Liner Notes (November 13th, 2020)

This week’s newsletter has early thoughts on the new Less Than Jake album, high praise for The Queen’s Gambit, and other reflections on music and entertainment I enjoyed this week. There’s also a playlist of ten songs I loved, and this week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

Read More “Liner Notes (November 13th, 2020)”

This article is available exclusively to supporting members of our website. Join now for as little as $3 per month and get access to exclusive content and a variety of other great perks (like removing all ads and unlocking a dark mode theme). Plus, you'll be helping an independent publisher. Learn more here.
(Current members can log in here.)

Who Will Meet Me At The Gates – “Wet Cement” (Song Premiere)

Who Will Meet Me At The Gates

Today I’m pleased to premiere the brand new single from Who Will Meet Me At The Gates, called “Wet Cement.” Who Will Meet Me at the Gates is the latest installment in the ever-expanding universe of The Inevitables. Initially conceived as a soundtrack album and comic book, The Inevitables is evolving into a multilayered, multimedia project that extends into toys, art, and branded collectibles. On October 16th, the first single “Good Grief” dropped from a new five-song acoustic EP, featuring a veritable punk rock supergroup featuring members of Pears, Less Than Jake, The Jeff Rosenstock Band, Big D and the Kids Table, and Westbound Train.

As with the rest of the Inevitables project, the group was not satisfied stopping with music. For the graphic side of the concept, they brought in Portland-based artist Tomo77 to lend a visual experience to the songs. The result is a 6-print series reflecting the impact of the pandemic amid a tumultuous and changing social and racial landscape. Rendered in isolation, Tomo77’s images explore themes of racism, police brutality and a society in the throes of political chaos and disease, entwined with symbolism reminiscent of the middle ages. The art will be made available in a limited run of numbered and embossed prints. 

If you like what you hear, you can stream the album here.

Read More “Who Will Meet Me At The Gates – “Wet Cement” (Song Premiere)”

Liner Notes (November 6th, 2020)

Voted

This week’s newsletter is brought to you by coffee, coffee, more coffee, and the letter B. I share my first thoughts on the new EP from The Dangerous Summer, some thoughts on entertainment consumed last weekend, and a few thoughts on the election. There’s also a playlist of ten songs I enjoyed last week, and this week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

Read More “Liner Notes (November 6th, 2020)”

This article is available exclusively to supporting members of our website. Join now for as little as $3 per month and get access to exclusive content and a variety of other great perks (like removing all ads and unlocking a dark mode theme). Plus, you'll be helping an independent publisher. Learn more here.
(Current members can log in here.)

Liner Notes (October 30th, 2020)

Pumpkin

Usually I end up listening to a lot of Alkaline Trio, AFI, and My Chemical Romance leading up to Halloween. This year I forgot to do any of that and all of a sudden the month’s gone. Weird. Anyway, this week’s newsletter has thoughts on music and entertainment I enjoyed this week, my favorite candy, and a playlist of ten damn good songs. This week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

Read More “Liner Notes (October 30th, 2020)”

This article is available exclusively to supporting members of our website. Join now for as little as $3 per month and get access to exclusive content and a variety of other great perks (like removing all ads and unlocking a dark mode theme). Plus, you'll be helping an independent publisher. Learn more here.
(Current members can log in here.)

Apolar. – “Stargazer” (Song Premiere)

Apolar

Today I’m pleased to share the single premiere from the Chicago-based, Rock/Post-metal duo named Apolar. called “Stargazer.” The track comes from their third EP, STS-51-I, that is a concept record based around NASA’s Challenger mission in 1986, where the shuttle exploded on its way into orbit. The song reminds me of bands such as Explosions in the Sky and Align In Time, and makes for a great listening experience. If you enjoy what you hear, you can pre-order the new EP on Bandcamp.

Read More “Apolar. – “Stargazer” (Song Premiere)”

Liner Notes (October 23rd, 2020)

Pumpkin

This week’s newsletter has early thoughts on Bruce Springsteen, Seaway, and various other things I listened to, watched, read, and consumed this week. There’s also a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

Read More “Liner Notes (October 23rd, 2020)”

This article is available exclusively to supporting members of our website. Join now for as little as $3 per month and get access to exclusive content and a variety of other great perks (like removing all ads and unlocking a dark mode theme). Plus, you'll be helping an independent publisher. Learn more here.
(Current members can log in here.)

Goings – “Trying Dying” (Video Premiere)

Goings

Goings have signed to the ever-underappreciated Know Hope Records ahead of the release of their new album, It’s For You. The band’s brand of indie-rock, which mixes the math energy of heavyweights like Dryjacket with the quirky pop of a band like Motion City Soundtrack, is sure to warm up your autumn. We’re excited to premiere the band’s latest single, “Trying Dying,” which is a delightful taste of what to expect from their debut LP.

Read More “Goings – “Trying Dying” (Video Premiere)”

Liner Notes (October 16th, 2020)

Halloween

The combination of falling temperatures and pumpkin themed desktop wallpaper is really giving me a Fall/Autumn vibe today. I’m sure there will be no ramifications of the past few months just kind of disappearing due to a pandemic and gross mismanagement by the government, right? Anyway, I’m in a weird mood and this week’s newsletter has thoughts on music, entertainment, and other things on my brain this week. There’s also a playlist of ten songs I enjoyed this week, and this week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

Read More “Liner Notes (October 16th, 2020)”

This article is available exclusively to supporting members of our website. Join now for as little as $3 per month and get access to exclusive content and a variety of other great perks (like removing all ads and unlocking a dark mode theme). Plus, you'll be helping an independent publisher. Learn more here.
(Current members can log in here.)

The Biggest Memories Are Always Chaos

Time

First of all, thank you to everyone for the massive feedback from last week’s article about dealing with the collapsing ad market due to the pandemic. All of the kind words made a time of uncertainty a little more bearable, and it was the best week of membership signups we’ve had since the first week I launched the website. Everything is still very much up in the air, but the last week gave me a feeling of comfort I haven’t had in a few months, so thank you for that.

While I was putting together the “Back to” and “My Nostalgia” series, I tried to capture as many of the significant memories as I could about the years and, specifically, the music. However, as I finished, I realized something was missing. While I felt good about documenting the music and what was going on behind the scenes of running the website, I couldn’t pull in as many of the other random anecdotes or bigger things that were happening around the website and our community through those years. Various moments stand out to me, usually related to a dramatic event, that felt almost as memorable as the music itself. This week I’d like to reminisce about five of them. I don’t always remember the specifics of the years and timing, but I’ll try and pull in what I can track down.

Read More “The Biggest Memories Are Always Chaos”

Liner Notes (October 9th, 2020)

Somehow we’re already in the second week of October.

This week’s newsletter looks at music, entertainment, and other things I found interesting this week. There’s also a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here. I hope everyone has a great weekend.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

Read More “Liner Notes (October 9th, 2020)”

This article is available exclusively to supporting members of our website. Join now for as little as $3 per month and get access to exclusive content and a variety of other great perks (like removing all ads and unlocking a dark mode theme). Plus, you'll be helping an independent publisher. Learn more here.
(Current members can log in here.)

The Inevitables – “The Weight of the Worry” (Song Premiere)

The Inevitables

Today I’m pleased to premiere the latest single from The Inevitables called “The Weight of the Worry.” For those unfamiliar with this ska/punk supergroup project, they are featuring current and former members of a bunch of incredible bands including Vinnie Fiorello (Less Than Jake), Obi Fernandez (Westbound Train), Matt Appleton (Reel Big Fish), Billy Kottage (the Interrupters), John DeDomenici (Jeff Rosenstock, Bomb The Music Industry!), Alex Stern and Jon Degen (Big D And The Kids Table) and Sean-Paul Pillsworth (Nightmares For A Week).

If you like what you hear as much as I do, you can pre-save the song here. Also, pre-orders are now live.

Read More “The Inevitables – “The Weight of the Worry” (Song Premiere)”

A Message From Jason; Because He Has No Other Title Ideas

Years from now, I’m not sure I’ll be able to adequately explain to someone that didn’t live through 2020 precisely what it was like. It’s been a year unlike anything I’ve ever experienced in my lifetime. Things I never thought I’d see are happening on such a regular basis that I feel myself fluctuating between numb anxiety and flashing white-hot anger. When the pandemic began in March, I reacted by tackling some projects I had on my list for a long time. I redesigned and rebuilt the entire main website and launched that in May; I then brought back hundreds of pieces of old AbsolutePunk content and got that part of the scene history back in our database. Over the past eighteen or so weeks, I’ve also been writing weekly articles that first re-ranked all of the “best of” lists from 2005 through 2015, and then deconstructed my entire musical journey starting in 1998 and tried to tell the story of how I fell in love with music and the history of beginning AbsolutePunk. These have been welcome distractions in these weird-ass times.

Usually, in August, I do some kind of “supporter pitch” on the website. I’ve done it the past three or four years to remind people about our membership program and talk about how it’s because of the supporting members that this website can exist. I try not to be too annoying about this because I’m not great at self-promotion, but if I don’t do it, I always feel like I’m not trying as hard as I could be. This year, with all of the racial injustice, pandemic, and so much more going on, I never could find the time that felt right to do it. After finishing my article project last week, I spent some time brainstorming what other kinds of articles I could write that I think would be fun to tackle, and I also did my annual deep dive on the state of the website and how I’m feeling about everything. The bottom line is the pandemic really fucked with my plans.

From the end of March through this month, on average, the website’s ad revenue was basically cut in half. We saw more traffic than usual, and virtually half the income from the ads. That’s not great. I don’t know if, or when, the ad revenue will return to something resembling what it looked like at the beginning of the year. So I realized before I can start thinking about my next article series, I have to write up some pitch about our membership program. So here I am.

Read More “A Message From Jason; Because He Has No Other Title Ideas”

Liner Notes (October 2nd, 2020)

Leaves

This week’s newsletter has my first extensive thoughts on Machine Gun Kelly’s pop-punk album, thoughts on more music and entertainment I enjoyed this week, and a playlist of ten songs worth your time. This week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

Read More “Liner Notes (October 2nd, 2020)”

This article is available exclusively to supporting members of our website. Join now for as little as $3 per month and get access to exclusive content and a variety of other great perks (like removing all ads and unlocking a dark mode theme). Plus, you'll be helping an independent publisher. Learn more here.
(Current members can log in here.)

My Nostalgia – 2004

My Nostalgia

How does our music scene follow-up a year like 2003? With many of the bands that had released breakout albums the previous couple of years coming back for seconds. We’re at a spot where this music scene is riding a wave. Blink-182 helped bring pop-punk into the mainstream, and bands like New Found Glory, Simple Plan, Good Charlotte, Sum 41, and Yellowcard are spearheading the next wave. 2004 is where New Found Glory drop Catalyst, Sum 41 return with Chuck, Jimmy Eat World tears us open with Futures, and Green Day takes back the crown with the massive American Idiot. And it’s the year where a bunch of new artists appear in our lives. We’ll see Straylight Run, Name Taken, The Spill Canvas, and Northstar all release albums that captivate the community. We’ll get Underoath’s They’re Only Chasing Safety and an extremely polarizing Taking Back Sunday record.1

2004 marks the spot where I wrap up this My Nostalgia series. I started in 1998, and the Back To series began in 2005. So, 2004 is the crossroads. It’s everything that led into that next crest of bands that so many of you reading grew up with. It’s where AbsolutePunk undeniably took off to new levels and my life shifts from this website being a project I was doing for fun, into something I will dedicate the next 15 years of my life to.

Let’s head back. It’s 2004. This is the period of my junior year of college and a little bit of my senior year. I’m growing frustrated with classes. I’ve changed my major to business, and yet the classes run from seemingly obvious (marketing) to things I definitely don’t want to ever do (accounting), and what I want to be doing (working on AbsolutePunk) is squeezed in between all of the regular college things. Except, this year, there’s one little tweak. A bunch of my close college friends, including my roommate from the previous two years, will study abroad for a semester. Most of them are going to Salzburg. For a brief moment, I think I’m going too; I even get a passport. But then I find out that the house we’d all be staying at gets very weak, at best, internet. While the website is beginning to blow up, I’d have to, in many ways, put a pause on it for a semester to get the full experience of studying abroad. I decide I can’t do it.2 So now I’m back at school, and most of the people I spent the previous two years with aren’t there. I’m living off-campus in an apartment with some people I only knew tangentially from the earlier years. I spend most of the time at my girlfriend’s apartment with her roommate and her roommate’s boyfriend. But it doesn’t feel the same. I’m wandering. I’m feeling restless. I’m feeling trapped in a rut. Everyone around me is stressed about trying to figure out what they want to do with their lives, and I feel like I have the answer but not the time to commit to it. I start thinking about just dropping out of college to work on the website full time. It’s making some money; I could get a part-time job, maybe even keep living somewhere around the campus and hang out with my friends? When my girlfriend at the time decides she’s going to go abroad the next semester, I see an opening. I propose to my parents that I take the next semester off.

They flip their shit.

Read More “My Nostalgia – 2004”

  1. Lasers anyone?

  2. I sometimes ask myself if I regret this decision, and I don’t think I do, even if I wish I had those memories with my friends. I still see their pictures and think about what might have been.

‘Kid A’ 20 Years Later: Why Radiohead’s Masterpiece Still Matters

Radiohead, Kid A

20 years ago, Radiohead released an album that encapsulated an experimental fusion of cacophonous jazz (“The National Anthem”), ambient music (“Treefingers”), “traditional” rock moments (“Optimistic”), and electronic music (the rest). Kid A was unveiled during a moment in time that demanded heated discussion, introspection, and patience. With patience comes great reward: to understand the album the way it was intended opens up a whole new world. The record also immediately cast a behemoth-sized shadow over what Radiohead had done before (yep, even OK Computer) and what would come after (In Rainbows, too). 

Singer Thom Yorke found himself exhausted with burnout following a lengthy tour of OK Computer. He began to despise everything about “rock music” as we knew it – guitars, the glamorization of drug and alcohol addiction – and his vision of what “rock” music could be would inadvertently change the music industry and online music culture for decades to come. For many Gen X-ers, Kid A was one of the earliest albums experienced online. Pre-streaming era, over 1,000 websites posted Kid A and it was streamed over 400,000 times, three weeks before the album’s release. There was no promotion – no music videos, the band declined to do interviews – but that didn’t stop incessant arguments on whether the album was Radiohead’s magnum opus or hot garbage, nor did it stop the reviews coming.

Read More “‘Kid A’ 20 Years Later: Why Radiohead’s Masterpiece Still Matters”