The Many Lives Of Jack Antonoff

Stereogum have a new feature on Jack Antonoff of Bleachers and his Shadow Of The City festival:

Plenty of festivals claim idiosyncrasy and don’t offer it at all. At Shadow Of The City, you truly feel like you’re at one guy’s event, from seeing his family mill around the festival grounds to those grounds’ intentional proximity to Jersey lore. (Throughout the day, you can escape the sun by going inside the Stone Pony and chilling at its dive bar corner or squinting up at the guitars lining the wall from past performers.) Antonoff’s drawing on experience here, not just from a youth spent in Jersey but from years of the touring grind and playing festivals. There’s an over-saturation in that world, a sameness. And though Shadow Of The City isn’t intended to grow beyond its specific boundaries, to some extent it feels like an antidote to all the rest of it. “The whole point was, what are other festivals doing and let’s do the opposite,” he explains.

Review: Bleachers – Gone Now

Bleachers - Gone Now

One of my favorite musical memories was a moment of serendipitous timing outside a record store in Florence, Italy. We found this store almost as an afterthought, popping our heads in at the end of a long day of traveling. But as we left the store, we saw a man busking across the street, singing “Sex On Fire” by Kings Of Leon at the top of his lungs. And I’ll never forget watching this man, singing the lyrics in both English and Italian, crooning “This man is on fire” to a person passing by on a bike. As I watched the assembled crowd start to sing along, again in a mix of languages, I was struck by how a deliberately audacious, silly slice of pop-rock bliss had transcended cultures and boundaries.

All this is to say that when I heard the saxophone on “Everybody Lost Somebody,” made to sound not dissimilar from the street busker I saw in Florence, I knew that Jack Antonoff has had experiences like that. Experiences that made you become not just a spectator in the world around you, but a participant, connected with others. And he realizes that so many of these moments and connections are made through our most universal of languages: music. In many ways, that is what Gone Now, the sophomore record of Jack Antonoff’s project Bleachers, seems to be about: living presently and openly engaging and trying to connect with the people around you.

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