Review: Dave Grohl – The Storyteller

Dave Grohl - The Storyteller

Dave Grohl is a fucking legend. That’s not hyperbole. He literally has made some of the most recognizable rock songs in my generation, and still continues to crank out memorable tracks, whether it be with Foo Fighters, Them Crooked Vultures, guest spotting with Queens of the Stone Age, or releasing an opus of instrumental bliss under his own name, called Play. New to the stage is Dave Grohl the author, who has crafted an equally brilliant memoir entitled The Storyteller: Tales of Life and Music. What you may not know about Mr. Grohl is his ability to convey such a wide range of emotions in his writing. From the heartbreaking loss of close friends in his life, to the exuberant highs of getting married and having three daughters, all mixed in with his unique ability to write about his time in music with such fervor and passion for being a part of music history. I was not planning to read this memoir in one sitting from cover to cover, but that’s exactly what happened. And much like the stories outlined beautifully in The Storyteller, everything packs purpose, and lessons are learned along the way that makes the journey more important than the end or the start.

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Review: New Found Glory – Radiosurgery

Coming off of the moderate success of their sixth studio album, Not Without A Fight, the veteran pop-punk rockers chose trusted producer Neal Avron to oversee these sessions that would become Radiosurgery. New Found Glory released this album under Epitaph Records and would be their last studio album with their disgraced, original guitarist. Radiosurgery, for whatever reason, seems to get unfair treatment when comparing it to other NFG albums in their discography. While most wrote it off as standard fodder from the Florida pop-punk band, there really are some true gems on this album that is a satisfying listening experience from start to finish. The album received generally positive reviews from music critics, but only sold under 11,000 copies on the Billboard 200 charts (opening at #35). Radiosurgery would eventually peak at #26 on the Billboard 200 charts, and still contains many set staples in NFG’s live performances due to its upbeat nature.

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Review: Ducks Ltd. – Modern Fiction

Ducks Ltd. - Modern Fiction

There aren’t many bands like Ducks Ltd. (formerly known as Ducks Unlimited) around anymore. That’s it, that’s the pitch. Just kidding, Ducks Ltd. are excellent because their music transcends genre, time, and space. After releasing an expanded reissue of their debut EP, Get Bleak, in May this year, the pair – Tom McGreevy (vocals, guitar, bass, keyboards) and Evan Lewis (guitar, bass, drum programming) – prioritised lively music and warmth with self-aware critiques of living under capitalism. The duo later somehow managed to release their debut album, Modern Fiction. At the same time, McGreevy was in Toronto and Lewis in his native Australia, unable to travel anywhere due to COVID-19 and Australia’s harsh border closures.

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Review: The Way Down Wanderers – More Like Tomorrow

Coming off of the success of their 2019 breakthrough record, Illusions, folk rockers The Way Down Wanderers have returned with their sophomore effort entitled More Like Tomorrow. This five-member band from Peoria, Illinois have made an album worthy of the heart that they affectionately used to cover this collection of ten songs brimming with purpose and professional poise. The band is unique in that they have two lead songwriters/vocalists in Collin Krause and Austin Krause-Thompson, and yet their combination of tackling core themes like addiction, relationships, and living life to the fullest never seems forced or appear to be a struggle between the two core songwriters. More Like Tomorrow is a nice encapsulation of this period of time in our lives where we search for our “true north” and let go of the outside noise that distracts us from living our best lives.

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Interview: Isa Holliday of Slow Crush

Slow Crush

Today I’m happy to share the interview I conducted with the lead vocalist of a band called Slow Crush, and Isa Holliday and I’s conversation on the band’s new album Hush, that will officially hit the streets on October 22nd. In this interview, I asked her about the contrast between the two singles the band has released including “Swoon,” the differences in their approach to performing as an opener versus a headlining stint, Slow Crush’s songwriting process, and what her and bandmates look to for inspiration in their music. The band plans to headline the United States next spring in April and May.

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Review: PHNTMS – “Paper Flowers”

PHNTMS - "Paper Flowers"

I’m thrilled to introduce everyone to PHNTMS, a great female-fronted pop-rock band from Philadelphia, PA that seems poised for breakout success. Their latest single, “Paper Flowers,” is a bombastic blast of alternative rock with a pop polish that is ready for radio dominance. The band has opened for huge bands like Kings of Leon, The 1975, and Bastille, and it’s clearly evident of why these bands would chose PHNTMS to get their crowds ready for a great night. Their yet to be announced EP should only further solidify the direction the band is going for on this great-sounding song.

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Review: The Slang – Divide

The funny thing about debut albums is that they’re filled with so much promise, blissful ignorance, and a full beating heart filled with the utmost purpose. Washington, DC’s The Slang are able to capture that early magic that bands would kill for at this stage of their career. Divide, in a lot of ways, investigates where we are as a society today, but it’s vibrant guitar tones and uplifting choruses keep the material from sinking into the abyss. When I last caught up with the band for an interview, the band appeared to be completely flattered by my early praise of their album that I got an advance copy of. After explaining to The Slang (comprised of John Bobo and Felix Nieto) just how great their debut is, I hope I was able to instill some new-found confidence in this band that I feel everyone should turn their immediate focus onto.

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Review: Thrice – Horizons/East

The word that most closely comes to mind when talking about Thrice is consistency. The second word that I most closely associate with this legendary band on their 11th studio album, Horizons/East, is variety. They simply do not make the same record twice; a true marking of an artist that is uncomfortable with the comfort that comes with creating similar sounding material. On Horizons/East, Thrice are able to embrace the change that comes with pushing themselves to their artistic limits, and much like that famous Lindsay Lohan meme; the limit does not exist.

This picturesque record opens with the sprawling “The Color of the Sky,” as Dustin Kensrue sets the stage with, “My first and foremost memory / Is staring up in wonder at the wall / It circumscribed the city / They said beyond it nothing dwelt at all / But I came to wonder if the stories all were true / So one night I made my mind up / I resolved that I would find a passage through” before drummer Riley Breckenridge explodes into one of my favorite drum fills in recent memory. Kensrue’s closing lyrics of “I don’t know the way, but I know that I belong out here / On this journey that I never thought I’d make / Setting out across a new frontier / A new horizon with each eager step I take,” seems to encapsulate everything that I love about his top-notch storytelling on my favorite opening tracks in their discography since Vheissu’s “Image of the Invisible.”

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Review: Right On, Kid – Life Is A Movie

Right On, Kid

If you’re looking for solid pop-punk with a heartbeat, you’ve come to the right place. Right On, Kid are a five-member band from Albuquerque, New Mexico, and have crafted an album worthy of early recognition and praise. Their first EP called When Words Are Enough announced their arrival to the scene, whereas Life Is A Movie welcomes them into the fold with open arms. This album is filled with everything we all love about the genre: great sounding hooks, uplifting vocals, well thought out lyrics, and plenty of excellent drumming. With a sound similar to Hit the Lights, Mayday Parade, and All Time Low, you may need to thank us later for introducing you to your latest pop-punk obsession.

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Review: January Jane – Your Drug

January Jane

The circumstances that led to New York City’s-own January Jane being signed to a major label record deal, and also getting the stamp of approval from veteran music guru Matt Pinfield are quite unique. In the interview I conducted with vocalist Pat Via, guitarist Mitch Mitchell, and Pinfield, they described the path that led them to each other, and their bond continues to be a major success story to this day. Their debut EP, Your Drug, is a solid blast of energetic pop rock built for instant radio success. The lead single, “Versions of You,” has already charted on the Adult Top 40 National Airplay Billboard barometer of popular music. Rounded out by keyboardist Peter Scalia, January Jane might just be the band that we need to get us through this dark period in history.

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Interview: Ben Liebsch of You, Me, and Everyone We Know

Ben Leibsch

Recently I was able to connect with Ben Liebsch of You, Me and Everyone We Know for an interview discussing his band’s great new album called Something Heavy. The album hits the streets this Friday, and Ben and I discussed his unique writing process for this record, the choice to bring in outside collaborators, as well as his advice for others struggling with their mental health during this ultra-tough period of time.

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Interview: Hannah Joy of Middle Kids

Middle Kids

This past week, I was able to connect on Zoom with lead vocalist and guitarist of Middle Kids, Hannah Joy, before her band got set to leave for a comprehensive headlining tour of the United States. In this interview, we talked a lot about each of the songs from Today We’re The Greatest, the songs that she felt will most connect with fans on this tour, and the cool story behind playing with right-handed guitars even though she is left-handed. Middle Kids will be starting their headlining tour this month.

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Review: The Horrible Crowes – Elsie

Brian Fallon didn’t NEED to make Elsie. By the time this album arrived – the one and only record Fallon made with the side project he dubbed The Horrible Crowes – Fallon was already well on his way to rock star status…or, at least, it seemed that way at the time. His full-time band, The Gaslight Anthem, had released three albums and an EP in the space of three years and about two weeks – a remarkable run that saw the band gaining ground with each release. By the time Elsie arrived in September 2011, there was already buzz brewing about Gaslight Anthem LP4, and about how that album had the potential to launch Fallon and company into a whole new stratosphere. Just about anyone else would have taken a well-deserved break. Based on the exhaustion that would eventually crash The Gaslight Anthem, maybe Fallon should have. Instead, he teamed up with his guitar tech, Ian Perkins, and made one of the great left-turn albums in 21st century rock ‘n’ roll. Some days, I think it might just be his masterpiece.

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Review: Longsleeves – Joyrider

It’s commonplace for me to be pitched new bands looking for my thoughts on their music, and I can’t help but feel flattered by the number of submissions I’ve received since I started writing for this site. It makes my job that much easier when being presented with music that immediately shimmers through the speakers as it does on Longsleeves debut EP, entitled Joyrider. The band is comprised of vocalist/bassist Austin Fontenot, guitarist Curtis Allison, guitarist Kyle Bauer, and drummer Matt Francis, and their charming debut is somewhere between a mix of early-Hawthorne Heights emo mixed with the polished grunge of 90’s rock acts like Smashing Pumpkins all blended with the radio-ready hooks of Gin Blossoms. The Norfolk, Virginia band has plenty to like on Joyrider, and Longsleeves are one of my “bands to watch” as their career in music seem poised for future success.

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Lorde, Halsey, and the Infuriating Discussion Around Their Producers

Halsey

The most insufferable discourse awards of the year go to: “Solar Power sucks because Jack Antonoff produced it,” and “If I Can’t Have Love, I Want Power is only good because Halsey worked with Trent Reznor and Atticus Ross from Nine Inch Nails.” Not only are these statements over the top, but there’s also a level of sexism, albeit most of the time unconscious and these comments rob artists of their agency. I’ve seen various conversations like this, but never to this point where people everywhere undermine a songwriter’s prowess due to their relationship with a producer’s work. Let’s not forget, Lorde demonstrated storytelling beyond her years from her beginnings with The Love Club EP in 2013. Halsey, who uses she/they pronouns, hasn’t found the same critical acclaim thus far, but fans who have followed their career recognize their growth since they released the Room 93 EP in 2014.

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