Metallica Up to Number Two on the Charts

Metallica’s Hardwired… To Self-Destruct hits number two on the charts this week:

At No. 2 on the new Billboard 200, Metallica’s Hardwired… To Self-Destruct roars 42-2 with 65,000 units (up 413 percent), of which 63,000 were in traditional album sales (up 480 percent). The former No. 1 set zooms back up the list following sales generated from a concert ticket/album sale redemption offer for the next U.S./Canadian leg of the band’s WorldWired Tour.

Mike D of the Beastie Boys Featured in Vulture

Beastie Boys

David Marchese, writing for Vulture:

The filters are still there, though. They’re just different. When I was 15, getting into the Clash exposed me to reggae. I’d see that they covered a song by Junior Murvin or that they had a single produced by Lee Perry and dig from there. My younger son does the same thing but in newer ways. He comes home from school in Bali and starts to make a song using his laptop, and he’s looking up what samples Kanye used and that opens the door for him to dig. The tools he has are immediate. He’s not having to go out. It’s so different from how I did it.

Thomas Erak Starts GoFundMe for Solo Album

Fall of Troy

Thomas Erak (The Fall of Troy, Chiodos, and a million other side projects) has started a GoFundMe for a new solo album:

I have been working towards putting together a solo record for the last year or so and need to raise money for studio time/travel/housing while I finish and record the album. Also would like to be able to self release. Looking to record mid-April and hoping to release ASAP after it’s all done!

‘Armageddon Massive’ Turns 20

Ethan Luck of The Dingees has posted up a podcast series talking about the band’s album, Armageddon Massive, as it turns twenty. He has on members of the band and the producer Steve Kravac.

As of today (3/24/18), our first album turns 20! The album was called ‘Armageddon Massive’ and we recorded it over the course of a month in fall of 1997 at Westbeach Studios in Hollywood, CA.

This record is very important to me. It was the first “big studio” experience I had, the first label I was on and the first time a producer kicked my ass!