges lead man Tim Rogner went through before completing this album. It’s been three years since the Drive-Thru Record veterans released Last Stop Suburbia, and, after lineup changes, frustrations, and painful breakups, they are ready to give us a new offering of their pop-punk. Rogner, along with guitarist Kyle Lewis, bassist Scott Murphy, and drummer Mike Leveranz, wanted to add a more rock and roll style to this batch of songs this time around. What we get is a solid album that incorporates sing-along choruses, fist-pumping riffs, and persevering vocals. 

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Review: Nightmare of You – Nightmare of You

Nightmare of You - Nightmare of You

What do At The Drive-In, Taking Back Sunday, and The Movielife all have in common? Other than releasing genre-defying albums, they’ve also have broken up and each have produced two new bands. At The Drive-In gave us The Mars Volta and Sparta, Taking Back Sunday gave us a new TBS and the John Nolan-led Straylight Run, and the Movielife spawned I Am The Avalanche and Nightmare Of You. While TBS and Sparta have tried to recreate their older sound, TMV and SLR have drifted away from their previous band’s sound and have gave us something more original and fresh. When The Movielife broke up, Vinnie Caruana formed I Am The Avalanche and guitarist Brandon Reilly formed Nightmare Of You. While IATA began where The Movielife left off, Nightmare Of You follows in the vein of Straylight Run; a mellow indie band that features more accomplished and mature songwriting than before. Reilly is the lyricist, vocalist, and guitarist for NOY, while the rest of the band is rounded out by guitarist Joe McCaffrey, bassist Ryan Heil (although he joined NOY after the album was recorded, Lader played bass on most of the album) and drummer Sammy Siegler. Produced by Jason Lader, Nightmare Of You offers 11 dark pop songs that burst with memorable melodies, sarcastic lyrics, and great emotion. 

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Review: Chiodos – All’s Well That Ends Well

Chiodos - All's Well That Ends Well

To be honest, when I got “All’s Well That Ends Well” in the mail, I didn’t know what to expect. First known as the Chiodos Bros., they had a variety of styles show up in their earlier work, but with their Equal Vision debut, they tried to categorize their sound a bit more with duel-guitar riffs and better lyrics. While there is still a melting pot of styles on this release, it’s more defined. Chiodos is a sextet featuring vocalist Craig Owens, Radley Bell on keyboards and backing vocals, guitarists Pat McManaman and Jason Hale, and Matt Goddard on bass. Chiodos has a nice-sized fan base and has toured with the likes of Coheed and Cambria and Yellowcard. With musical influences from Saves The Day to Queen to At The Drive-In, Chiodos covers a lot of genres in their music. Filled with electronic beats, piano, metal riffs, screaming, and vocals that rival Anthony Green, this is one fun album. At times melodic and at times in your face, this is one album that will definitely intrigue you.

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Interview: Ryan Ross of Panic! at the Disco

Panic! at the Disco

How exactly did the band come about and what made you want to start one in the first place?

Well I have known Spencer, our drummer for most of my life, and I met Brent in high school, he transferred schools in his junior year, and met Brendon in their senior year. We had him come to a band practice to try out for guitar, I actually started out as the singer, and in one of those early practices we had him sing for some reason and found out he had a much better voice than I did.

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JamisonParker Are No More

JamisonParker

JamisonParker has officially disbanded:

over and done with…. 
the band is officially broken up. i apologize for not posting this sooner but in all honesty this is the first chance that i’ve had. as far as reasoning goes, i felt that it was time to move on. there will be new music, new bands, and more touring in the near future… just not together and not as jamisonparker. i want to thank everyone who bought the album, stole the album, wore the shirts, came to shows, sent us emails, spread the word, and just allowed the music to become a part of your life. i can’t put into words how much i appreciate every day that you all helped this band stay alive. i can only hope to have that same support in the future.thanks again…. see you soon…. 

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