Review: Underoath – The Place After This One

Underoath - The Place After This One

There’s something to be said for when a band knocks all expectations out of the park on a late-career masterpiece. Underoath have proven the naysayers wrong once again with the ultra-creative, career-spanning tenth LP called The Place After This One. The record was produced by Danen Reed Rector (Charlotte Sands) and mixed by Matt Huber (Boys Like Girls), and they both do their best in accentuating the key parts of what makes Underoath such an interesting band in the first place. After some lukewarm fan reactions to the direction the band was taking based on the singles they released from this set, this album shows the importance of context. While even I was admittedly a little worried about the direction found on singles like “Teeth,” seeing how the song plays out in the full set on The Place After This One makes a lot more sense and shows that Underoath has plenty of reserves in their creative tank. The album ends up being the band’s best work since Define The Great Line, and another defining moment in Underoath’s discography.

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Review: New Found Glory – From The Screen To Your Stereo

New Found Glory - From The Screen To Your Stereo

The breakthrough cover series by New Found Glory kicked off 25 years ago with From The Screen To Your Stereo. This compilation of pop-punk covers of famous songs from movies has been long-adored by fans of the band, and NFG has since put out two additional versions of the series as well. Part I is a fun listening experience that preceded New Found Glory’s self-titled record that would make the band a household name on MTV and radio stations alike. This cover album included seven tracks that clocked in at just under the 20-minute mark, and showcased a band figuring out their sound and Jordan Pundik’s evolving vocal range from Nothing Gold Can Stay. The reception to the movie covers EP was more appreciated over time as the band would occasionally add these covers (and others) to their live sets. From The Screen To Your Stereo was produced by New Found Glory and Jeremy Staska, and marks a memorable time in the ascent of one of this scene’s favorite pop-punk bands.

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West Friends – “You’ll Hate It Here” (Song Premiere)

West Friends

Today I’m so excited to introduce everyone to pop-punk band, West Friends, who are releasing their latest single called “You’ll Hate It Here.” On this track that takes it roots from classic pop-punk bands like Sum 41, New Found Glory and Blink-182, West Friends make a memorable single with plenty of substance behind it. West Friends is the duo of songwriters and friends, Jordan Renshaw and Isaiah Dominguez, and they have a great style for the pop-punk 30/40-somethings crowd. The band shared, “‘You’ll Hate It Here’ is a tongue-in-cheek take on the cities we call home (Seattle and San Francisco), which, let’s face it, are some of the news cycle’s favorite punching bags. For locals, the negativity can get overbearing enough to warrant a snarky, ‘Grab a souvenir on your way out.” West Friends collaborated with Tom Iannello (Transit, Driveways) to make an anthem that says, despite their flaws, we wouldn’t want to be anywhere else.” If you’re enjoying the early listen, you can pre-save West Friends new single here.

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Interview: Grady Allen of Anxious

Anxious

Recently I was able to catch up with the lead vocalist of Anxious, Grady Allen, on the road to discuss everything that went into the band’s excellent sophomore LP, Bambi. I asked Grady about how the headlining shows have been going for Anxious, if he felt any pressure during the writing process between Little Green House and Bambi, and much more. If you’re looking to support Anxious on the road, check out a show, or visit their merch store here.

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Review: Hit The Lights – Summer Bones

The fourth studio album from pop-punk band, Hit The Lights, called Summer Bones is a solid collection of songs that bookmarked where the band felt most comfortable in. The record has since turned ten years old today, and Hit The Lights have not released a full-length record since then. The closest we got to new music was the 2016 EP, Just To Get Through To You, that also featured acoustic versions of several tracks from Summer Bones. Summer Bones was produced by Kyle Black (New Found Glory/All Time Low/State Champs) and highlights a familiar sound from the band’s most successful record, 2008’s Skip School, Start Fights. After the experimental Invicta, Summer Bones has the vibe of a more matured version of the band, and still plays out well to this day. The set would spawn three singles in “Fucked Up Kids,” “Life on the Bottom” and “No Filter.”

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Review: A Day To Remember – Big Ole Album Vol. 1

The eighth studio album from A Day To Remember, called Big Ole Album Vol. 1, finds the band at a bit of a crossroads. This is the first record without founding bassist Josh Woodard, who departed the band in October 2021 due to allegations of misconduct, and A Day To Remember try to regain their footing after the lukewarm reception of their last record, You’re Welcome. Big Ole Album Vol. 1 features a litany of producers, six in total, including lead vocalist Jeremy McKinnon and the album has a bit of a tough time finding its direction. The album feels like an A Day To Remember record, but with so many artistic directions taken here, it’s a bit of a jarring listening experience. Instead, the album plays out almost like a “Greatest Hits” set that goes through the ground the band covered since their early days to now. Preceded by a physical only release on February 21st of this year, the streaming date has arrived for an album that has already achieved a Top Five Billboard 200 debut.

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Interview: Radiator King

Radiator King

For the last decade, Radiator King has been the moniker of NYC-via-Boston solo artist Adam Silvestri. But since he moved to L.A. in 2021 at the urging of longtime collaborator / drummer / Dresden Dolls co-founder Brian Viglione, the two have teamed up with keyboardist Alexander Burke to form a proper band with each member contributing to the writing process. Today, Radiator King has released the video for “The Second Coming,” their garage rock-heavy single that is a crowd-pleasing anthem. I was able to connect with Silvestri for an interview about the new single and how the band responded to working with veteran producer Ted Hutt. If you’re enjoying the music video, please consider supporting Radiator King here.

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Interview: Catbite

Catbite

A couple of days ago, I was able to schedule a Zoom call with Brittany Luna (vocals) and Tim Hildebrand (guitar), of Philadelphia ska band Catbite, to discuss their newly announced EP, Doom Garden. In this interview, I asked the band members about where the EP title came from, the direction they took on Doom Garden, their recent performance doing the Operation Ivy cover set with Laura Jane Grace, and how they were able to get Patrick Stump to sing on one of the songs on the new record. Catbite will be supporting Doom Garden with a headlining tour, and the dates are below.

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Interview: Katerina Nicole

Katerina Nicole

I’d like to introduce everyone to ambient rock artist, Katerina Nicole, whose debut EP, Serene In Violent Oceans, is a solid mix of heavy styles similar to Spiritbox, paired with the songwriting sensibilities of Charlotte Sands, all with a style all of her own. I asked Katerina about her great new single called “Emotionally,” the meaning behind the EP title, and what she hopes fans will take away from listening to her dynamic music. If you’re enjoying the new single, please consider streaming her EP here.

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Review: Lily Meola – Postcards To Heaven

Lily Meola - Postcards To Heaven

Losing a loved one can bring out so many emotions that we didn’t know that we even had inside of us. On her heartfelt tribute to her mother who passed away from cancer, Lily Meola has returned with a new EP, affectionately labeled as Postcards To Heaven. Meola shared, “Since losing my mom, writing music has been a form of therapy for me. These songs stem from my grief and the everlasting longing I have to communicate with her. I decided to put these out on her birthday as a way to dampen the heartache that this day brings and to honor her. I hope that sharing these songs will help others who are facing grief.” By creating a touching EP that tugs on all of the right heartstrings, Meola quickly showcases the healing power of music.

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Review: Coheed and Cambria – The Father of Make Believe

Coheed and Cambria - The Father of Make Believe

It sure feels like Coheed and Cambria have been around much longer than 23-plus years since their debut album was released. Is it the mix of classic rock and prog rock elements that give them that nostalgic feel? Possibly. Is it the rich concepts of traveling through epic space storylines? Could be that as well. All things considered, Coheed and Cambria feel right at home with their tenth studio album, The Father of Make Believe. The record blends a lot of what Coheed have been best at over their storied career thus far, and adds in some new creative elements to their sound to prevent the album from feeling like a retread of already covered ground. Instead, The Father of Make Believe is a gripping exploration of mortality, legacy, and human connections that make us want to keep navigating through this crazy life. Look no further than the opening track of “Yesterday’s Lost” where vocalist/guitarist Claudio Sanchez ponders, “If this life ends early / Would I have spent our time right?” before later confessing, “It won’t get any easier / As I start to get old / Please share with me something / Before I lose control,” and you start to get the feeling like this band is in a reflective state of where they have been so far, and yet they embrace whatever comes next. And yes, while these lyrics are wrapped up in the space rock narrative of The Armory Wars/Vaxis storyline, there is still a beating heart behind each of these words that can be applied to the realities we all experience today. That’s the magic of Coheed and Cambria. They have been able to relate to not only their fellow “comic book nerds” but also those who appreciate great rock music that leaves us feeling fulfilled.

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Review: Radiohead – The Bends

The pressure that bands must feel after delivering a successful debut album must be enormous. Add the backing of a major label to the mix, and the expectations that come with all of that, and it can be enough to make even the most confident songwriters take pause. Radiohead stormed onto the Alt Rock scene with 1993’s Pablo Honey, that spawned a now-legendary lead single in “Creep.” The debut set has gone on to sell over 1.5 million copies in the U.S. alone. The expectation from Radiohead’s label (Capitol Records) was that they could easily replicate this success on their sophomore effort, The Bends. But true art can’t be forced or so easily matched at the click of a button. The reality that began to sink in for this ultra-talented band during the songwriting sessions for this record led to the realization that they would have to go even bigger than anyone could’ve ever dreamt of. Through these sessions, The Bends has gone on to receive numerous critical accolades, including Rolling Stone’s “500 Best Albums of All Time” list and several platinum certifications worldwide.

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Interview: Debt Neglector

Debt Neglector

Recently I was able to connect with Florida punk band, Debt Neglector, about their newly announced LP called Kinda Rips that will be released everywhere music is sold on April 4th via Smartpunk Records. In this interview with bassist/vocalist/ band founder Alex Goldfarb, I asked him about the themes present on Kinda Rips, the band’s music upbringing, and why they feel their music should connect with those upset with the political status quo. You can pre-save Kinda Rips here.

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