The aptly titled ninth studio album from ska-punk legends, Goldfinger, features a litany of guest spots and a recharged, yet reflective sound from the band that is releasing their first taste of new music since 2020. Nine Lives was produced by band leader and scene stalwart, John Feldmann, who rounds out this era of Goldfinger with a powerhouse lineup of Charlie Paulson (guitar), Mike Herrera (bass), Nick Gross (drums), and Moon Valjean (guitar). The set was preceded by two great singles in “Freaking Out A Bit”, that featured Mark Hoppus, and “Chasing Amy.” The result is a pleasing collection of songs that showcase Goldfinger show little signs of slowing down and hit the listener with a blast of Summer vibes.
Read More “Goldfinger – Nine Lives”Review: Yellowcard – Lights and Sounds
On the surface, Lights and Sounds had all the makings of a big rock record. Yellowcard paired up with a trusted producer in Neal Avron, who also worked with the band on their breakthrough, Ocean Avenue. The album had an incredible lead single out of the gate with the aggressive title track, and was mixed by veteran Tom Lord-Alge. What left fans most perplexed by what their heard from Yellowcard was the near abandonment of the sound that made the band a household name with Ocean Avenue. Instead, Yellowcard leaned into a darker-tinged alternative rock approach to their music that led to a bit of confusion and lukewarm critical reviews of the material. Lights and Sounds would debut at number five on the Billboard 200 charts, and would eventually achieve Gold certification from the RIAA in March of 2006. My memories surrounding this particular album were the polarizing affect it had on Yellowcard’s trajectory as an artist, how it would lead to confusion in the band’s fanbase, and then the biggest of swings back in the right direction with the 2007 successor of Paper Walls. At the end of the recording process, lead guitarist Ben Harper would leave the band and would be replaced with the now-permanent member of Yellowcard, Ryan Mendez. This rollercoaster of emotions surrounding Lights and Sounds would’ve been enough to break the spirit and desire of most bands, but luckily for us, Yellowcard would take this detour in stride and rise once again.
Read More “Yellowcard – Lights and Sounds”Review: Greywind – Severed Heart City
Greywind is the brother and sister duo of Steph and Paul O’Sullivan, and they prove that emo was never just a phase on Severed Heart City. Their latest full-length record was produced by Sam Guaiana (Neck Deep, Silverstein), and features a very professional sound, rich with big hooks and solid musicianship all around. When I last chatted with Greywind, the band shared, “We’ve always wanted to create our own world that people can escape into. Severed Heart City is basically what we went through in the last few years after being dropped <by a record label> to losing family members to health issues It’s a lot of all of that pain. But then it has the positive of, there is a light at the end of the tunnel.” While their last EP of Antidote was the band figuring out what worked well in their sound, Severed Heart City finds Greywind at their most confident, and they are successful at fulfilling their most complete vision for their music.
Read More “Greywind – Severed Heart City”Interview: Greywind
This past month I was able to schedule a Zoom call with Irish emo band, Greywind, to discuss their upcoming new album called Severed Heart City. The band has a sound similar to the style of My Chemical Romance, Jimmy Eat World, and Paramore, and their quickly catching on with audiences worldwide. I asked the band about timing the vinyl with the digital release, their writing process on some of the key singles released so far, and how they’re staying grounded given the viral success of so many of their music videos. If you’re enjoying the interview, please consider pre-ordering Severed Heart City here.
Read More “Greywind”Record Store Day Black Friday 2025 Preview
Record Store Day Black Friday is this Friday and this year’s celebration of indie record stores occurs on November 28th, 2025. With a fresh slate of new vinyl reissues, exciting exclusives, and in some cases, the first pressings of many key titles, the observance comes with a lot of excitement on the biggest shopping day of the year. The full list of RSD Black Friday releases can be found here, but be sure to check in with your local indie record store to see what they will be carrying this Friday. In this preview, I’ll be diving into some of the most sought after releases and offer some tips for newcomers to secure these titles.
Read More “Record Store Day Black Friday 2025 Preview”Interview: Run The Riot
Recently I was able to connect with a high-energy rock band, called Run The Riot, that has a slick punk sound paired with a little bit of a metal edge to their approach to songwriting. In this interview I asked the band members about their core influences, how they formed and wanted to play music together, and a dream concert lineup that they’d jump at the chance of making happen. Run The Riot is Nick Rubright (Guitar), Bradley Klein (Bass, backing vocals), Billy Waas (Drums), Vlad Odiiak (Guitar, backing vocals, production), and Joe Voccia (Lead vocals), and they’re ready for their moment. If you’re enjoying the interview, you can check out all the streaming and related links to the band here.
Read More “Run The Riot”Review: Hit The Lights – Tomorrow’s Gonna Hurt
The first new music from Hit The Lights in nearly a decade, called Tomorrow’s Gonna Hurt, is a solid collection of four songs that highlight the band’s slick approach to pop-punk. Released in part as a tribute to their bandmate Kyle Maite, who tragically died in September 2022, Hit The Lights do their best to honor their past legacy while leaving the door open for where they could go next if they continue to march on. The set features two guest spots, the opener has guest vocals from Jay Pepito and the third track features Hit The Lights’ original vocalist Colin Ross. While the band doesn’t cover too much new ground on this EP, there’s still plenty to enjoy in these songs that will hopefully rejuvenate Hit The Lights in making even more new music soon.
Read More “Hit The Lights – Tomorrow’s Gonna Hurt”Review: Spanish Love Songs – A Brief Intermission In The Flattening Of Time
The latest taste of music from Spanish Love Songs, called A Brief Intermission in the Flattening of Time, is a guest-heavy, moody and reflective romp of well-written songs. The set was collaborated with producer Arun Bali, and each of these vibrant tracks feature a guest artist/friend of the band. On the key song of “Cocaine & Lexapro” that features Kevin Devine, frontman and guitarist Dylan Slocum shared, “I’ve been trying to work with Kevin for a while now. We have a good number of mutual friends but had never met up until this. The reasoning was simple — our band doesn’t exist without Kevin Devine, so when he agreed to sing on a song, he got to sing on a song. He took what I had demoed as an angry, contrarian second verse and turned it into something delicate and full of pathos. It absolutely floored me the first time I heard his vocal tracks dropped in.” By working with four great artists on this EP, Spanish Love Songs reinvigorate their passion for writing songs filled with uncertainty in the days that lie ahead of us, but with a beating heart of hope that things can and will get better.
Read More “Spanish Love Songs – A Brief Intermission In The Flattening Of Time”Interview: Izzy Mahoubi
Recently I was able to connect with singer-songwriter Izzy Mahoubi to discuss her new single, called “Good.” In this interview, we chatted about the direction of her new music, her music upbringing, and how she is tailoring her setlist for her current tour. If you’re enjoying the interview, please consider streaming “Good” here.
Read More “Izzy Mahoubi”My Life In 35 Songs, Track 35: “World Spins Madly On” by The Weepies
Woke up, and wished that I was dead.
It’s 3am on the morning of November 6, 2025, and I’m still at work. One of the less desirable things about being a local journalism professional is that, on election nights, you’re up until all the precincts in your area report out their numbers and you can start projecting winners for things like county board seats or township administrators. At this point in my career, I’ve pulled the election night graveyard shift four or five times, and I typically don’t mind it much. I usually just put on a movie around 10:30pm and wait until the numbers start rolling in and I can write up my report so that the results are there in our subscribers’ email inboxes the next morning. In this particular case, though, the election night shift is the stuff of nightmares, because it involves writing the following words as my lede:
“Former president Donald Trump looked likely to win the presidency as of 3am Wednesday morning, defeating Democratic challenger (and current vice president) Kamala Harris.”
I haven’t been shellshocked a whole lot of times in my adult life, but I was truly at a loss for words watching the results come in on election night last year. With every passing hour, I could feel my heart sink a few more inches, until I finally punched in that sentence at 3:00 in the morning, turned off my computer, and tried to get some sleep. There was no movie that night, nothing pleasant or fun to kill the time as I waited for the moment when I’d have enough information to write up my local election report. Instead, I spent the better part of five hours obsessively refreshing my election maps, social media feeds, and Chorus.fm forums, looking for some sign that the growing feeling of dread in the pit of my stomach was an overreaction.
Read More “My Life In 35 Songs, Track 35: “World Spins Madly On” by The Weepies”Kewl Haze – “Used To Have It All” (Song Premiere)
Today I’m thrilled to bring everyone an early listen to the new single from Philadelphia psych rock band, Kewl Haze, called “Used To Have It All.” The two-piece band is Dan Scott Forreal and Derek Sheehan, and this artist is somewhere in the same realm as other bands like Tame Impala and Beck. Sheehan shared about the direction of the music Kewl Haze took on their debut LP, Suburban Sherpa:
’Used to Have it All’ was one of the early songs we wrote for the album. We started demoing this song at my home studio in the Germantown neighborhood of Philadelphia back in 2021 after Forreal and I moved him back across country from LA. The song came together pretty quickly. I started strumming the chords for the verse and chorus, we put a drum beat to it and added bass, synth and lead guitar for the verse/chorus. We pretty much finished the instrumental demo that night. Forreal later laid down a vocal take at his home studio and I loved the direction. The lyrics were about a recent break-up/post break-up bender. The narrative of the song is hilariously devastating and self-deprecating while also poking fun at modern dating culture. We went to Retro City Studios in Germantown and recorded drums and I wrote lyrics and tracked vocals for the bridge. With that, the song was wrapped. We then brought the song for final mixing to Matt Barrick (The Walkmen, Jonathan Fire Eater) and re-amped guitars and added some additional synth and percussion at his studio Silent Partner Studios in Germantown. Matt’s good friend and co-owner of Silent Partner, Quentin Stoltzfus (Light Heat, Mazarin) mastered the track. We are super excited to officially share our first single with the world. Enjoy!
If you’re enjoying the new single, please consider pre-ordering their new record here.
Read More “Kewl Haze – “Used To Have It All” (Song Premiere)”My Life In 35 Songs, Track 34: “Brother” by Brett Eldredge
Brother, I think it’s time we talk; why do guys like us spend most our lives playing it tough?
I just kept replaying it.
On the morning of Saturday, November 23, 2024, as I ran circles around my neighborhood in the rain, I found myself double-tapping my AirPods every three and a half minutes to restart the song. I wanted – no, I needed – to hear it again. It was the one thing keeping me from spiraling out of control. For that run, and that day, and that weekend, this particular song was my force of gravity. If I just kept playing it, then I could keep the things I held dear from floating off into the ether.
I am not the type of person to replay songs ad nauseum. Even the songs I love most have rarely had me reaching for the replay button more than two or three times in a row. So why was it that, on that November morning, the only thing that felt appropriate was listening to a mostly-forgotten album track from country-soul singer Brett Eldredge 10 times in a row?
That morning, I’d woken up to the kind of text messages you never want to see on your phone screen. “I know you won’t see this until the morning but please give me a call whenever you can.” My sister-in-law had sent that text at 2:08 in the morning. Another message, from a mutual friend of my brother’s, said “PLEASE know I’m thinking about you and the family. I’m here for whatever you guys need.”
I have never popped out of bed faster.
Read More “My Life In 35 Songs, Track 34: “Brother” by Brett Eldredge”Interview: Teppei Teranishi of Thrice
A couple of days ago, I was able to schedule an in-person interview with Teppei Teranishi of Thrice in Baltimore, Maryland to discuss the band’s excellent new record called Horizons/West. In this interview, I asked Teppei about the writing process of a few key songs on the new LP, the vinyl reissue plans of key albums like The Alchemy Index, and much more. Thrice are currently wrapping up their fall tour, and tickets are on sale here.
Read More “Teppei Teranishi of Thrice”Review: The EXOHs – Light Of The Moon
Sometimes you discover a band that makes everything else you’ve been listening to seem almost obsolete. I got that exact feeling the first time I heard The EXOHs vibrant single called “Soarin'”, that ended up being my favorite song released all of this year. The band, which is comprised of Chris Canberg & Michael Perdichizzi, is well on their way towards making a name for themselves on this shimmering collection of four songs known as Light of the Moon. Music is intended to make us feel one thing or another, and The EXOHs latest music makes me feel like anything is possible. With a sound that fits somewhere in the same realm as The Fray, Goo Goo Dolls, and Andrew McMahon in the Wilderness, The EXOHs have taken the next dramatic leap in their artistic development on Light of the Moon.
Read More “The EXOHs – Light Of The Moon”Review: The Cranberries – MTV Unplugged
The MTV Unplugged series is pretty legendary in its own right, with memorable and iconic performances from bands like Nirvana and Alice In Chains setting a high bar for others to try and reach for. Originally recorded at Brooklyn’s Howard Gilman Opera House on Valentine’s Day in 1995, The Cranberries’ MTV Unplugged session is finally getting a widespread and official release. The magic of the late-vocalist Dolores O’ Riordan, and her band’s performance in The Cranberries, is finally getting its proper day in the limelight with this stunning 9-track collection released today. You probably know all the songs by heart; from the vulnerable “Linger”, to the visceral delivery of “Zombie”, The Cranberries had a knack for writing legendary songs during the mid to late 90’s. The MTV Unplugged series continues to live on with grace on this ultra-memorable performance from The Cranberries.
Read More “The Cranberries – MTV Unplugged”