Travis Barker Shares “Heaven” Demo

Blink-182

Travis Barker has shared the “Heaven” demo Blink-182 on YouTube. Travis commented on the demo:

This demo inevitably turned into ‘Heaven’ on ‘NINE’ – blink-182 album. It was a small piece of a 45 minute jam / writing session with my friend Chris Greatti. The rest is history.

In a recent interview with Vogue, Mark talked a little more about the song:

[S]tarkly different to “Heaven,” a meatier track written about the 2018 mass shooting in Thousand Oaks, California. “It means a lot to me personally,” Hoppus says. “What started off as a song about broken hearts became a song about living in America in 2019.”

What Does Blink-182 Want to Say?

blink-182

Mark Hoppus of Blink-182 talks with Vogue about the band’s new album:

For their new material, the group asked themselves one question: What do we have to say about the world today? “The world is in a really strange place right now,” lead singer Hoppus tells Vogue. “This record is about being a human being in 2019: the joy, fear, and anxiety of it.” He’s not wrong. From a U.S. president who’s more corrupt than ever to technology making us all feel disconnected and sad (“people are growing distant from one another,” Hoppus says), the daily headlines can be, well, a tad overwhelming; on Nine, Blink-182 use music to cope with it all.

Blink-182 Apparently to Feature on Posthumous XXXTentacion Album

Blink-182

According to Sounds Music Group CEO, Solomon Sobande, Blink-182, Lil Wayne, Lil Nas X, and many more will be featured on the posthumous release from XXXTentacion:

There’s a healthy amount. Tory Lanez and Mavado; there’s a country song featuring Lil Nas X. One of the most surprising is Blink-182 — one of Jah’s favorite bands.

I’m not sure if this is a Travis Barker feature, or if the entire band is on a track, but to say this is disappointing to see would be an understatement.

The Simple Brilliance of Colleen Green’s Cover of Blink-182’s ‘Dude Ranch’

Colleen Green

Lindsay Zoladz, writing at The Ringer:

In her hands, the juvenile potty humor comes off less as a defining factor of the record than a defense mechanism, as if Hoppus and DeLonge have suddenly realized how emotionally raw some of these songs are and felt a nervous impulse to distract the listener with comic relief. Great covers help you see familiar source material from new angles. I used to think Dude Ranch was Blink’s most gleefully immature record. Now I hear it as their most vulnerable.

I enjoyed this article and look at this album. As I wrote in last week’s newsletter, these songs hold up surprisingly well in this setting.