Review: Red Hot Chili Peppers – Stadium Arcadium

Red Hot Chili Peppers Stadium Arcadium

Why would any band ever release a double album? Serious question. The deck is stacked against you. Even the Beatles couldn’t do it without filler, and they were working in the days of vinyl. (Plus, you know, they were the Beatles.) What the hell do you have in your songbook that justifies two CDs of material? Calm down, go home, cut some tracks, and come back when you’re ready to be serious about making a cohesive work of musical art.

By all accounts, double albums are impossible. Even the acclaimed ones don’t escape the charge of filler, from Bruce Springsteen’s The River to The Smashing Pumpkins’ Mellon Collie & The Infinite Sadness. Let’s not even get into the kind of reputation that Foo Fighters’ In Your Honor has, or Arcade Fire’s Reflektor. And you can sure as hell bet that Justin Timberlake’s The 20/20 Experience and Green Day’s trilogy would have better legacies if they had been single-disc affairs.

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A Podcasting Divergence

Federico Viticci, writing for MacStories, with a fantastic look at the crossroads facing podcasting:

If you’re a Leading Content Professional and you think that’s what you want, more power (and money) to you. I understand and respect what you’re doing. But the great thing about the free and decentralized web is that the aforementioned web platforms are optional and they’re alternatives to an existing open field where independent makers can do whatever they want. I can own my content, offer my RSS feed to anyone, and resist the temptation of slowing down my website with 10 different JavaScript plugins to monitor what my users do. No one is forcing me to agree to the terms of a platform. My readers are free to link to my articles, copy them, print them, subscribe to my feeds, and view them in any browser or feed reader they like.

A highly recommended read.

Gabe Saporta and Wife Welcome Baby Boy

Congratulations to Gabe Saporta and Erin Fetherston on the birth of their baby boy — in March of this year.

I’m thrilled to report that I gave birth to a healthy, beautiful baby boy at the beginning of March this year. Many were unaware of this fact because my husband and I made a conscious decision to keep the pregnancy private for a few reasons. To us, pregnancy felt like a naturally concealed process. You know your baby is growing inside you, but you can’t really see exactly what’s happening. We took that as a cue from the universe to respect the mystery and secrecy innate in pregnancy, and for that reason I chose to be very private during this time of my life. While this was mostly for the sake of the baby, it also suited me just fine as I found myself feeling incredibly vulnerable, shy, and self-conscious during my pregnancy.

Blink-182 Achieves Its Highest Alternative Songs Debut

Kevin Rutherford, writing for Billboard, points out that Blink-182 just had their highest alternative song debut ever with “Bored to Death.”

All three chart positions mark the highest debuts on each tally in the band’s two-decade career. On Alternative Songs (the only chart of the three that predates Blink-182’s first album, Cheshire Cat, in 1995), the No. 18 opening of “Bored” bests the band’s previous top entrances of No. 25 logged by “First Date” in 2002 and “Up All Night” in 2011. (Those songs went on to peak at Nos. 6 and 3, respectively.)

Don’t Knock CGI: It’s Everywhere, You Just Don’t Notice It

Andrew Whitehurst, writing for The Guardian:

The anti-CGI backlash, which is really a reaction against poorly conceived CGI, rather than the form itself, stems from such overuse and misapplication. No one complains about the mountain of well-planned and well-executed CGI, because no one’s attention was drawn to the fact that it was CGI in the first place. Perhaps unsurprisingly, the studios’ publicists are now frequently keen to emphasise how much of a film was shot “for real”, and play down the use of CGI on a production. A cursory glance through the credits of the film will tell you how true those claims are.