Review: Yungblud – Idols

Yungblud - Idols

While I have been aware of the artist known as Yungblud for awhile, I honestly never took the time to dive deeper into his discography until now. What I found, when I dove into his latest work, is an artist willing to take big risks in favor of achieving the ultimate reward. Yungblud self-described his fourth studio album of Idols as “a project with no limitations.” It’s easy to see where this pays off on this LP that is brimming with rockstar swagger and great songwriting. Produced alongside longtime Yungblud collaborator/writer, Matt Schwartz, and coming off marquee moments in his career such as an Ozzy Osbourne tribute and a newly announced EP with members of Aerosmith, Idols proves that this young artist has truly arrived and is ready for his moment.

The ambitious record opens with a sprawling nine-minute single of “Hello Heaven, Hello” that takes the listener on a picturesque journey through rock n’ roll lore, and sets the tone for the rest of the great material that follows. The opening lyrics of, “Hello, are you out there? / Are you trying? Are you patient? / Are you blind? / Are you with me? Against me? / Don’t know me at all,” finds Yungblud asking his audience if they’re ready to take this journey with him that plays out like a love letter to classic rock records such as Pink Floyd’s The Wall. Comparisons aside, the opus of an opening statement comes across really well, and it’s a brash way of starting a record that doesn’t conform to industry norms or “rules.”

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Review: All Time Low – Everyone’s Talking!

Many people don’t know how just how close All Time Low were from walking away from the music scene. After a dark cloud surrounded the band shortly after the release of Wake Up, Sunshine regarding allegations of misconduct, there was a bit of uncertainty of how or if All Time Low could move forward. After the allegations were deemed to be fabricated, the band decided to move forward with the release of their ninth studio album, Tell Me I’m Alive and a re-recording of their earlier material called Forever Sessions Volume 1 in hopes of rekindling their love for making music together. In an interview with Rolling Stone, the band shared that this period, “…was at a time when I think we weren’t sure if we wanted to make another album. I think maybe you do this long enough and you’re like, ‘Maybe we’ve told the story. Maybe we’ve said all that needed to be said, and maybe there’s not much left for us to say.’ But we’ve had this newfound sense of belonging to the band and this love for it that was rekindled, and we said, ‘I think there’s another one in the tank.’ It’s a good thing that All Time Low decided to regroup, as Everyone’s Talking! ends up being some of the band’s best material to date.

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Review: Heartwork – Three Alley Cats and The Impossible Sky

Heartwork - Three Alley Cats and The Impossible Sky

Goodbyes are always hard. Whether it’s breaking up with someone who you once thought was “the one”, or just saying goodbye to a friend you know you won’t see for quite some time, that feeling of the unknown of what comes next can be crippling. Heartwork have released their final album today called Three Alley Cats & The Impossible Sky that marks a proper send-off for the genre-blurring project of Dan O’Dell. O’Dell shared, “The main thing was to say everything I needed. Heartwork has been a huge part of my life, but it’s time to put it to bed and move on—after a well-earned break.” Three Alley Cats & The Impossible Sky marks an important last step in Heartwork’s artistic growth, and he says goodbye with grace on a record filled with plenty of twists and turns, and nods to the height of our scene during the early 00’s.

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My Life In 35 Songs, Track 30: “The Days” by Hailey Whitters

My Life in 35 Songs

Instead of counting up the days, I just want to make ‘em count

In books and movies, it’s easy to spot the foreshadowing – the little details in the narrative that hint at something bad coming around the corner. In real life, you often only spot those warning signs in retrospect, when you’re looking back after some catastrophe transpires and wondering whether you could have known what was coming. Such is the case when I look back on the music that was dominating my life in 2019, right before the world went into a tailspin. And it is especially true about “The Days,” an achingly wistful summer song by country singer-songwriter Hailey Whitters, about making every good moment count lest they run dry a whole lot sooner than you expect.

In the moment, the good times seemed to be in endless supply in 2019, at least in my life. By the time that summer rolled around, I felt like I’d reached a state of total contentment. I was 28 years old and things were finally falling into place with my career. As a runner, I was getting back into racing after having not run competitively since high school, and my training had me feeling like I was in the best shape of my life. Most importantly, by moving back to our hometown, my wife and I had reignited our social life, which had mostly fallen by the wayside since our college years. We reconnected with old friends, made new ones, and spent a lot of time with family that we’d seen too little of in our years away. Everything felt just about perfect.

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Interview: Alex DeLeon and Alex Marshall of The Cab

The Cab

This past week I was able to schedule a Zoom call with Alex DeLeon and Alex Marshall of The Cab to discuss what went into their thrilling new EP called Road To Reign: A Prelude, which is their first taste of new music in over ten years. I asked the two band members about what brought them back to playing music together again, their memories surrounding their previous albums of Whisper War and Symphony Soldier, and their upcoming tour dates with All Time Low. You can stream Road To Reign: A Prelude here.

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Review: Wolves At Bay – Dissolve

Wolves At Bay - Dissolve

The first new taste of music in more than ten years from Connecticut post-hardcore band, Wolves At Bay, showcases the band’s sense of urgency in re-capturing the magic from their earlier material. Dissolve is an eight-song album that adds in some textural and electronica sounds to round out the band’s attack and approach to their songwriting. Wolves at Bay shared: “This chapter marks a true rebirth. The connection between us has only grown stronger with time, and that bond is felt in every chord and lyric. Dissolve isn’t just about returning—it’s about starting again with purpose.” By putting a strong step forward in their “rebirth”, Wolves at Bay waste little time in returning to the rock scene at full speed ahead.

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Review: Yellowcard – Better Days

Yellowcard - Better Days

This blank screen terrifies me. The cursor blinks. I search for the words. And in the back of my mind, there’s a cold little voice telling me it’s pointless. That I’ve said everything meaningful I’ll ever say about music. That I’m washed up and irrelevant. That the music I care most about, and the medium by which I communicate my love for that music, has passed me by. The voice whispers. And I hear the soundtrack to my life softly echo through my head like an abandoned radio station hallway. The fluorescent marquee sputtering, fizzling, and coughing up the bygones of a lost era. My era.

The empty space sits like a verdict — relentless, accusatory.

This is the kind of tension that comes with age. No one ever told me my youthful anxiety of never amounting to anything would morph into being worried I’ll only be remembered for what’s behind me. And it’s a funny kind of cruel, because I’m a little ashamed to admit it. But, honestly, I’ve been thinking about all of this a lot lately. The past, the glory days of the punk and emo scene. Growing up, giving in, the bands that have come and gone. And I’ve been thinking about the pressure that builds over time, how the momentum of not doing becomes intoxicating. By not doing, you never have to worry about failure. You can make up stories in your head about all the reasons it’s not worth trying, and your ego stays nice and protected.

But I’ve also been watching all these artists push against that pressure, lean against that momentum, and emerge bursting with creativity and a newfound sense of purpose. Freed of the shackles of needing to live up to the expectations of being the next big thing, or having to follow up their massive hit records, they’re able to tap into a creative force and deliver music that moves beyond just being a nostalgic feint. And it inspires me. I’ve been spending the past few months immersed in new music from the bands only we knew. Bands with funny names like Motion City Soundtrack, The Format, and The Starting Line. Little gems from our youth that always felt like a shared secret — ours and ours alone.

And that voice in my head? That one that tells me to stop trying, that no one reads anymore? That asks if our past is the best we will ever know? I know the antidote. I’ve known it most of my life. It involves headphones, a volume slider, and a great fucking song.

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Review: Green Day – Warning

Green Day - Warning

The sixth studio album from Green Day, Warning, tends to get forgotten way too often, and yet it has all the makings of a killer record from the punk band. The LP finds Green Day at arguably their most melodic, and there’s no denying the catchiness of these songs that were self-produced by the band. Coming off of another breakthrough success in 1997’s Nimrod that spawned the smash single of “Good Riddance (Time of Your Life)” that was literally everywhere when it was released, Green Day could’ve gone in a multitude of directions on this follow-up. There’s something really endearing about a band willing to take some creative freedom by self-producing their music at this stage of their career when their songwriting was truly blossoming at the right time. The set has now gone on to sell over 1 million units in the States, while selling over 3 million copies worldwide. Any other band would give their left arm for those numbers, but Green Day would brush off any talks of Warning being a commercial disappointment by going even bigger and bolder on their punk rock opera known as American Idiot in 2004. Warning deserves another look on its 25th anniversary, and it’s one of my favorite pop-punk records of all time.

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My Life In 35 Songs, Track 29: “Carry Me Home” by The Alternate Routes

My Life in 35 Songs

We got the street lights, we got it all right, we got this whole night, carry me home

There’s this stretch of roadway just south of my hometown that I’ve always loved, where you go around a bend and suddenly find yourself surrounded on both sides by towering pine trees. The road gradually climbs from there, taking you out of this beautiful, tranquil valley. But the feel of that short passage – the indescribable power of those trees and the many, many years they’ve been there – lingers for the rest of the drive.

Throughout my life, that spot on the road has always been the checkpoint – the spot where, when I pass through it, I know I’m home again. I came to feel that way during college, when I drove that road literally hundreds of times to get back to my parents’ house – for weekends, or Christmases, or summer vacations. I kept feeling that way after I graduated, when the visits home became less frequent, and therefore, that much more precious. I still feel that way today, when I come back into town after a vacation, or even after a quick jaunt downstate for a concert. No matter how many times I pass into that forest of pines, I always feel the same way about it, like I’ve just entered the gravitational pull of the place I love most, and can lay whatever burdens I’ve been carrying down. “Rest easy child,” those trees seem to whisper; “everything will be alright. You’re safe here.”

“You’re home.”

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Review: AFI – Silver Bleeds The Black Sun

AFI - Silver Bleeds The Black Sun

Reinvention has its way of taking many different forms. A reinvention of style or a new choice of clothing can lead someone else to think a person we thought we knew is trying out new things. When it comes to music, AFI have never shied away from their own reinvention as they have gone from album to album in their storied career. Their newest record, Silver Bleeds The Black Sun, once again finds the four-piece band on the precipice of another moving reinvention as they move away from some of the post-punk and electronica-tinged rock of Bodies and perhaps even what was found on AFI (The Blood Album). Instead, this latest taste of music leans into AFI’s ability to captivate through a variety of stylistic choices made strategically at the right moments in time to achieve the greatest impact. Silver Bleeds The Black Sun feels a bit like the encapsulation of all the styles AFI have been known for over their 34+ year career, and goes big into arena rock moments paired with gothic sensibilities to remind The Despair Faction that this is still the same band they fell in love with and have seen evolve with grace. Just when you think that you’ve got a handle on what AFI is and the sound you expect to hear on subsequent releases, the band turns expectations on their head and finds unique ways to continue their unwavering evolution.

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Review: Thrice – Horizons/West

Thrice - Horizons/West

Thrice have never been strangers to taking a leap of faith in their career. From the early metal days of crowds shouting at them to “Play ‘Deadbolt!'” from The Illusion of Safety, to the risk/reward effort found on Vheissu, all put on a spin cycle throughout their stunning post-hiatus output that includes some of my favorite records of all time, Thrice keep on truckin’ along with veteran ease on Horizons/West. A direct sequel to the sound and direction the band took on Horizons/East, I feel like this second part is a better version of Thrice and finds them reaching deep into their bag of tricks while not losing the magic that made them such a fun band to be a fan of in the first place. “This is the first time we leaned into something that felt like a direct continuation, like a sequel to a previous album,” says frontman Dustin Kensrue. “A lot of this record is about parsing reality,” Kensrue explains. “We’re constantly being influenced by algorithms, by fear, by our own social echo chambers. Horizons/West tries to pull the curtain back on some of that. We’ve always just followed our curiosity, wherever it leads. We want to keep growing, exploring, and making something that feels honest to who we are right now.” By keeping their artistic integrity firmly intact, Thrice quickly showcase why they’re one of the best and consistent bands to ever grace our scene.

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My Life In 35 Songs, Track 28: “Dibs” by Kelsea Ballerini

My Life in 35 Songs

If you got a Friday night free and a shotgun seat/I’m just saying I ain’t got nowhere to be

Sometimes, in life, it’s nice just to stop for a minute and take a breath.

That’s how I felt in the spring of 2015. For the preceding two years, everything in my life had been moving at the speed of sound. Graduating from college in April 2013 and moving in with my girlfriend; trying and failing to find a full-time job; striking up a career in freelance writing; proposing to my girlfriend; planning a wedding and juggling all the festivities that come with it – from showers to bachelor/bachelorette parties; actually getting married.

I thought things might ease into a slower pace after the wedding and the honeymoon, but they didn’t. A month after that, my wife was interviewing for a new job, and we ended the summer of 2014 by turning in the keys of our Illinois apartment and moving to Grand Rapids, Michigan to start another new chapter. And shortly after that, my grandpa passed away, throwing my whole extended family into a tailspin that lasted through the holidays.

The whirlwind of changes kept going into the New Year. On the first day of 2015, my wife and I adopted a tiny kitten, the first pet we’d ever shared together. She was (and is) a beautiful little troublemaker and she stole my heart immediately. And then, that winter, we got so sick of living in a cramped apartment that we found a realtor and started shopping the housing market. We closed on our first house in March of that year, and moved in the next month, right as Michigan was bursting into springtime bloom.

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Review: The Starting Line – Eternal Youth

The Starting Line - Eternal Youth

18 years. There’s something a bit romantic about the amount of time that it took The Starting Line to follow up 2007’s brilliant LP of Direction. While turning 18 years old seems to signify our final path towards adulthood and leaving our youth behind, the reality behind this landmark age is that our lives are just beginning. Eternal Youth comes at just the right moment in time for our scene that is experiencing another surge and resurgence with bands like Motion City Soundtrack, Yellowcard, and now The Starting Line making new music again that is both worthy of their past legacy, while simultaneously moving the needle of creativity forward in their musical journey. The Starting Line first arrived in the pop-punk scene with Say It Like You Mean It, a widely adored scene staple via Drive-Thru Records, and yet it made sense for the band to outgrow that genre with stylistic choices made on Based on a True Story and eventually Direction. Eternal Youth signifies the band recognizing that the pop-punk genre is reminiscent of, as Kenny Vasoli put it in an interview I conducted with him in 2022: “I do know that we’re a pop punk band. And it’s a genre that sort of represents nostalgia and eternal youth, which I’m totally able to appreciate.” Wait, did Kenny drop the name of his returning LP for all the world to see and we all missed it until now? Eternal Youth to me represents the best version of The Starting Line, and I’m so happy that they’re back.

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Review: Abandcalledlove – Thriving Season

Abandcalledlove - Thriving Season

There’s something to be said when a young band fully realizes their vision for their music right off the bat. Abandcalledlove has released their debut EP, called Thriving Season, that tackles the themes of resilience, addiction and recovery, paired with ultra-relatable elements like the complexities of relationships. The band was formed in early 2020 by Ryan Chandler Love (vocals/guitar/keyboards) and Ian Joshua Riley (guitar/production), while later adding into the fold Blake Aldridge (guitar), Brooks Roberts (bass) and Austin Yagle (drums). “Thriving Season is exactly what its title suggests,” Love explains. “It represents growth, struggle, and finally learning how to embrace yourself and your surroundings. Every song carries a piece of that journey, and I think listeners will connect with the vulnerability as much as the energy.” By putting a strong first step forward, Abandcalledlove have delivered the music that is sure to win over plenty of new fans willing to take a chance on “love.”

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