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Ben Affleck Has Written Script for Batman Film

Jason Tate

Graeme McMillan, writing for The Hollywood Reporter, has revealed that Ben Affleck has written a script for a standalone Batman film, but that he is currently only contracted for the next two Justice League movies.

“He’s contracted to do at least Justice League One and Two, so at least three times wearing the cape,” he says, adding, “There’s a script that he’s written that is a really cool [Batman] idea, so that’s out there as an option.”

As we’ve been talking about in the movie thread, I think Affleck was the best part of this ok, but very flawed movie. I am more interested in an Affleck written and directed Batman movie than I am anything Zack Snyder does going forward.

John Gruber on the iPhone SE

Daring Fireball
Jason Tate

John Gruber, writing for Daring Fireball, reviews Appleʼs upcoming 4-inch iPhone SE.

For anyone with an iPhone 5S (or older) who has been holding out on an upgrade in the hopes of a new top-tier “small” iPhone, the iPhone SE is cause for celebration. If you are such a person, run, don’t walk, to buy one. You will be delighted.

If you’ve already upgraded to an iPhone 6 or 6S and have made peace with the trade-offs of a larger, heavier, less-grippy-because-of-the-round-edges form factor, the appeal is less clear. Me, I talk the talk about preferring the smaller form factor, but ultimately I’m a sucker for top-of-the-line CPU/GPU performance and camera quality.

If I knew that there would be top of the line updates to this sized phone each year, I think I’d go back to the smaller size, but without knowing for sure, it’s too hard to make that call.

Tom DeLonge Interviewed at GQ

Tom DeLonge
Jason Tate

Tom DeLonge of Angels and Airwaves was recently interviewed over at GQ about his upcoming book, Sekret Machines:

Oh my god, yeah. Oh my god. Oh yeah. There are a handful of moments when I remember pulling my truck over to the side of a very busy road when my phone pinged because I knew what was coming. As I was reading it, my hand would be shaking and my heart would be beating like a just ran a mile. Then I’d race over to somebody else’s house and bang on their door at 10 at night and say “You’ve got to come out here. I can’t tell you this over the phone.” It’s just incredible, incredible material. I’ve always been interested in this subject, but once people know that the UFO phenomenon is real and what it’s actually doing and what we’re doing, I think people are going to become as obsessed over it as I’ve been.

TIDAL Turns One, Jay Z Says Old Owner Inflated Subscriber Numbers

Jason Tate

Adam Ewing, writing for Bloomberg, reports on TIDAL’s claim that the previous owners of the service inflated the subscriber numbers.

“It became clear after taking control of Tidal and conducting our own audit that the total number of subscribers was actually well below the 540,000 reported to us by the prior owners,” Tidal said in an e-mailed statement. “As a result, we have now served legal notice to parties involved in the sale.”

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Dave Wiskus on SoundCloud Go and Artists

Soundcloud
Jason Tate

Dave Wiskus, of Airplane Mode, wrote an open letter to SoundCloud about their new streaming service:

You can slice it, package it, or spin it however you like, but the bare fact is that you’re making money off of songs you aren’t paying for. Worse, you’re doing it while perpetuating an air of exclusivity around the concept of making money. All while you’re pretending to be a friend to the little guy. There’s nothing artist-friendly about this approach.

But wait! There’s more!

Airplane Mode has a SoundCloud Pro account to get access to unlimited uploads and a few other features that make the service useful. This account costs us $15 per month. So not only are you getting our music for free and paying us nothing, we’re actually paying you to take it. What an excellent deal. For you.

Kanye West’s ‘The Life of Pablo’ Streamed 250 Million Times in 10 Days

Kanye West
Jason Tate

Dan Rys, writing for Billboard, on TIDAL’s recently released streaming and subscriber numbers. Apparently Kanye West’s The Life of Pablo was streamed 250 million times in the first 10 days of release.

Tidal also finally released numbers for Kanye West’s The Life of Pablo streams for the first time, after West requested the service withhold the numbers when the album first became available in February. According to Tidal, Pablo surpassed 250 million streams in its first 10 days of release. Pablo, which West previously said would only ever exist on Tidal, has been going through some changes in real time of late as the artist updates certain tracks, and just yesterday made the single “Famous,” featuring Rihanna, available on both Apple Music and Spotify, ending his Tidal-only crusade.

SoundCloud Launches Subscription Service

Soundcloud
Jason Tate

Jacob Kastrenakes, writing for The Verge, on SoundCloud’s new subscription service.

Though anyone can create a SoundCloud account and upload songs unworthy of your time, some huge artists also use it to publish tracks that you won’t find anywhere else. Kanye West, for instance, posted a new song over the weekend that you won’t even find on Tidal. It’s his fourth track exclusive to SoundCloud.

But bonus tracks only go so far. What matters for a subscription music service is how many paid tracks are available, and SoundCloud Go appears to have far fewer than its top competitors. SoundCloud is advertising a library of 125 million songs, but at least 110 million of those are free, user-uploaded tracks. While Spotify, Apple Music, Tidal, and the other big streaming services have around 30 million paid songs, SoundCloud Go appears to include closer to 15 million.

This feels like a divergence from what makes SoundCloud unique.

Laura Jane Grace: “About That Title”

Against Me!
Jason Tate

Laura Jane Grace of Against Me! wrote a blog discussing the title of her upcoming book.

But the title fits the book. After we had been working on it for months, and had poured several thousand words into it, I told Dan what I wanted to call it. “Now that I’ve heard it, I can’t imagine it being called anything else,” he said. There is a certain element of expletive present behind the title, sure, but in no way did I arrive at it for the purpose of sensationalism. I’m not attempting to publish a self-aggrandizing piece of writing here. TRANNY is an incredibly scathing look back at my life. There are themes of hatred and aggression, directed at me from other people, but mostly inwardly, from myself. I’ve been called horrible insults and slurs over my career, my reactions to some have even famously landed me in jail. But I’ve learned to adapt by embracing them, and using them as armor, which should be apparent from the subtitle: Confessions of Punk Rock’s Most Infamous Anarchist Sellout.

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Is the Album Review Dead?

Jason Tate

Dan Ozzi, writing for Noisey, asks: is the album review dead?

We are living in that age Bangs never got to see. There are enough services competing to offer us streaming music—Spotify, Pandora, YouTube, Apple Music, Tidal, Google Play, Amazon Prime, Rhapsody, 8tracks, Soundcloud, and Bandcamp, to name a few (and that’s not even mentioning the illegal download market)—that it would take hundreds of thousands of years to listen to it all. So with every new album available at our fingertips completely for free at the instant of its release for our own personal judgment, you’ve got to wonder: Do we still need the album review?

Streaming Music Surpasses Digital Downloads

Jason Tate

The RIAA has released their report on the state of the US music industry in 2015. Streaming is now the biggest revenue source.

The U.S. recorded music industry continued its transition to more digital and more diverse revenue streams in 2015. Overall revenues in 2015 were up 0.9% to $7.0 billion at estimated retail value. The continued growth of revenues from streaming services offset declines in sales of digital downloads and physical product. And at wholesale value, the market was up 0.8% to $4.95 billion – the fifth consecutive year that the market has grown at wholesale value.

The Complete Conceptual History of the Millennium Falcon

Jason Tate

Michael Heilemann, writing for Kitbashed, goes deep on the history of Star Warsʼ Millennium Falcon:

But the Falcon’s conceptual development has always intrigued me because the conceptualization phase is unclear and hard to discern. I’ve researched this subject extensively over years and it’s only recently I’ve been able to make out some sort of sensible process.

So this then is The Complete Conceptual History of The Millennium Falcon or How I Started Worrying and Lost My Mind Completely Over a Fictional Spaceship Someone Please Do Something Send Help Why Are You Still Reading Someone Do Something.

Social Media and the Music Industry

Twitter
Jason Tate

Harriet Gibsone, writing for The Guardian, looks at the pros and cons of social media in the music industry. The article itself is interesting, but this tidbit really stood out:

“I mean I’m not a drinker any more, but when Twitter first came out I was, like, drunk tweeting, and nearly put my foot in it quite a few times,” Adele told the BBC last year. “So my management decided that you have to go through two people and then it has to be signed off by someone, but they’re all my tweets. No one writes my tweets. They just post them for me.”

This is probably something that should be put into place by most bands/labels/management. I wonder if there’s a market for an app like this? One that looks and works just like regular Twitter, but any post or reply gets queued up instead of posted immediately. Combine that with some fancy screening of the at-replies section (to filter out harassment, assholes, and spam), and maybe Twitter would be more attractive to celebrities, sports stars, and other public figures.

Netflix Revamps Recommendation System

Jason Tate

Ben Popper, writing for The Verge, looks at how Netflix has revamped their recommendation system to handle a more global audience:

“We were very worried that running the algorithms we knew worked well when we pulled data from a single country and a single catalog, if we tried across places where the catalog differed, the recommendations would be pretty bad,” says Carlos Gomez-Uribe, vice president of product innovation at Netflix, and the leader of the recommendation redesign.

This obsession over the data and delivering the best recommendations for every subscriber is something I think is sorely missing in the music world. Spotify cares more than Apple Music, but imagine if it gets this good?

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MTV: ‘The Myth of Rare Black Genius’

Kanye West
Jason Tate

MTV has been revamping their news and publishing recently and have put out just fantastic content. Hanif Willis-Abdurraqib recently wrote an article on Kanye West’s The Life of Pablo and the “myth of rare black genius.”

Assessing The Life of Pablo, like assessing the entire career of Kanye West, means considering the demand for black greatness and the toll it takes on the great. I am not commenting now on West’s mental or emotional state. I have no access to Kanye West, or his life, beyond what he shares through his work. I am talking about the toll it takes on artists in the black imagination, in the spaces where we hold them dear. It is equal parts frustrating and wholly understandable to see the way both white establishments and black consumers hold on to the idea of black genius. The concept is held so tightly and with so little change or evolution in what the black genius can or should represent. This leaves the imagination with so few established and named black geniuses that they must be protected at all costs. I have been guilty of this, both the limited naming and the relentless protection, more with Kanye West than anyone else.

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