Iron & Wine has announced a deluxe reissue of Our Endless Numbered Days.
Out of Service Raising Money for New Album
Out of Service have announced a new album:
Out of Service is making a second full-length album and we need your help! Get the new album before anyone else and grab some awesome perks while you are at it.
Future Earns Sixth No. 1 Album
Future has the number one album in the country this week:
Future Hndrxx Presents: The WIZRD debuts atop the tally with 126,000 equivalent album units earned in the week ending Jan. 24, according to Nielsen Music. Of that sum, 15,000 were in album sales. The album was released on Jan. 18 via Freebandz/Epic Records.
Next Christopher Nolan Film Coming in July 2020
Warner Bros. announced Friday that Nolan’s next film will open in Imax on July 17, 2020.
The project is described as an event film, but nothing else is known about Nolan’s latest venture. The writer-director has a propensity for secrecy, writing his scripts away from any prying eyes. Furthermore, he is of such a stature that he can attract the actors he wants, package his project with thespians and then present it to a studio with what amounts to a simple yes or no question: Are you in or are you out?
Fearless Records Announces 7″ Series
Fearless Records are releasing special 7″ vinyl to celebrate their 25 year anniversary. The first up is a pressing of Plain White T’s “Hey There Delilah.”
Fidlar Breakdown Their New Album
Fidlar have done a track by track breakdown of their new album for Consequence of Sound:
So, I grew up in Hawaii. [“Get Off My Rock”] originally started as a song about Los Angeles. It was supposed to be “Get Off My Block.” In the neighborhood I moved into, there was just a lot of backlash for people moving into it, you know? Gentrification and everything like that. When I went back to Hawaii, I saw it at a whole different scale. I hadn’t gone back to Hawaii in three years, and I went back and just saw my neighborhood totally change.
It was basically one of the first ideas written for this record. That song was an experiment that was like, basically, how do you get away with doing a song like that without any punk drums or whatever. It was […] more like a Beastie Boys vibe than anything. We just used a bunch of drum machines and stuff like that instead of a bunch of guitar pedals and guitars and distortion. It was a weird experiment that just took on a life of its own I guess.
5 Seconds of Summer Working on New Album
Michael Clifford of 5 Seconds of Summer confirmed the band is working on a new album with Loudwire:
“We actually just started working on our fourth record on Monday. So it’s happening, it’s in the works and it’s happening right now,” Clifford says. When asked for a timeline for a release date for new music, he said, “Who knows. We’re looking at all possibilities, it could be this year or could be next.”
We Followed YouTube’s Recommendation Algorithm Down The Rabbit Hole
How many clicks through YouTube’s “Up Next” recommendations does it take to go from an anodyne PBS clip about the 116th United States Congress to an anti-immigrant video from a designated hate organization? Thanks to the site’s recommendation algorithm, just nine.
Panic! at the Disco Reaches New Chart High
Panic! at the Disco’s “High Hopes” is now number four on the Billboard Hot 100. This is their highest charting single.
Counting Crows – “August and Everything After”
Counting Crows have released their new song “August and Everything After” exclusively on Amazon.
PledgeMusic Owes Artists Thousands of Dollars
Colin Stutz, writing at Billboard:
According an anonymous former employee who wished to remain anonymous, the root of these problems is improper money management where PledgeMusic failed to hold artists’ campaign funds separately and securely and instead invested it back into the company. The idiom “robbing Peter to pay Paul” came up in many conversations describing PledgeMusic’s actions and as the company’s growth slowed the situation worsened. Over the last year, according to the former employee, in effort to reduce overhead, PledgeMusic also laid off about a third of its U.S. staff and moved out of its New York offices into a WeWork shared workspace.
Green Day Selling Tons of Gear
Green Day are selling a bunch of their gear on Reverb:
When the shop launches February 7, you’ll be able to buy a guitar used on Dookie, speaker cabinets still marked from the mud-fight at Woodstock ‘94, drum kits that have toured the world (and some remnants that have been set ablaze), vintage bass amps, and recording gear. Enter your email address in the signup box below to be notified as soon as the items are available.
Adam Lazzara Talks With Substream
Logan White sat down with Adam Lazzara of Taking Back Sunday over at Substream:
While the two new songs are a great representation of where Taking Back Sunday is at currently going through their 20thyear as a band, Lazzara is unable to say whether these songs will be a representation of any future material. This ties into their effort of being as genuine as possible with each release of new music, as Lazzara explains “I think we’d be doing a disservice if we said, ‘Oh yeah, these two songs are the direction we’re going’ because, who knows what the next batch of songs is going to sound like.”
Condé Nast to Put All Titles Behind Paywalls by Year End
Magazine publisher Condé Nast said it would put all its titles behind paywalls by the end of the year, as pressure builds on major publishers to generate more revenue beyond advertising.
I am curious to see what they do with Pitchfork.
‘Bryan Singer’s Accusers Speak Out’
We spent 12 months investigating various lawsuits and allegations against Singer. In total, we spoke with more than 50 sources, including four men who have never before told their stories to reporters. A man we’ll call Eric told us that he was 17 in 1997 when he and Singer had sex at a party at the director’s house; another we’ll call Andy says he was only 15 that same year, when he and Singer had sex in a Beverly Hills mansion. Both men say Singer, who was then in his early 30s, knew they were under 18, the age of consent in California. (They asked The Atlantic to conceal their identity for fear of retaliation, and because they didn’t want certain details about their past made public.)