Review: Arms and Hearts – The Distance Between

Adam Grundy Nov 17, 2020

The Manchester melodic punk act formed by Steve Millar, better known as Arms & Hearts, makes a solid introduction to the folk-punk scene on The Distance Between. With a raspy voice that ranges from the howl of songwriting veterans such as Brian Fallon and Chuck Ragan, Millar makes a powerful opening statement on this collection of nine well-structured songs. The material teeters between sounding like a singer-songwriter at a dimly lit nightclub, to the full-bled passion of a punk band packed to capacity in a sweaty venue. What Millar does best is making his listeners hang on his every word as he sways from a soft croon to a blood-curdling scream.

Adam Grundy Nov 6, 2020

The charming debut record from Lifehouse called No Name Face took a lot of people by surprise when it first arrived 20 years ago. Led by singer/songwriter Jason Wade, the band was able to capture radio magic right from the get-go with their radio mega-hit “Hanging By A Moment.” The song went on to be the most played song of 2001 and allowed for the album to sell over 2.5 million units in the United States alone. Apart from the lead single and introductory song on the record, the LP is surrounded by several well-crafted songs that showcased Wade’s lyrical depth and vocal prowess at the tender age of 20 years old. The band was able to pull on the heart strings of America and made several TV appearances during the promotional cycle of the album. Looking back at this album brought up a lot of memories of listening to this record front to back during the autumn of my senior year of high school. What set Lifehouse apart from most of the other bands I was listening to during this era of music was their way of telling great stories through their music, and it made for an album that would stand the test of time.

Adam Grundy Oct 30, 2020

Every now and then I come across a band who is able to mix so many of the elements I enjoy about music and present it in a pleasing package. Much like my discovery of My Chemical Romance opening up for The Used back in the year 2002, it’s hard to describe the feeling of when you know that a band has that “it” factor. Enter Sarah and the Safe Word, who have crafted their sophomore record called Good Gracious! Bad People that has a blend of Panic! At the Disco theatrics, My Chemical Romance thematic elements, and the Gothic cabaret of the Nightmare Before Christmas soundtrack. The sextet band from Atlanta, Georgia appear poised to take the next dramatic leap into the limelight as their new record delivers all over the board.

Adam Grundy Oct 28, 2020

In the midst of a global pandemic and social unrest going on in the United States, Fear No Empire were inspired to form to give another voice to the protests and amplify their message through their music. The band is comprised of vocalist Ali Tabatabaee (Zebrahead), bassist Ben Ozz (Zebrahead), guitarist Dan Palmer (Zebrahead, Death By Stereo), and drummer Mike Cambra (The Adolescents, Death by Stereo and Common War). When I last spoke with Ali about this new project, his passion for providing a call to action for others to fight back was apparent. The topics covered on their self-titled EP are extremely topical and relevant. The COVID-19 pandemic and the lack of action from leadership, kids in cages, and discrimination across the board forced the hand of these musicians to do their part to spread awareness and provide a musical outlet for their politically-charged attack.

Adam Grundy Oct 27, 2020

Dallon Weekes and Ryan Seaman were facing some extremely high expectations and unanticipated buzz surrounding their debut LP, Razzmatazz. Under the band moniker, I Don’t Know How But They Found Me (which originates from a Back to the Future quote) the two musicians found some unexpected success early on in their career. Weekes, who once was a touring and contributing member to Panic! At the Disco, found himself at a crossroads of sorts since he had written tons of solo material and needed an outlet to release it under. The band’s first single, “Choke,” from the 1981 Extended Play record skyrocketed the band to the tip of everyone’s tongue and made naysayers take notice of what some were calling “Panic-lite.” The EP debuted at the top of the Billboard Heatseekers chart, and the single peaked at #7 on the iTunes Top 100 Alternative music charts. With the spotlight firmly on the band, Weekes and Seaman crafted a unique set of tracks that would become their debut full-length record. The material is similar to the introductory tracks found on the EP, but the band begins to realize their vision for their sound on Razzmatazz.

Adam Grundy Oct 26, 2020

The Swiss-based pop-punk band Give Me A Reason have created a solid debut record in Vice Versa. Produced by Blake Roses (Oh, Weatherly), the band comes storming onto the pop-punk scene with vibrant guitars, bouncy vocals, and solid songwriting. The band’s sound is reminiscent of early All Time Low, with a mix of Boys Like Girls and Cartel thrown into the mix. While the band doesn’t stray too far from their influences, the music that comes pouring through the speakers is undeniable ear candy.

Adam Grundy Oct 20, 2020

The circumstances surrounding The Struts third album, Strange Days, were unique, to say the least. The band had just come off the success of two popular records and had established themselves as one of the “must-see” live acts coming up in the music ranks. The Struts, who had not been together since February, all got COVID-19 tests before moving into producer Jon Levine’s home for the ambitious task of recording a new album in just ten days. The result was a collection of ten songs that include a ton of A-list collaborators in Albert Hammond Jr (The Strokes), Robbie Williams, Tom Morello, and Def Leppard’s Joe Elliott & Phil Collen. The material that the band was able to come up with under the pressure of a deadline still lives up to the hype of their earlier material and plays out like a love letter to the glam rock of the ’70s.

Adam Grundy Oct 16, 2020

After releasing three albums firmly planted in the pop-punk genre Seaway were ready to try something new with their sound. Their fourth album, Big Vibe, takes a stab at 80’s style pop rock filled with big sing along choruses and crowd pleasing hooks. Released under their longtime label in Pure Noise Records, the record’s timing in the fall season seems a little curious, as the sound that comes through the speakers is fully entrenched with summer vibes. The benefit of releasing shimmering music during the rain-soaked season of autumn is to have some new tunes to brighten up our outlook on life and what comes next. Seaway have created their best record to date on Big Vibe, and the band seems poised to take the next big step in their quest for world domination.

Adam Grundy Oct 15, 2020

Fresh off the success of his debut EP, Hydroplane that featured a hit single called “Ghost,” Kulick has released his proper full-length record called Yelling in a Quiet Neighborhood. The 28-year old singer songwriter from West Penn, Pennsylvania is poised for some breakout success with this collection of deeply personal songs. In regards to the material translating to the live setting, Kulick mentioned in a recent interview that, “I am ready to tour as soon as it is safe to. I miss my friends and everyone who shares these songs with me. I miss their energy. When we’re able to tour again, look forward to hearing the first record that is truly a Kulick record. I look forward to sharing it with everyone.” It’s easy to share the optimism that he has in respect to his debut album, as he has crafted a unique brand of songs filled with personality.

Adam Grundy Oct 12, 2020

It feels great to have Madina Lake back in the fold. With their first taste of new music since 2011, The Beginning of New Endings is an aptly titled EP as the band starts the latest chapter in their discography. Madina Lake came up through the Warped Tour scene in the latter part of the 00’s decade and released three fairly solid LPs along the way. When the group disbanded in September 2013, many people thought we had heard the last from the Chicago-based rock band. The Leone brothers announced their reunion in 2017, added a new drummer in Chris Mason, and re-connected with their longtime guitarist Mateo Camargo to complete their comeback. Madina Lake has come back stronger than ever with an EP that lives up to the legacy of their earlier work.

Adam Grundy Oct 6, 2020

On the latest EP from Luna Aura, she explores the female identity and the relationship to American culture and society. Three Cheers for the American Beauty is a hard-hitting record that leaves you wondering whether it’s time to dance, take notice, or join her army of followers. With the pompous stomp of electronica acts such as NIN, to the riot girl approach of bands such as Hole and Garbage, Luna Aura is starting to emerge as a true artist to watch as the year unfolds. With a voice that is equally sweet as it is powerful, she tackles an array of topics on this record that hits its mark more often than not.

Adam Grundy Sep 29, 2020

The Chicago-based band Guardrail has self-described themselves as “Diet Punk” since they are heavily influenced by punk bands, yet their sound doesn’t stray too far into that genre. Lucky for them, genre lines continue to get blurred in today’s scene and it matters very little what category a band gets placed in as long as they continue to write good music. The band is comprised of Kevin Andrew (vocals), Ken Ugel (guitar), Alyssa Laessig (bass, vocals), and Doug Brand (drums) who each bring their own strengths directly back into their sound. Guardrail reminds me of the melodic, guitar-driven rock of bands such as Autopilot Off, The Bouncing Souls, and Fenix TX. Comparisons aside, they have delivered a well-crafted new EP called Yikes that directly examines the pitfalls of growing up.

Adam Grundy Sep 28, 2020

Flash back to the year 2000, and a group of awkward young 20-ish-year-olds were looking for their own voice in a crowded punk field. What made Good Charlotte so charming was their ability to speak to the misfit youth of America by connecting directly to the underdogs of the world. They made this clear on their first radio single, “Little Things” with the spoken introduction of, “This song is dedicated / To every kid who ever got picked last in gym class / To every kid who never had a date to no school dance.” The band made it clear that they were making this type of music for the outcasts of the world, and they had the musical chops to back up what they wanted to accomplish. It never came across as a “gimmick” or an act, and their authenticity is what led to a lot of their future success.

Adam Grundy Sep 21, 2020

It’s amazing to think how much things can change in just 20 years time. Bands form and can run their course over that period, whereas some of the best bands can stand the test of time by reinventing themselves over and over again. Enter AFI, who would continue to evolve and release some of the best melodic punk rock of this decade with this record. The Art of Drowning feels just as immediate, punishing, brooding, and essential as it did on its release via Nitro Records in the start of 21st century. Black Sails in the Sunset marked a smaller musical turning point for the band, as they began to explore some darker elements, and featured some new band members in Jade Puget (guitar) and Hunter Burgan (bass). But The Art of Drowning would remain the album that changed this band’s life for the foreseeable future. This core lineup would go on to record some of the more quintessential Gothic punk rock that future bands would try to emulate for years to come.

Adam Grundy Sep 17, 2020

Sundressed was originally formed by lead vocalist Trevor Hedges in 2012 out of necessity to battle his quest for sobriety. After some soul searching and through the addition of a few more band members, the band were signed to international label Rude Records to record a full-length record with producer Mike Pepe. The songs that would become Home Remedy became an almost cathartic experience for Hedges and his bandmates, as they crafted songs that directly give back to their core influences. Hedges mentioned in a recent interview about the new record that, “Home Remedy is a record about getting better by any means necessary. Despite many setbacks, I truly believe we were able to make our most authentic and honest record yet.” Sundressed remind me of the early Drive-Thru Records bands that were searching for their own voice in their early works, with equally pleasing results.

Review: Arms and Hearts – The Distance Between

Review: Lifehouse – No Name Face

Review: Sarah and the Safe Word – Good Gracious! Bad People.

Review: Fear No Empire – Fear No Empire

Review: I Don’t Know How But They Found Me – Razzmatazz

Review: Give Me A Reason – Vice Versa

Review: The Struts – Strange Days

Review: Seaway – Big Vibe

Review: Kulick – Yelling in a Quiet Neighborhood

Review: Madina Lake – The Beginning of New Endings

Review: Luna Aura – Three Cheers for the American Beauty

Review: Guardrail – Yikes

Review: Good Charlotte – Good Charlotte

Review: AFI – The Art of Drowning

Review: Sundressed – Home Remedy