Adam Grundy
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Adam Grundy
An enthusiastic music blogger who lives in the Washington DC Metro area. My favorite bands are My Chemical Romance, Yellowcard, the 1975, and Paramore.
recommended
My Chemical Romance – The Black Parade
Night Riots – New State of Mind
Four Year Strong – Brain Pain
Vinnie Caruana
SORTED BY: REVIEWS

Review: Hidden In Plain View – Tantrums

Adam Grundy

A lot can change in the music landscape in just a short period of time. Hiatuses that start out as a “short time away” to regroup and re-charge can occasionally feel like decades, and add a pandemic to the mix where every day feels exactly the same, and that time can multiply itself. Hidden In Plain View are back with their first release of new material since the 2015 EP entitled Animal, and they’ve called this new record Tantrums. Whereas their most recognized album, Life In Dreaming, had the lofty expectations of matching their big hooks with even bigger melodic payoffs, Tantrums seems even more fully-realized as the band sound as re-energized as they’ve ever been and appear poised to take their sound to new audiences.

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Review: No Trigger – Dr. Album

Adam Grundy

It’s hard to believe it’s been ten years since No Trigger released a full-length record. In the decade that’s passed, the band appeared to be cooking up just the right combination of punk-flavored hooks paired with a more melodic approach to the groove of their songs to make one of their most memorable records to date on Dr. Album. This six-piece punk band will be touring in support of the new record with The Lawrence Arms, Riot Fest, and more to spread the message of this great-sounding album that has a little bit of something for everyone. The band shared they were trying to create, “the Sgt. Pepper of punk records. We took a bunch of drugs and made this record while the world stopped. It sort of just poured out of us. A ‘had to get it all out’ sort of scenario.” Out of this experiment, No Trigger have proved that the world needs more punk bands like this.

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Review: Panic! At The Disco – Viva Las Vengeance

Adam Grundy

The latest offering of music from Panic! At the Disco leaves a lot to be desired. It has some of the magic that made Panic a household name, but most of the ideas that are brought forth on Viva Las Vengeance ultimately feel forced and not fully fleshed out. The album was produced by Jake Sinclair, Mike Viola and Brendon Urie, and when the material is on point, it can be a fun ride, yet too many of these songs don’t live up the high (high) hopes. The promotional cycle included releasing four singles, that tried to garner enough interest in the record that was coming off of one of Panic! At The Disco’s more successful albums in Pray for the Wicked, and yet early reactions to the title track, “Middle of a Breakup,” and “Local God” left a lot of fans nervous about the direction Brendon Urie would be taking on the band’s seventh studio album. What we’re ultimately left with is a missed opportunity for Urie and his production team to take Panic! At The Disco to the next level.

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Review: Hello Stranger – True Belief

Adam Grundy

The latest EP from indie rockers, Hello Stranger, is a blast of fun-sounding rock songs that have plenty of meaning behind them. The band set out to create a collection of hard-hitting tracks that have plenty of substance behind them, and I’d say that is “Mission Accomplished.” The band shared, “We had these incredibly topical, salient songs we had been working on for months, but it was difficult to get into studios or collaborate with producers. As many other artists did during that time, we decided to do it ourselves.” By choosing the route of independence, this raw EP called True Belief stays true to who the band members are as people and they make a bold leap forward as a unit. With a sound that strays somewhere between Bayside, paired with the pop rock sensibilities of Switchfoot, Hello Stranger seem destined to be familiar in your music rotation.

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Review: Snarls – “After You (Samantha’s Song)”

Adam Grundy

The latest single from Snarls feels like those last great gasps of summer air before the uncertainty of autumn wraps over us and makes us wonder where the time went. The band is coming off of releasing a great EP (What About Flowers?) with Death Cab For Cutie’s Chris Walla, and they continue to go down the rabbit hole of self-discovery with vibrant, full guitars, enveloped with vocal harmonies much like Fleetwood Mac, or contemporary artists like Phoebe Bridgers or Hayley Williams, to make the listener feel welcome. On this single, Chlo White shared:

”After You” is my love song to my long distance bestie, Samantha. She lives in Denver now, but we met in high school when I invited her to come to one of my shows! We quickly became really close friends and I found myself out in Yellow Springs, OH at least once a month for a while. That was about an hour away from where I lived in Columbus at the time, and my dad would drive me halfway and meet up with her at a TA station so we could hangout for a weekend. Too cute. I think friendships like ours are rare. We can go months without talking and pick up right where we left off. She moved a while ago now, but I still feel so close to her. I don’t think I’ll ever know another love like Samantha’s!

By creating a song that is both personal and sonically rich and full in its sound, Snarls continue to impress.

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Review: Have Mercy – Have Mercy

Adam Grundy

The latest EP from Baltimore rock band, Have Mercy, is their first taste of new music since 2019, which in the middle of a pandemic might as well feel like it’s been eons. In addition, Have Mercy called it quits when the world went to shit in the spring of 2020, only to suddenly return with this reinvigorating self-titled EP that finds them sounding as refreshed as they’ve ever been. The record blasts off on the right foot with the anthemic “I’m Gonna Be Ok,” that sounds larger than life. Frontman Brian Swindle shared, “When we wrote this song, I realized that it summarized my entire life as of late. I met the love of my life and wanted to move forward with her but couldn’t until I took care of my issues. I had to get sober, get my mental health in check and just do better. This song was a reflection of all of that.” By handling the personal issues and coming out on the better side of things, Swindle and his bandmates in Have Mercy may have just made their late career masterpiece.

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Review: Kulick – “Goner”

Adam Grundy

The latest single from talented singer-songwriter, Kulick, called “Goner” reminds me a bit of the great, anthemic rock from the early 00’s, and packs plenty of punch in its delivery. The song features some guest vocals from Sleeping With Sirens vocalist Kellin Quinn, and he takes the reins of the second verse to paint the story being brought forth in the single. Kulick is coming off the success of his Everyone I Know Will Die sophomore record and he continues to explore the depths of his improved songwriting on tracks like this. The brilliant and vibrant chorus features vocal harmonies between the two vocalists and makes for a full-sounding vocal attack.

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Review: R.E.M. – Chronic Town

Adam Grundy

Coming up in the early part of next week is the 40th anniversary of the debut EP from R.E.M. called Chronic Town. The band is celebrating this momentous occasion/birthday with a re-issued CD, cassette, and vinyl picture disc that is releasing today. Featuring pop gems like The Smiths-esque “Gardening At Night,” to The Cure-sounding “Stumble,” and “1,000,000,” the five-track EP solidified R.E.M. as a name to watch in the early part of the 80’s. As lead vocalist Michael Stipe puts it on the detailed liner notes in the package, “We started like a lowly caterpillar, a pupa stage, then a chrysalis, into something resembling a pop band.” It’s a fairly accurate depiction of the sound that comes shining through the speakers on this endearing debut EP. You can definitely hear traces of where the band would take their sound on their debut LP Murmur that began to make R.E.M. a recognizable name.

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Review: Blindside – Silence

Adam Grundy

Usually you can point to certain moments in time when your taste in music changes to broader categories. For me, it came in the form of Blindside and their aggressive, yet melodic, third studio album Silence produced by veteran hit-maker Howard Benson (Hoobastank, Papa Roach). For quite a long time in high school, and even parts of the beginning of college, I was stuck in an Alt Rock and pop-punk phase that was tough to break free from for other genres of music. Enter Blindside and their hard-nosed guitar approach, semi-screamed vocals paired with melodic breakdowns, and my music world was turned upside down. Going down the rabbit hole of post-hardcore music led to my discovery of bands like Underoath and Thursday, and prepared me to be more open to different stylistic choices in our scene’s wide umbrella of artists that would appear on a Warped Tour lineup.

Silence is anything but a silent-sounding record. It’s aggressive, pulsating, and the tones of the guitars, bass, drums, and searing vocals made for a dynamic and sonically interesting band in Blindside. Whereas their previous effort A Thought Crushed My Mind left little room for melodic breakdowns, Silence had just the right combination of punishing guitars and screamed vocals mixed with a more radio-ready sound. The record would end up peaking at #83 on the Billboard 200.

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Review: Don’t Panic – “Conquer Divide”

Adam Grundy

The latest taste of music from Phoenix Alt Rock band, Don’t Panic, sets off the alarm bells of urgency on ”Conquer Divide.” The song comes from their soon to be announced LP, 24, and follows their lead single “Time Machine,” and further showcases the band’s captivating songwriting. A little fun fact is that lead singer, Dylan Rowe, was in the mix to replace Flyleaf’s vocalist a few years back. Rowe shines all over this great-sounding single that cements Don’t Panic as a band to watch as the year unfolds.

The track opens with some well-placed synths, roaring guitars, and perfectly in-time drums before bleeding away for Rowe’s great vocals to lift the song to new heights. What Don’t Panic do best on this song is slow-building to a crowd-pleasing, anthemic chorus to keep the interest high in their brand of alternative, radio-ready rock. The bridge features a slow-downed section that allows the band to take a quick breather before exploding back into a wall of sound for the final chorus to leave a great taste in the audience’s mouth, and leave them clamoring for more. The guitar tones, in particular, on this song are very powerful and full-sounding and much like the Leonardo DiCaprio movie quote of, “You had my curiosity, but now you have my attention,” Don’t Panic have certainly made me a fan.

Review: PONY – “Peach”

Adam Grundy

The latest single from indie pop rocker PONY is a blast of fuzzy guitars and vibrant vocals, called “Peach.” Singer/guitarist, Sam, mentioned this about “Peach,” “”I think Peach is probably the most vulnerable song I have ever written. After all, what’s more vulnerable than a Peach? Some years ago I found myself in a relationship with someone who initially treated me like I was so special. But little by little the love seemed more and more conditional. With every bit they tried to control what I wore, who I talked to, and what I did – I lost a part of myself. It took me years to realize I was completely gone and I mistook abuse and manipulation for love. ‘Peach’ is about realizing that someone who wants to have control over you is not someone who loves you.” Out of this vulnerability comes a great self-empowering anthem of overcoming the lowest of lows. With a sound that drifts somewhere between Bully, paired with the pop sensibilities of Olivia Rodrigo and Phoebe Bridgers, PONY is well on their way to becoming your next great musical discovery.

The song starts off with some soft vocals from Sam before breaking away into some grunge-pop power chords that speak to the conflict brought forth in the lyrics. At the surface, it feels like a nice, summery pop anthem that would be perfect for those long summer drives. The reality is PONY have created such rich conflict in the lyrics about losing a part of oneself along the way to discovering what makes us tick, that it’s really hard to distance yourself from these personal issues the artist is experiencing. Overall, PONY have created a worthy single that continues to keep the interest high in this incredibly talented artist.

Review: Goo Goo Dolls – Chaos In Bloom

Adam Grundy

Out of chaos, comes clarity. This quote appears on several art boards, tattoo parlors, and in the case of Goo Goo Dolls and their 14th studio album, Chaos In Bloom, the band embraces the chaos and creates one of their most immediately gratifying late-career records. The set of songs was produced by frontman John Rzeznik (surprisingly, for the first time in the band’s career) and he does an exceptional job of re-capturing some of the early magic of Goo Goo Dolls’ legendary material, but with a more modern flair to it. “Chaos in Bloom reminded us how special this whole thing is and to cherish the relationships that we have together,” says Rzeznik about the album. “Where we’ve been, and where we’re going.” While some may have written the band off after the early success of records like A Boy Named Goo and Dizzy Up The Girl, there is still plenty to love and enjoy on this latest album. The partnership between Rzeznik and bassist/songwriter/vocalist Robby Takac appears to be blossoming again at just the right time in their collective careers.

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Review: Unwritten Law – The Hum

Adam Grundy

Just like the famous quote from the character Michael Corleone in The Godfather: Part III of, “Just when I thought I was out, they pull me back in,” can be directly re-applied to the case of Unwritten Law. The band seemed to have a tough time getting that “magic” back on the past few releases like Swan, and at-times Here’s to the Mourning, something appeared to be slightly out of sync in the band’s delivery. Enter the era of The Hum, and all appears to be heading back on the right course. The Hum is a cohesive and electric collection of songs that fit well from beginning to end, and feature several key songs that keep the listener coming back for repeat listens. While Unwritten Law doesn’t cover a ton of new ground here, getting the train back on the tracks is the most important thing that the band could’ve done here to re-establish their brand of music in the crowded pop-punk realm.

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Review: Momma – Household Name

Adam Grundy

The third studio album from Momma is an endearing collection of songs that they have affectionately titled Household Name. Mastered by Grammy-winning engineer Emily Lazar, Household Name captures a great indie rock spirit while still remaining true to the band’s core authenticity that came shining through the speakers on their first two records. The new songs drift in the realm of indie rock bands similar to Momma like Soccer Mommy, Snail Mail, and Beabadoobee, yet some of the guitar tones breathe new life into this group of musicians with a sound similar to Smashing Pumpkins and early-Nirvana. On songs like “Speeding 72,” the lead single from the set, Momma are able to achieve a sound that transcends genre lines and conventional boundaries.

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Review: Gin Blossoms – New Miserable Experience

Adam Grundy

One of the many fun things about revisiting albums, like this one, is learning out new things about the record that most may have missed when it first came out. For example, while researching the context surrounding Gin Blossoms and their second studio album called New Miserable Experience, I never knew there was an alternate cover that was released for this record. In fact, the first cover for the album depicts an Arizona desert, which would later be replaced with the current image after A&M Records decided to push the record hard at radio outlets. With singles like “Lost Horizons,” “Allison Road,” “Until I Fall Away,” and arguably their biggest breakthrough single called “Hey Jealousy,” Gin Blossoms had everything you’d like to see in a band trying to make a name for themselves. The set was co-produced by Gin Blossoms and John Hampton (The Raconteurs, The White Stripes), and this LP holds up surprisingly well after 30 long years. By the time the promotional cycle would wrap up on New Miserable Experience, Gin Blossoms would earn a 4x Platinum record on their sophomore effort.

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