Review: Eisley – Currents

Eisley - Currents

Last time we checked in with Eisley, the band was exploring the deep space with its very good extended play of the same name. During the time between that and its latest Equal Vision release, Currents, a lot has happened internally and externally. Some things stayed the same (the band recorded once again in its home studio; they still have an ear for incredibly melodies and hooks), some changed, at least in each member’s personal life (there were a lot of babies in the studio; the band is facing controversy from its failed Kickstarter campaign). But forget all that for now, as the only thing that matters is if the DuPree gang would continue its trend of releasing atmospheric indie-pop gems.

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Review: The Wonder Years – The Greatest Generation

The Wonder Years - The Greatest Generation

I don’t know what draft I’m on of this review. I think probably my sixth. I really can’t remember. I’ve probably deleted 4,000 words over the past two weeks. Part of this is because for the past week I’ve had this terrible fever thing and half of what I wrote was rubbish. The other part is because no one could have expected this record, and if you claim you did expect it, then you’re a liar. 

I believe in The Wonder Years. I believe they are one of the most exceptional bands around right now. They showed us with The Upsides that they could connect to young adults on a fiercely intimate level — more impressively than many of their peers from the late-2000s pop-punk revival. They showed us with Suburbia I’ve Given You All and Now I’m Nothing that not only was their arrival not a fluke, but that they possessed a critically important trait — the ability to, as a group, gather themselves and write an album that both drew upon and grew away from their previous triumph, and improved upon it in every measurable way.

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