Another Case for Owning Music

Stephanie Vee makes the case for owning your music:

To me, a music streaming subscription only really makes sense if you’re at that impressionable stage of your life where you still live and breathe new music – or if you’re one of those rare people who continue to seek out new music as you age. As for the rest of us? I think we should maybe just own our shit and stop paying tech CEOs to rent it. Chances are, I’ll still be rocking out to Hot Fuss in my retirement home, so why should I rent it from the likes of Daniel Ek for the next four decades (or longer)?

If you’re reading this website there’s probably a good chance you’re in that “rare” camp.

Layoffs at Penske Media Corporation

Rolling Stone

Rolling Stone, Variety, and Billboard have all laid off staff before the holidays:

Penske Media Corporation (PMC) has conducted multiple rounds of layoffs across its music and entertainment outlets in 2025. These cuts have impacted writers at BillboardRolling Stone, and Variety as the corporation faces revenue pressures from Google’s AI summaries.

YouTube Pulls Out of Billboard Charts

YouTube

YouTube has announced it’s pulling its data from Billboard’s charts:

Billboard uses an outdated formula that weights subscription-supported streams higher than ad-supported. This doesn’t reflect how fans engage with music today and ignores the massive engagement from fans who don’t have a subscription.

Paul Resnikoff, writing for Digital Music News, has the argument for why YouTube should change, not Billboard:

That logic goes something like this: more dedicated, paying fans – and their purchases – are far more valuable to the music industry and its artists, songwriters, publishers, and labels than freebie ad-supported ones. And the charts should reflect that.

The rest is just making up the numbers to fit. Paid stuff feeds the music industry, and accordingly, it weighs more heavily in the rankings. It’s logical enough.

Just one problem: in that framework, YouTube will never be a heavy chart influencer compared to other streaming platforms and formats. The harsh reality is that YouTube Music, once a promising paid platform, never materialized as a serious competitor to Apple Music or Spotify – and with the music subscription market now maturing, it’s unlikely to catch up.

Can Quitting Streaming Music Bring You Closer to It?

Craig Manning recently shared an article from Matt Schimkowitz of the AV Club in the forums discussing how quitting streaming services helped save the author’s relationship with music:

The albums are the same, but on streaming, there’s no friction between acquiring an album and listening to it. Low-effort acquisition led to low-effort consumption, and as soon as I put even the slightest bit of work into it, I found more to love. Reading liner notes, admiring album art, and loading a CD into the $30 burner we bought after canceling all made a bigger impression than replaying the same tired playlists I would turn to when decision paralysis made choice impossible. After all, a smaller collection is more welcoming to the lost art of letting an album grow on you. If I took the time to seek out music, be it at the library, the record store, or on Bandcamp, I would be more likely to connect with it.

As a whole I enjoyed the piece. The underlying idea is a good one: spending more time with music, letting it grow on you, letting it be a part of your life, and not becoming just a passive listener to music are all good ideas. It’s one of the reasons I love spending time with vinyl records. There’s a part of collecting, of the intentionality of the process of buying a record, spending time with it and only it, that really resonates with me. It reminds me of the joy of getting a new album when I was younger and the entire experience.

But I’m not ready to give up my streaming service just yet.

I still like using it for music discovery and it’s still very much how I do the most of my listening. But I still curate my “Apple Music” collection in a similar way as I did my old iPod/iTunes one. Cleaning up metadata. Collecting extra album tracks and b-sides. And being (trying to be) diligent about what I actually add to my collection. I’ve found just trying to be more present with my music has helped. Giving favorite artists the multiple listens they deserve. Spending time with full albums vs playlists or shuffling tracks. This is how I’ve stayed connected with music over the years.

US Administration Threatens Spotify

Stuart Dredge, writing fro Music Ally:

Spotify has been taking heat in recent months for its decision to accept and run recruitment ads for the US Immigration and Customs Enforcement (ICE) agency.

Now, in an unwelcome end-of-year twist for the company, it’s being threatened by the US administration with new “fees or restrictions” on its business. Not because of anything Spotify has done, but because of intensifying tensions between the US and the European Union.

This being 2025 (and this being this US administration) the threat was made in a post on X by the official United States Trade Representative account.

The Weeknd Closes Catalog Partnership

The Weeknd

Variety is reporting The Weeknd has closed a catalog partnership with Lyric said to be valued at one billion dollars:

The rep notes that the joint venture is not a conventional catalog sale: “From the beginning of the meeting, it was clear to all at Lyric that Abel would not sell his catalog. He wanted to be more innovative and creative in the way we established a partnership. To that end, through this venture, we constructed and launched a new business model with Abel and his iconic catalog whereby Abel and his team have the freedom to execute their creative vision with the entirety of his rights, both publishing and masters. This unique catalog deal sets a new standard for artist equity and control.”

Imogen Heap’s Auracles Signs SoundCloud Partnership Deal

Imogen Heap

 Dylan Smith, writing for Digital Music News:

The involved companies just recently confirmed their deal in a formal release, after SoundCloud head Eliah Seton and Heap discussed the integration during last month’s Web Summit event. Coinciding with the official disclosure, the November sit down’s audio has become available on SoundCloud.

Billed as a “comprehensive and forward-thinking suite of tools,” Auracles is said to afford artists one-stop control over metadata, stems, press materials, contact info, and a whole lot else via its “sovereign digital ID.”

President Aren’t Industry Plants

President

President talk about their rapid accession and why they’re not an industry plant.

“When you blow up really quickly, it’s assumed you’re backed by a huge corporate machine,” he tells us. “People find it hard to accept that something can just explode organically. But if something’s getting a lot of attention, you’re gonna draw equal measures of hate as you are love. I’d rather people felt something than nothing at all.”

In fact, Mr President insists that he “couldn’t have planned a harder way to introduce President to the world”.

I can’t see that mask and not hear “I am not a plant” in the Richard Nixon voice/cadence of “I am not a crook.”

Nine Inch Nails Working on New Music

Trent Reznor

Nine Inch Nails are working on new music:

”We are working on new stuff and we’re excited to work on it, and we are prioritizing working on Nine Inch Nails over just taking on every single thing that comes up in the other category,” reveals Reznor. “So, beyond that, I can’t say much, but the difference between now and a year ago is the fuse has been lit and the desire is there.”

Spotify Tests AI-Powered Prompted Playlists

Sarah Perez, writing for TechCrunch:

The new tool allows users to describe what they want to hear in a personalized playlist that reflects the “full arc” of their tastes, according to the company. That means the playlist focuses not only on the songs you like now, but your entire Spotify listening history from day one — something that differentiates the feature from other playlists, the company says.

Report: Impersonators Scam Fans Out of $5.3 Billion in 2025

Billboard

Billboard:

Hackers impersonating celebrities like Taylor Swift and her team contributed to fleecing fans for $5.3 billion online in 2025, as AI has made online scams more successful, according to a report from social media security company Spikerz. […]

The report found that scammers target Swifties with convincing fake tickets, merch and VIP experiences, while Carpenters’ young fanbase is targeted by clone accounts offering “fake meet-and-greet offers, pre-sale links, and counterfeit merch drops.” Billie Eilish hackers have run fake livestreams or giveaways that mimic her image.

Federal Judge Dismisses MF Doom’s Trademark Suit

Legal

Digital Music News:

“Temu manufactured and sold a myriad of items that are counterfeit or blatant copies of Plaintiff’s artwork, products, trademarks, and intellectual property,” the suit elaborated, also including multiple screenshots of allegedly infringing MF Doom merch listings.

From there, Temu returned fire in October with a dismissal motion that placed the alleged trademark infringement blame on the shoulders of “independent third-party sellers.”

Evidently, this argument did the trick; Judge Blumenfeld stressed the seller-marketplace distinction when doing away with the MF Doom estate’s direct infringement claim.

In the judge’s view, the plaintiff “cites no authority holding that price control renders an online marketplace a ‘seller’ liable for direct infringement,” while “the presence of Temu’s name on packaging…does not support an inference that Temu is the seller of any product, let alone the products at issue here.”

Turnstile Talk With Rolling Stone About Grammy Noms

Turnstile

Turnstile talked with Rolling Stone about their historic Grammy nominations:

Genre definitely can be a good guide for finding sounds that you like in certain worlds. Hardcore is maybe more of a culture and a community. At a hardcore show, you can have bands that all sound very different, but there’s a shared essence.

We grew up going to punk and hardcore shows. And we grew up listening to rock. We grew up listening to metal, to alternative, to R&B, to rap, to electronic music. We listened to all kinds of things. We’ve never denied ourselves the musical influences that have been a part of our lives growing up, what our parents were playing when we were kids. Everyone is kind of just a sponge of what they are drawn to. I think it’s important to not put a box around what you naturally are drawn to.

Spotify Rolling Out Music Videos

Spotify:

This expansion gives millions more listeners access to a catalog of official music videos, from studio versions to live performances and covers. The initial video catalog is limited for now while the feature is in beta, but stay tuned as availability will grow quickly over the coming months.