Here’s one from the collection I haven’t posted before, but when I talk about albums that once held the pop-punk “Championship Belt” this is undoubtably one of them. A master class in songwriting, hooks, and vocal prowess — it really doesn’t get much better.

I remember driving to the Militia Group offices to pick up an advance copy and driving back to campus with it blaring the whole way; I knew it was special immediately and I wanted to tell the world. We had the pleasure of debuting this album on the website before it was released and it was before the days of easy streaming systems like SoundCloud. So, I hacked together some Flash player to make it work and crossed my fingers the server wouldn’t crash.

(And, for fun, the live version is also spectacular.)

“Cause our days were numbered by nights on too many rooftops
They said we’re wasting our lives
But, oh at least we know
That if we die
We lived with passion…”

#vinyl #cartel

Review: The Injured List – Blue 32

Written largely during the start of the pandemic, The Injured List have returned with their fourth full-length record called Blue 32. The record title is a reference to the quarterback’s signals called out before the snap, and the band’s affinity for writing sad songs packed with plenty of purpose. The album was written mostly by lead vocalist/multi-instrumentalist Nathan Marks and drummer Ashton Parsons, while the band also had some additional friends contribute guitar parts remotely. The Injured List took a unique approach to this album by book-ending the record with the intro/outro tracks of “Adrift” and “Ashore” that help solidify their artistic statement found on Blue 32.

The record opens with the aforementioned intro track called “Adrift” that prepares the listener for the beauty found in my personal favorite in the set, called “Doubt.” That particular song opens with some well-placed synths that eventually break away for heavier-toned guitars and singer Nathan Marks’ anthemic vocals. “Doubt” reminds me a lot of Autopilot Off, with a little bit of The Maine and Mae thrown into the mix for good measure. Things continue to stay great on “Recover,” as drummer Ashton Parsons sets a great beat to allow the band to explore the possibilities of their sound.

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