Savings – “Get Well Soon” (Documentary Video Premiere)

Savings

Today is a great day to share the new video documentary from emo band, Savings, that features an in-depth look at their new album, Get Well Soon. Deploying a smart and immersive blend of pop-punk stylings, Savings nods to the 00s purveyors of the genre and nu-punk, while shading the sound with elements of Midwest emo. New collection Get Well Soon is an emotionally charged, hook-laden affair with vulnerable lyricism and soaring choruses. The upcoming collection nods to the likes of Hot Mulligan, Free Throw and Movements. The band have recently featured on Fresh Finds Rock & Emo Right Now on Spotify.

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Rookie of The Year (featuring Relient K) – “Fast Car” (Song Premiere)

Rookie of the Year

Today I’m thrilled to bring everyone a blazing new summer pop anthem from Rookie of the Year called “Fast Car.” The song features a great cameo from Relient K’s Matthew Thiessen, and the track comes from the album, What A Beautiful Mess, due out at the end of the year. The band shared, “We recorded this song in Nashville with Dave Elkins of the band Mae. Super excited how it came out! We will be playing it this month when we hit the road with Spitalfield and Valencia.” If you’re enjoying the new song, you can pre-save it here.

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Review: The Darkness – Permission To Land

Flash back to the year 2003. Emo and punk bands are gaining traction in the mainstream in a way that had never been seen before, and hair metal bands seemed to be all but forgotten. So what was a band like The Darkness to believe in when record labels seemed largely disinterested in signing a band that was such an unashamed throwback to the 80’s hair metal era? The Darkness stormed onto the music scene in the fall of 2003 with a single that made major traction called “I Believe In A Thing Called Love.” The music video was hilariously ridiculous, but the music that accompanied it was a blast of guitar-driven rock & roll that sounded different than anything else on the radio. The single did so well in the United States that the band was able to book a headlining tour of major clubs that largely sold out across the country. The beauty of The Darkness’s debut, Permission To Land, was that the band never took themselves too seriously, and was willing to go all out in their love for the hair metal genre, and re-capture the spirit of the 80’s in an entirely different decade.

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Review: Mercy Music – What You Stand To Lose

The fourth full-length record from alternative rock band, Mercy Music, shows a lot of growth in the band’s musicianship, and is filled with slick hooks, rip-roaring guitar solos, and accessible vocals that make you want to join in on the fun. What You Stand To Lose finds the Las Vegas-based band tinkering with their punk rock roots and they have made an album worthy of your time. The set of songs was produced by Bill Stevenson (Black Flag, Descendents) and mixed by Jason Livermore (NOFX, Hot Water Music), and it tackles relatable themes like heartbreak, trusting yourself, and refusing to conform to the status quo. Lead singer/guitarist Brendan Scholz shared, “”What You Stand To Lose is about coming face to face with one of your worst fears, learning from the experience, and hoping you come out the other side a better person.” With a sound that strays somewhere between The Explosion, The Ataris, and The Bouncing Souls, Mercy Music may have just made your next favorite album to add to your collection.

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Review: Anberlin – Convinced

It’s a great feeling when a band you’ve followed from the beginning of their early days makes a record that seems so fully realized and impactful to their legacy. Anberlin had just released a stellar EP last year, called Silverline, that found them returning to releasing new music for the first time in eight years, and now we’re all treated to some new tunes from the rockers with Convinced. With a sound that reminds listeners of why they became so enamored with the band in the first place, Anberlin still moves the needle of creativity further down the right path. The EP was self-produced by the band, alongside help from their friends Tim McTague (of Underoath), Chad Carouthers, and JJ Revell. At this stage of their career, Anberlin could have become content with releasing “safe” music that satisfies their fans, but there’s something different in the musical DNA of this band that is evolving at an alarming rate. Instead, Anberlin may have just convinced themselves into exploring just how far down the rabbit hole they’d like to navigate.

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SWIMM – “Used To Saying Yes” (Video Premiere)

SWIMM

Today is a great day to share the latest single and video from LA psych-pop band, SWIMM, called “Used To Saying Yes.” On this electric-charged single that provides absurdist commentary on social obligation, the band continue to evolve in the most creative ways imaginable. The track comes from their forthcoming LP, Best Comedown Ever, that releases everywhere music is sold on August 10th. I was also able to catch up with SWIMM for a brief interview below.

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Eldridge Rodriguez – “A Feeling That Won’t Go Away” (Song Premiere)

Eldridge Rodriguez

Today is a great day to share the lead single from the newly announced LP by Boston noise rock band, Eldridge Rodriguez, called “A Feeling That Won’t Go Away.” The song comes from the band’s fifth album, Atrophy, that will be released via Midriff Records on September 15th. On this latest single, the band channels their love for a “wall of sound” approach to their songwriting while still leaving room for the listener to make their own interpretations of the music. If you’re enjoying the direction the band took on this latest track, please consider purchasing music from their Bandcamp page. I was also able to catch up with this talented band for a brief interview below.

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Jess Nolan – “Emergency Landing” (Song Premiere)

Jess Nolan

Today I’m thrilled to share with everyone the latest single from Nashville singer-songwriter, Jess Nolan, called “Emergency Landing.” The vibrant track tackles the theme of having to be “on” all the time, and making sure to take care of yourself in this crazy world that we all live in. With a sound that strays somewhere between the styling of Lucy Dacus, paired with the picturesque storytelling of Joni Mitchell, Jess Nolan is truly onto something magical here. Nolan shared:

I wrote this song with my friends, Hadley Kennary and Jake Finch, on a day when we were lamenting about the societal pressure to be “on” all the time. We live in a world that glamorizes the grind and doesn’t prioritize rest. It’s up to us as individuals to draw our own boundaries around what we need to recharge. Taking days off and spending time alone helps me show up more fully for the people around me. Instead of viewing it as selfish, I now see it as a sacred step in community care. My hope is that we can all give ourselves a high level of compassion for our own needs so that we can better serve others. Take a breath! We don’t need permission to care for ourselves.

If you’re enjoying this latest single, more music is expected soon from Jess Nolan via Righteous Babe Records.

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Review: The Mars Volta – De-Loused in the Comatorium

Quite simply, I had never heard anything quite like The Mars Volta. I heard rumblings of a new project from former At The Drive-In members, Omar Alfredo Rodríguez-López and Cedric Bixler-Zavala, but my expectations for the music that this band would go on to release would be blown out of the water. De-Loused in the Comatorium is based on a short story by Bixler-Zavala and sound manipulation artist, Jeremy Ward, that imagines a man who enters a week-long coma after overdosing on rat poison and morphine. The record was produced by Rick Rubin (Red Hot Chili Peppers, The Strokes) and showcases a band taking extreme risks in their progressive-rock sound that exceeded any expectations that their label could have hoped for when they signed the band. The album was both a commercial and critical success that would eventually be certified gold in the United States.

From the quiet opening of “Son Et Lumiere” to the explosion of sound on the lead single, “Inertiatic ESP,” The Mars Volta would bend the minds of all who put on a pair of headphones and sat down to listen to De-Loused in the Comatorium. The band would go on to seven studio albums, with their latest being a self-titled release after a ten-year hiatus, and re-set the bar for what prog-rock could be and become a beacon for music creativity for the foreseeable future.

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Dayaway – “A Brief Dream of Sun” (Song Premiere)

Dayaway

Today I’m so excited to share with everyone the latest single from indie pop songwriter, Dayaway, called “A Brief Dream of Sun.” On this vibrant new song, Amber Renee channels her love for psychedelic rock paired with lush vocals into a powerful message of endless possibilities. The song comes from Dayaway’s new EP, Blue Summer Moon, out everywhere music is sold on August 30th. I was also able to catch up with this talented songwriter for a brief interview below.

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Interview: Ryan Key of Yellowcard

Yellowcard

This past week, I was able to catch up with Ryan Key of Yellowcard before he and his recently reunited bandmates embark on their summer tour celebrating 20 years of Ocean Avenue. In this in-depth interview with the lead vocalist of Yellowcard, I asked him about what went into the writing and recording of their new EP Childhood Eyes, the comparisons of the new EP to the sound of Paper Walls, and how he keeps the spirit of Yellowcard alive through various projects and outlets. Childhood Eyes will be released on July 21st via Equal Vision Records, and pre-orders are live.

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Divided Heaven – “Clean Sheets” (Song Premiere)

Divided Heaven

Today I’m excited to bring everyone the latest single from Divided Heaven, a cover of a Descendents classic, “Clean Sheets.” The single features a collaboration from Matze Rossi, and highlights Divided Heaven’s dedication to their punk roots as well as moving the needle in the artistic development. Lead vocalist, Jeff Berman, shared this about the cover song:

I heard Bill Stevenson say that he wrote ‘Clean Sheets’ in one swoop. It just came to him. About ten years ago, I was working on a riff that sounded too familiar; took me a moment but I soon discovered it was ‘Clean Sheets.’ The lyrics immediately came to me and it just felt right. My favorite Descendents song, ‘Clean Sheets,’ beautifully translates to the acoustic guitar. Add a pinch of tenderness and the incredible, incomparable, Matze Rossi, and this classic punk song resonates in a new beautiful darkness. Much love to Bill for writing it, Stephen for being my favorite guitar player, and to all that give it a listen.

Divided Heaven’s latest LP, Oblivion, is out now via A-F Records here.

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Tacos! – “Kick Rocks” (Song Premiere)

Tacos!

Today is a great day to share the new single from Seattle-based metal/punk trio, Tacos!, called “Kick Rocks.” Band members Lupe Flores, Donovan Stewart, and Hozoji Matheson-Margullis catch lightning in a bottle on this politically-charged song that transcends genre lines. Donovan Stewart shared:

This is by far one of the hardest hitting songs, out of the gate on this record. One of the first songs we co-wrote with the addition of Hozoji in Lupe’s cave of a basement in Ballard. Expressively charged by all the things happening at the time but none more hard to swallow than the prevailing racial injustice happening around the nation. Often shielded and in a false sense of security, our area in the Northwest wasn’t without its own problems. Coupling this with the insane unknowing day to day activities that the pandemic presented us, it was easy to let loose a barrage of lyrics and hammering riffs. Jam your whole fist down your venom spitting throat so you can vomit up all those demons you’ve been forced to swallow.

The single comes from the band’s forthcoming LP, 3, that will be released on August 4th via Nadine Records.

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