Morningsiders – “Waterfall” (Video Premiere)

Morningsiders

Today I’m excited to share the next premiere from the indie folk-pop band, Morningsiders, for their great new single “Waterfall.” The band is comprised of Magnus Ferguson (vocals/guitar), Reid Jenkins (fiddle/vocals), and Robert Frech (piano), and their eclectic brand of indie rock has garnered worldwide attention. The band shared this about the new single:

We developed ‘Waterfall’ out of an earlier song that we wrote and played a bit in college, but that never fully clicked. The melody has been stuck in our heads all these years, and every now and then we’d try to re-imagine words for it. A few phrases kept coming up like ‘easy does it,’ and it slowly started to take on a reassuring, if slightly sad mood. I started thinking about conversations I’ve had with my younger sister trying to help her navigate her early 20’s, and also about what I wish I could have told myself when I was that age. It ended up being a song about that oceanic feeling of being a small part of a big world. That zoomed-out vantage point can feel melancholy, but almost in a satisfying way, like a good cry.

If you’re in the mood for a song that makes you feel like you’re part of something bigger than yourself, look no further than Morningsiders’ “Waterfall.”

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Review: Joywave – Cleanse

The pandemic has been pretty shitty for a lot of people. Add in the effect it has had on the music and entertainment industry, and you’ll begin to understand just how difficult it was to try and remain creative. Or, in the case of Joywave, you spend a full 18 months prepping for your sprawling and well-conceived third album called Possession, and it becomes almost DOA as the world shut down around the band and others. The band described these feelings on a recent Facebook post by saying, “It was crushing to watch everything we had worked so hard to roll out in just the right way obliterated in an instant.But creatively, the timing couldn’t have been better. Something more positive began to emerge. With our dense touring schedule shelved, I was able to reflect on past travels and appreciate them in a new way. But reminders of our fragile mortality were everywhere, punctuated by the ongoing pandemic and civil unrest. The music began to encompass all of this. It became the words, encouragement, and occasional cautions that I would want to share with you if this was the last time we spoke. And with all this time spent looking inward came the realization that there were still a few chips I was carrying on my shoulder that I needed to let go of. Maybe you have those too.One of my first jobs ever was at a car wash. I thought of the band, after years spent on the road taking a breather. Going through that wash process. Watching all the dirt and mud stripped away. Coming out the other side refreshed and rejuvenated. Still having experienced everything from before, but no longer wearing the scars.” The era of Cleanse has arrived for Joywave, and the timing appears to finally be in their favor.

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Most Anticipated of 2022

Most Anticipated 2022

Last month we shared our favorite albums of 2021, and as we’re ramping into 2022 it’s a good time to look at what we’re anticipating throughout the year. What records do we think we’re going to fall in love with over the next few months? What albums can we just not wait to hear? A bunch of contributors have written up blurbs about the albums and artists we’re most excited about, and we’d love to hear what’s on your most anticipated list as well.

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Interview: Spencer Chamberlain of Underoath

Underoath

A couple of days ago, I was able to connect with vocalist Spencer Chamberlain of Underoath right as he and his bandmates were preparing to go on tour next month. In this conversation, I asked Spencer about what he’s noticed from the fan reactions to Voyeurist, how he manages to stay busy with his other band Slo/tide, the well-received livestreams conducted during lockdown, as well as in-depth details on the writing and recording of Underoath’s ninth studio album. Voyeurist was released last month and can also be purchased here.

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Interview: Cove Reber of Dead American

Dead American

Recently I was able to schedule a Zoom call with one of my favorite post-hardcore vocalists, Cove Reber. The ex-Saosin singer looked back on what he was most proud of from the early days of his career, and we spent the majority of time discussing his new band, Dead American. Dead American’s brand new, full-length record called New Nostalgia is out today wherever you stream your music, or you can pre-order a physical copy (Vinyl/CD) here.

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Review: Weatherstate – Never Better

When I last checked in with Weatherstate, lead vocalist Harry Hoskins shared some of the insight that went into their new album Never Better as well as the latest single/music video for ”Headstone.” As I continued to explore the band’s sound on this full-length record, I became enamored with the direction the band took on this 11-song LP that hits its intended target more often than not. In addition to band leader Harry Hoskins, Weatherstate is comprised of Callan Milward (lead guitar), Joe Hogan (bass), and Toby Wrobel (drums) who each have at least one standout moment on Never Better. Hoskins shared this about the direction the band took, “Never Better stems from a place of monotony, helplessness, and apathy at the state of the world around us. The record reaches out to different feelings that many of us have experienced over the last few years, from a state of mind that is pessimistic when faced with the question, will things ever improve? Lyrically this album touches on personal grief, abusive & toxic relationships, losing touch with the things that you once loved growing, and overall acceptance that it is what it is, and you sometimes have to buckle up and move forward to keep yourself sane.” With so much relatable material, Weatherstate may have just made your next favorite album.

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Review: Hippo Campus – LP3

The aptly titled third studio album from Saint Paul, Minnesota’s own indie rock band Hippo Campus is filled with vibrant and layered guitars, smooth as silk vocal harmonies, and plenty of reasons to get excited for their latest direction in their sound. Having just released an EP called Good Dog, Bad Dream last year, this young band appears to have no limitations in their creativity and approach to their music in general. I really enjoyed their last full-length effort, Bambi, and their debut called Landmark made me a lifelong follower of their music, yet with LP3 I couldn’t help but feel a little unfulfilled. This was the first album I didn’t love from first listen, and yet there’s plenty to like on this record that has expanded the possibilities of this band’s music. Time will tell if some of the feelings I have on future spins of this album leave me with a better outlook on this LP.

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Review: A Place to Bury Strangers – See Through You

A Place to Bury Strangers - See Through You

See Through You is relentless. Depending on your preference for in-your-face noise rock and post-punk, the sixth album from A Place to Bury Strangers – their first in four years and the follow up to last year’s excellent Hologram EP – won’t necessarily tick all the boxes for all listeners. For me, the record lives in an atmosphere beyond our tiny, insular worlds. The New York-based trio now comprises long-time vocalist and guitarist Oliver Ackermann and Ceremony (also known as Ceremony East Coast) veterans Sarah Fedowitz on drums and John Fedowitz back again after a stint with the band in 2016 on bass. See Through You is also the first A Place to Bury Strangers album on Ackermann’s brand-new record label, Dedstrange.

Since founding the band in 2003, Ackermann has produced, mixed, and mastered all its albums; their latest is no exception. How do an independent label and 20 years in music affect a band’s sound? Well, in the case of A Place to Bury Strangers, that experience and freedom have resulted in the catchiest, well-rounded album the group has offered so far. The Washington Post dubbed A Place to Bury Strangers as “the most ear-shatteringly loud garage/shoegaze band you’ll ever hear” in 2012, and while that referred to their live show, their recorded output is bloody loud, too.

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Review: Wild Rivers – Sidelines

The sophomore effort from Wild Rivers is called Sidelines and plays out like a coming-of-age story of learning about the key parts of the relationships we make along the way. The record was co-produced by the band and Peter Katis (The National, Interpol), and Wild Rivers appear to be get their footing pretty well in their songwriting craft. Led by the lead single, “Long Time,” a dreamy piano-laced duet that puts the pain of a break-up in the direct cross-hairs of the material, and yet the band continues to march forward in the hopes of better days ahead. This ten-song album plays out majestically as it captures the spirit of three musicians knowing their strengths, and still packs plenty of emotion throughout each of the tracks.

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Review: Kulick – Everyone I Know Will Die

On the sophomore album from pop-rocker Kulick called Everyone I Know Will Die, he expands upon the thematic elements found on his debut and cranks the volume up to ten. As much as I enjoyed Yelling in a Quiet Neighborhood, Kulick really improves upon the best parts of his sound on this current record. The songs are immediately gripping, honest, direct, and driven by a beating heart that just wants his fans to come along for the thrilling ride. Kulick shared this connection he has with his fanbase as he mentioned, “The reason I create music has always been the same; to process, to better understand myself, to feel my emotions in a healthy way, and to connect with others. There is nothing greater.” By staying true to himself and improving his songwriting craft, Everyone I Know Will Die remains steadfast in its dedication to music lovers everywhere.

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Review: Bad Suns – Apocalypse Whenever

The fourth studio album from indie rockers Bad Suns was conceived as “the soundtrack to a movie that doesn’t exist yet,” according to the band’s frontman Christo Bowman. This approach to their songwriting on Apocalypse Whenever makes more sense after a few spins of the record that sounds crisp, pop-driven, and vibrant, thanks in large part to veteran producer Eric Palmquist (Thrice, Mutemath). Bowman also shared, “We also knew we wanted the album to have a through-line, a story from beginning to end,” and the “movie soundtrack” feel can be understood better throughout the complex weave of lyrical lines painted throughout the LP. The album plays out like an 80’s synth-laden dreamscape that has lofty goals from the outset, and hits its intended target more often than not as it pulls on the heartstrings of this golden era of pop music.

Apocalypse Whenever’s promotional rollout was different than the band’s approach to their last three albums, with six singles (nearly half of the album) being released prior to the record hitting the streets this past Friday. It’s definitely a different way to digest a record that is intended to be listened from front to back, in order to get the full “story” outlined by the California-based band. In between Mystic Truth and Apocalypse Whenever, the band released two singles (“Unstable” and “I’m Not Having Any Fun”) that didn’t make the cut of Mystic Truth, and ironically those tracks sound better suited for the direction on this current album cycle.

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Review: Unwritten Law – Elva

The fourth studio album from the San Diego-based band, Unwritten Law, brought the group of ton of success in the early part of the 00’s era of pop-punk, and deservedly so. Elva is filled with crisp pop-rock gems including “Up All Night,” “Rescue Me,” “Sound Siren,” and their first chart-topping Modern Rock hit in “Seein’ Red.” Unwritten Law fought through the crowded scene of pop-rockers making a name for themselves like Sum 41, Good Charlotte, and Mest to improve upon their songwriting craft and deliver their most successful album to date in Elva. Produced by John Shanks, Miguel, Josh Abraham, and the band, this remains one of those records I look back fondly upon as it celebrates its 20 year mark. Led by the dynamic and energetic vocals of band leader, Scott Russo, Unwritten Law were starting to really make their mark in the music scene by the end of this album cycle.

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Review: Texas King – Changes

Recently I was able to get word of a new EP that was getting significant buzz in both the band’s hometown in Ontario, as well as a thriving following in the states. Last December’s Changes by Texas King is a brilliant mix of 90’s roots rock in the same realm as The Black Crowes, the pop sensibilities of Hootie & The Blowfish, with the modern polish of The Fray. Lead vocalist Jordan Macdonald truly shines on songs like “You,” “Strange Life,” and the album opener “Not Myself.” If you’ve been looking for a new band that reminds you of the 90’s Alt Rock scene with a steady heart towards the future, look no further than Texas King.

The record opens with a nice guitar groove found on “Not Myself,” and one of the first things that captivated my attention was Macdonald’s crisp vocal delivery. The band really rallies around each of his heartfelt lyrics, and they never overpower the direction of the vocals. The title track follows with a more up-tempo approach, but never loses its footing with the direction of the storytelling found in Texas King’s music. This song in particular focuses on the feeling of noticing that changes need to be made in your life, even if you have to hit rock bottom before picking up the pieces to put yourself back together.

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Review: Our Lady Peace – Clumsy

1997 was a huge year for the Alternative Rock genre, and music fans in general, due to the vast number of great releases coming out. Since I missed the opportunity to write about Clumsy by Our Lady Peace at the 20 year mark, I figured it was about time to revisit this Alt Rock classic for its 25th Anniversary. Sure, everyone knows the major hits on this record like “Superman’s Dead,” “Automatic Flowers,” “4 AM,” and the slow-building title track, but the depth that Mike Turner, Jeremy Taggart, and lead vocalist Raine Maida went to into crafting the songs that surround these huge singles speaks to Our Lady Peace’s ability to live on in Alt Rock-lore. Many people don’t realize that Clumsy was the sophomore album from Our Lady Peace, with their debut coming in the form of Naveed. The music landscape had changed significantly since their debut released in the United States in 1995, and it was only a matter of time before this talented Canadian band would strike the right chord of the heartstrings of music listeners everywhere. Clumsy was produced by Arnold Lanni, who also gets writing credits on the album, and he does a great job in getting the best performances out of these young rockers to create a legendary, Alternative staple.

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Review: Inside Voices – Liminal Space

After releasing their debut in 2018, Consecutive Normal Songs, the Northeast Louisiana emo rock band Inside Voices have returned with their latest offering of new music on the EP titled Liminal Space. The four-piece band would be perfect for fans of the stylings of other emo bands like Title Fight, The Wonder Years, and especially American Football. By showcasing their growth on this collection of six well thought out songs, Inside Voices appear poised for the next big step in their musical evolution.

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