Last week I started the process of re-looking through the AbsolutePunk.net, and my personal, best-of lists from the early years. I began with one of my favorite years in my musical memory, 2005. It’s a year filled with nostalgia, pop-punk royalty, and stacked top to bottom with albums virtually anyone that grew up in this music scene consider classics. But here’s the thing about nostalgia, not all of it’s soaked in sunshine. Part of looking back means doing it with the clearer eyes of today; what you know now has to impact what you see. And that means it won’t always be fun because the light of the present can see into the shadows of the past.
What I remember most about AbsolutePunk in 2006 was that it felt like a shift in the music scene was underway, and it happened quickly. From the pop-punk goodness of 2005, the music that paints our 2006 list has a darker tinge to it. Blink-182 are no more, and +44 carries with its pop-rock an undercurrent of bitterness. New Found Glory shed their pop-punk identity in Coming Home for a sound that immediately divides the fan base, and one they’ve never returned to. Bands begin to experiment a little more with their sound and stretch outward. The Format shift with Dog Problems, My Chemical Romance goes all out in The Black Parade, The Early November aim for glory with a triple-disc concept album, and we see various expansions from Underoath, AFI, and Moneen. And, on top of all of that, we have debut full-lengths from Saosin and Manchester Orchestra. Two bands that will feature in our lives for years to come.
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