Month: November 2018

‘The Offspring’s ‘Americana’ Rode Resentment And Respectability Politics All The Way To The Top’

The Offspring
Jason Tate

Pranav Trewn, writing at Stereogum:

But what the Offspring popularized is a far more noxious strain of punk music, and especially punk ideals. The band did not revolt against systems perpetuating economic inequality or authoritarianism, but instead expressed a middle-class teenage resentment that comes from already getting everything you want at home but still being forced to go to school. “The Kids Aren’t Alright” and “Why Don’t You Get A Job?” depict the struggles of people with implied choices, who ultimately squander opportunities as they burn out. Because Holland keeps the details that led to those “choices” vague, it’s easy to read the characters in these songs as unsympathetic. You focus on the absence of ambition, not on the factors that eroded it in the first place.

Interesting argument.

Review: Andrew McMahon in the Wilderness – Upside Down Flowers

Craig Manning

When Andrew McMahon announced his new LP, Upside Down Flowers, he referred to the album’s producer, Butch Walker, as a “fellow traveler.” That word choice was fitting, because if one word could describe McMahon over the 20 years that have so far encompassed his career, “traveler” is it. McMahon has made a lot of types of records over the years. He’s made emo-flecked piano rock records and sunny pop-punk records. He’s made Americana-influenced road trip records and towering stadium pop records. He’s made records about California and records about New York. He made one of the ultimate records about living young and free, followed by a record about almost dying young. He’s traversed a lot of territory over the course of eight LPs and three very distinct chapters. But he’s never made a record quite like Upside Down Flowers before, a record that is, ostensibly, about a traveler looking back and taking stock of where he’s been so far.

Upside Down Flowers is the most outwardly nostalgic album that McMahon has ever made. He’s written about the past before, but never in such detail or with such a storyteller’s eye. The first song on the album is called “Teenage Rockstars,” and it’s an unabashed tribute to McMahon’s bandmates from the Something Corporate days. The second song is called “Ohio,” and it vividly recounts the drive that transplanted his family from Ohio to the west coast—right down to the band that was playing on the car stereo. Listening to these songs feels like sitting next to McMahon on a couch, flipping through a photo album of old polaroids and hearing him recount the adventures and misadventures depicted in each. It’s a kind of intimacy we haven’t heard from him before.

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