This week has a lot of thoughts about Underoath’s new album and then a walk through other music I enjoyed this week (American Football, Neon Trees, Faye Webster) before looking at some other media I consumed and sharing a playlist of ten songs I loved. This week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.
Read More “Liner Notes (December 11th, 2021)”
This past week I had a great conversation with Kevin Whelan (of The Wrens) who has created a solo album, entitled Observatory, under the moniker of Aeon Station. In this in-depth conversation, we chatted about his inspiration for the new album, how he stayed busy as well as creative during the pandemic, and we had some fun discussing the legacy of Sub Pop Records, too. Observatory is available now on all streaming services, or you can purchase the physical version here.
Read More “Aeon Station (Kevin Whelan)”
Today I’m thrilled to share the latest single from Los Angeles’ own Broken Field Runner, for “Save You.” In this great sounding track, that sounds like a blend between Jimmy Eat World and Hey Mercedes, the band explodes out of the speakers with an emotive force not usually seen with this much urgency. Vocalist/guitarist Tony Bucci shared this about the new single:
‘Save You’ is one of the best songs I’ve ever written. Every so often I write a song and every song I write after it I’ll ask myself, ‘When am I going to write another <fill in the blank>?’ ‘Save You’ is an example of that. It’s one of the only songs in the trilogy of releases that we were able to play live before the pandemic hit, and it has an urgency and energy to it in the live setting. I wrote it for two good friends of mine who experienced a devastating loss and when I shared the demo with them it brought them to tears. In fact, when I sent initial mixes of the song to Dane at Jetsam-Flotsam he replied, ‘If the rest of Runner sounds like this, I’m going to lose my shit.’ It also includes some of my favorite recent lyrics at the end of the song: ‘You are the sun in my horizon / the moon is a lighthouse watching over the cliff / there’s a shore / in the distance a few miles more / called acceptance.'”
If you’re digging this song as much as I think you will, consider pre-ordering the trilogy here.
Read More “Broken Field Runner – “Save You” (Video Premiere)”
Recently I was able to chat with a band from Annapolis, Maryland called Again In May, whose new EP Feels Like Home came across my inbox and I was immediately hooked. The band consists of vocalist Liam King, guitarist Daniel Contreras, bassist Sean Anderson, and drummer Noah Doney, and their sound is similar to a mix between Saosin and the pop sensibilities of The Format. In this interview, I asked the band about their goals for their music, what other artists they look to for inspiration, and the rapid, grassroots feel of winning their audiences over one show at a time. Feels Like Home is available now on your favorite streaming service.
Read More “Again In May”
This week’s newsletter has me revisiting some polar opposite discographies (Strung Out, Simple Plan) as well as looking at some new music I enjoyed this week (Hippo Campus, The Options, Hastings). And, as always, I look at some entertainment I’ve been consuming and share a playlist of ten songs I liked last week. This week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.
Read More “Liner Notes (December 4th, 2021)”
A few weeks back, I had the chance to chat with a band called The Maguas, who recently premiered their single “Release Me” with us. The band is comprised of Erik Miller (Vocals), Luke Prusinski (Bass), Matthew “Jenks” Jenkins (Lead Guitar), Daulton Rissinger (Rhythm Guitar), and Brandon Ossont (Drums). In this conversation, I asked about the band’s songwriting process for the new single, the music influences they bring into their group, as well as the lessons they have learned from being best friends making music together. In this interview we also discussed the band’s goals for the future and where they see themselves in this music landscape.
Read More “The Maguas”
A few weeks ago I started working on a new weekend project. I wanted to build a mini-computer that could sit on my desk and display what I was currently listening to. A simple idea. After completing it, I figured I should write up the entire process, because if I don’t blog about it … did it really happen?
I’ve compiled everything I used in making the little device, and walked through the process below. Most of it is pretty straight forward if you’ve ever worked with a Raspberry Pi or Unix before, and I documented the tutorials I used as well as the actual code I used for the website.
Read More “Now Playing: My Raspberry Pi Weekend Project”
This week’s newsletter looks at the upcoming holiday season and some of the music I find myself throwing on during this time of year. This week, it was a relatively slow music week, but that led me to return to some music I haven’t spun in a while (Mutemath, Academy Is…, Butch Walker). Also, if anyone has some favorite holiday tunes/albums they’d like to recommend, please toss those my way. As always, there’s a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.
Read More “Liner Notes (November 27th, 2021)”
Recently I was able to chat with EJ Olson of the band 09 (pronounced “oh-nine”) to discuss his band’s great collaborative record called Lost Years. The new album features 12 songs with 12 different vocalists ranging from marquee names like Kellin Quinn and Marty Mullins to lesser known names looking to take advantage of the spotlight. In this interview, I asked EJ how the album came together with his bandmate, Chancelor Reeder, as well as the key artists 09 looks to for inspiration in their music. Lost Years is a record that should not be missed and I’d highly recommend everyone checking it out sooner rather than later.
Read More “09”
This week’s newsletter looks at new music I checked out this week (Adele, Jimmy Eat World, Bad Suns, New Found Glory) as well as some old favorites (Jimmy Eat World, Brian Fallon, Days Away), and then I talk a little about how much I love Edgar Wright. Jimmy Eat World and Edgar Wright praise … could this be anymore of a Jason-themed newsletter?
This week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.
Read More “Liner Notes (November 20th, 2021)”
When Taylor Swift launched her unprecedented catalog re-record project this past spring with Fearless (Taylor’s Version), the three resident Swifties on the Chorus.fm staff – Craig Manning, Anna Acosta, and Garrett Lemons – dove deep to dissect the plethora of revisited songs, b-sides, and vault tracks. Seven months later, Taylor is back with part two of her backward-looking series, which means we’re back too! And while we all love Fearless, the second album Taylor has deigned to revisit – her fourth LP, 2012’s Red – holds a significantly more special place in all our hearts. At the end of 2019, when we submitted ballots for the Chorus.fm end-of-decade staff list, all three of us shared a number-one pick: Red.
So, the question becomes: Can Taylor recapture the magic of Red for three people who love it beyond all reason? We spent some (read: a lot) of time with Red (Taylor’s Version) to find the answer.
Read More “So Casually Cruel in the Name of Being Honest: A Closer Look at ‘Red (Taylor’s Version)’”
Today I’m excited to share the latest single, called “Wild Heart” from Philly’s Riot Grrl band, Full Bush. In this blazing single, the band is able to grasp the spirit of early Riot Grrl bands and put their unique stamp on it for today’s audiences. Kate shared this about “Wild Heart:”
Learning to embrace what sets you apart and how you can embody those parts of yourself that perhaps you were told weren’t socially acceptable for one reason or another is what ‘Wild Heart’ is all about. I wrote it at a time when I was struggling to find answers to why I was stuck repeating habits that weren’t serving me, and beginning to do inner child and shadow work helped make sense of the cognitive dissonance I’d been experiencing. The culmination of the song’s message is to stop fighting the lies you tell yourself and instead listen to and feed the pieces of yourself that are screaming to break free and embrace the wildness of who you are without fear.
If you’re still rocking out to this song, their new EP is out on December 3rd, and pre-orders are available here.
Read More “Full Bush – “Wild Heart” (Song Premiere)”
This week’s newsletter looks at new music out this week (Taylor Swift, Walk the Moon) as well as looking at some revisits (Dashboard Confessional, Relient K) and some thoughts about trying to sort of, kind of, remember what it was like to do things before the global pandemic. This week’s supporter Q&A post can be found here.
If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.
Read More “Liner Notes (November 14th, 2021)”
Recently I was able to chat with the band Snarls before they embarked on a comprehensive US tour supporting The Happy Fits and their label mates M.A.G.S. In this interview, we discussed what it was like recording their new EP What About Flowers? with producer Chris Walla, their direct influences in their sound, and what makes the direction they took on their new EP so exciting. What About Flowers? will be hitting all streaming services on November 12th, and different vinyl options are still available at their Bandcamp store here.
Read More “Snarls”
Today I’m excited to premiere the latest single from the emo/alt-rock band called The Maguas, for the track “Release Me.” The Maguas shared this about the song, “‘Release Me’ holds a very special place in our hearts as a band. We feel this song helps to portray that feeling of hopelessness one faces when their heart is broken after the loss of a loved one. This song is our interpretation of that internal struggle to let go or move forward from the fear of losing someone so dear to us. This song was conceptualized following the loss of our drummer’s grandfather and is a tribute to Brandon’s coming to terms with his grandfather’s passing.” If you’re rocking out to this song, please consider purchasing the single at your favorite streaming service starting tomorrow.
Read More “The Maguas – “Release Me””