The Brain’s Music Room

Natalie Angier, writing for The New York Times, looks at how and why we’re drawn to certain music:

Now researchers at the Massachusetts Institute of Technology have devised a radical new approach to brain imaging that reveals what past studies had missed. By mathematically analyzing scans of the auditory cortex and grouping clusters of brain cells with similar activation patterns, the scientists have identified neural pathways that react almost exclusively to the sound of music — any music. It may be Bach, bluegrass, hip-hop, big band, sitar or Julie Andrews. A listener may relish the sampled genre or revile it. No matter. When a musical passage is played, a distinct set of neurons tucked inside a furrow of a listener’s auditory cortex will fire in response.

Uber’s Atomic Meltdown

Eli Schiff, writing on his blog, takes a deep dive on the missteps of Uber’s rebranding:

In general, it is not a great idea to put the brand of a company valued in the tens of billions of dollars in the hands of people who readily admit they don’t know what their own intentions are. Uber tore through and rejected the proposals of half a dozen external agencies and eventually made the decision to rebrand internally.

The Secret Lives of Tumblr Teens

Elspeth Reeve, writing for the New Republic, looks at the secret lives of “Tumblr Teens,” the back alley monetization schemes, and the story of some of the most popular accounts being terminated. It’s an in-depth profile on a faction of the internet, and youth culture, that I seemed to just miss.

Each social media network creates a particular kind of teenage star: Those blessed with early-onset hotness are drawn to YouTube, the fashionable and seemingly wealthy post to Instagram, the most charismatic actors, dancers, and comedians thrive on Vine. On Facebook, every link you share and photo you post is a statement of your identity. Tumblr is the social network that, based on my reporting, is seen by teens as the most uncool.

Grab some pizza, or if you’re my age: a beer, and dive in.

The Story Behind Discovering Gravitational Waves

Nicola Twilley, writing for The New Yorker, with the behind the scenes look at the scientists that discovered gravitational waves exist:

The fact that gravitational waves were detected so early prompted confusion and disbelief. “I had told everyone that we wouldn’t see anything until 2017 or 2018,” Reitze said. Janna Levin, a professor of astrophysics at Barnard College and Columbia University, who is not a member of the LIGO Scientific Collaboration, was equally surprised. “When the rumors started, I was like, Come on!” she said. “They only just got it locked!” The signal, moreover, was almost too perfect. “Most of us thought that, when we ever saw such a thing, it would be something that you would need many, many computers and calculations to drag out of the noise,” Weiss said. Many of his colleagues assumed that the signal was some kind of test.

SoundCloud Lost $70m in Two Years

Soundcloud

Cyrus Farivar, writing for Ars Technica, looks at the losses that are apparently piling up for SoundCloud.

New financial records released by SoundCloud show that the company has nearly doubled its losses from 2013 to 2014—those two years combined account for a total of €62.1 million ($70.3 million) in losses. […] With mounting losses, the company’s board of directors wrote that there are “material uncertainties facing the business.”

Apple Execs on ‘The Talk Show’ Podcast

Daring Fireball

John Gruber has Apple’s Eddie Cue and Craig Federichi on this week’s episode of The Talk Show:

Very special guests Eddy Cue and Craig Federighi join the show. Topics include: the new features in Apple’s upcoming OS releases (iOS 9.3 and tvOS 9.2); why Apple is expanding its public beta program for OS releases; iTunes’s monolithic design; how personally involved Eddy and Craig are in using, testing, and installing beta software; the sad decline of Duke’s men’s basketball team; and more.

The entire thing is worth a listen (and what a coup by Gruber) but I found the part explaining/discussing iTunes to be the most interesting.

The Reality of Missing Out

Twitter

Ben Thompson’s weekly article, “The Reality of Missing Out,” showcases again why I think he’s one of the best strategy and technology writers out there:

The issue for LinkedIn is that a company’s stock price is not a scorecard rather it is the market’s estimate of a company’s future earnings, and the ratio to which the stock price varies from current earnings is the degree to which investors expect said earnings to grow. In the case of LinkedIn, the company’s relatively mature core business serving recruiters continues to do well; that’s why the company beat estimates. That market, though, has a natural limit, which means growth must be found elsewhere, and LinkedIn hoped that elsewhere would be in advertising. The lower-than-expected estimates and shuttering of Lead Accelerator, LinkedIn’s off-site advertising program (which follows on the heels of LinkedIn’s previous decision to end display advertising), suggested that said growth may not materialize.

The 1975 Are Poised to Make the Leap

Spin interviewed The 1975 about their new album. Not only do I think this is one of the most fascinating bands in music right now, it’s kinda crazy to say this isn’t that hyperbolic:

Certainly, no boy band in history (except, y’know, the Beatles) has ever released an album like the one the 1975 will drop on February 26. I like it when you sleep, for you are so beautiful yet so unaware of it — more on that title later — is a 17-track, 74-minute behemoth that veers wildly between ‘80s faux-funk, ambient house, gospel-tinged R&B, Autre ne Veut-like fever-pop, and acoustic balladry. It’s impossible to form a credible opinion on it after only one listen, because the album you think you’re listening to shapeshifts unrecognizably about a half-dozen times over the course of an hour and a quarter.

The Terror of Donald Trump

Ezra Klein, writing for Vox, on the pure horror of Trump’s candidacy:

Trump is the most dangerous major candidate for president in memory. He pairs terrible ideas with an alarming temperament; he’s a racist, a sexist, and a demagogue, but he’s also a narcissist, a bully, and a dilettante. He lies so constantly and so fluently that it’s hard to know if he even realizes he’s lying. He delights in schoolyard taunts and luxuriates in backlash.

We can’t fuck this up America.

Teenagers and Snapchat

Ben Rosen interviewed his kid sister about Snapchat for Buzzfeed:

I’m mesmerized. What’s even the point of sending snaps to each other if you don’t look at them? Am I crazy? That seems so unnecessary. Still, this is adult-brain talking. If I wanted to be one of the teens, I needed to just accept it and press on.

That moment when you know you’re old and things are happening you don’t get? Yeah. That’s right now with my five whole views on my “story.” Look at me, the NARP.

Getting Ahead vs. Doing Well

Seth Godin with my favorite thing I’ve read today:

This is the thinking that, “First class isn’t better because of the seats, it’s better because it’s not coach.” (Several airlines have tried to launch all-first-class seating, and all of them have stumbled.)

There are two challenges here. The first is that in a connection economy, the idea that others need to be in coach for you to be in first doesn’t scale very well. When we share an idea or an experience, we both have it, it doesn’t diminish the value, it increases it.

Advertiser Threatens Financial Times

Lucy Kellaway, writing for the Financial Times, responds to an advertiser threatening the publication. I’ve had that happen before — I wish my response was this good.

You say the FT management should think about “unacceptable biases” and its relationship with its advertisers. My piece was not biased and I fear you misunderstand our business model. It is my editors’ steadfast refusal to consider the impact of stories on advertisers that makes us the decent newspaper we are. It is why I want to go on working here. It is why the FT goes on paying me.

Louis C.K. Responds To Five Dollar Gate

Louis CK

Louis C.K. released a new show on his website last week, he charged five bucks for it, the internet reacted rationally and didn’t get mad at all about this. He’s posted a blog explaining this decision.

Now, I’m not complaining about this at all. I’m just telling you the facts. I charged five dollars because I need to recoup some of the cost in order for us to stay in production.

Also, it’s interesting. The value of any set amount of money is mercurial (I’m showing off because i just learned that word. It means it changes and shifts a lot). Some people say “Five dollars is a cup of coffee”. Some people say “Hey! Five dollars?? What the fuck!” Some people say “What are you guys talking about?” Some people say “Nothing. don’t enter a conversation in the middle”.

Anyway, I’m leaving the first episode at 5 dollars. I’m lowering the next episode to 2 dollars and the rest will be 3 dollars after that. I hope you feel that’s fair. If you don’t, please tell everyone in the world.

Behind Spotify’s “Discovery Weekly” Playlists

Nikhil Sonnad, writing for Quartz, looks at the technology behind Spotify’s “Discover Weekly” playlists.

“We now have more technology than ever before to ensure that if you’re the smallest, strangest musician in the world, doing something that only 20 people in the world will dig, we can now find those 20 people and connect the dots between the artist and listeners,” Matthew Ogle, who oversees the service at Spotify, told me recently. “Discovery Weekly is just a really compelling new way to do that at a scale that’s never been done before.”

Although I am a professed album lover, I think these playlists are the best thing Spotify has been doing recently. It’s the kind of personalization that is only going to get better, and the trick of finding someone that next band they love is going to put me out of business.