Linked List
linked-list
videos
LATEST ARTICLES - PAGE 24

More Details Regarding Off With Their Heads Tour Cancelation

Off With Their Heads
Jason Tate

PunkNews.org has reported more information on the Off With Their Heads tour cancelation:

As you are aware, the band recently and abruptly canceled a month-long tour in the middle of the trek, after arriving in Vancouver. Shortly thereafter, the band alluded to an accident involving the tour van. Details are still developing in this story. However, a 24 year old woman named Desiree was hit by the Off With their Heads tour van while a member of the band, or an associate of the band, was driving last Saturday night. Reportedly, the woman was dragged several blocks and suffered extensive injury. According to statements released by the woman’s friend Amber Jackman, Desiree was taken to Vancouver General Hospital and is facing life-threatening injuries. She will undergo multiple critical surgeries regarding injury to his face, leg, and other areas. Several surgeries have already been performed. After the accident, a member or associate of the band was taken into custody, and then later released. According to the police, alcohol is suspected as a factor in the accident.

Alex Gaskarth Talks With RockSound

Simple Creatures
Jason Tate

Alex Gaskarth talked with RockSound about the latest Simple Creatures’ EP:

There’s some really cool ideas floating out there in the big folder of potential Simple Creatures music, but I think as we’ve continued to write, the ethos and the sound of Simple Creatures is becoming more defined. At first, we were just kind of swinging and trying a lot of different things, and part of that process was finding out the voice of Simple Creatures and what that is. Now we’re a lot more familiar with the kind of music we want to make for this, I think when it comes time to making more music, I’m sure we’ll go back and end up pulling from some of that stuff. But I think the idea of continuing to innovate and keep it new is what excites me most about this project, so I imagine that’s where we’ll go with it.

Jim Adkins Talks with Alt. Press

Jason Tate

Jim Adkins of Jimmy Eat World talked with Alt. Press about their new album:

You did some songwriting with Sam Hollander (Panic! At The Disco’s “High Hopes,” Fitz And The Tantrums’ “HandClap”) for this album. Even though those songs didn’t make the cut, was that a way to avoid stasis—to get in a room with a stranger, be vulnerable and try to approach writing from a different creative place?

I wouldn’t entirely count those songs out yet, but we didn’t end up finishing them for this record. It’s fascinating to me: I love the craft of it. Everybody approaches it a different way. Everybody has a different kind of aural tradition of how they figured it out or was taught to them. The same thing goes for people who produce records: Everybody makes records a little bit differently. When you get the chance to work with somebody else, you learn so much.

Chris Farren Talks with MTV

Chris Farren
Jason Tate

Chris Farren talked with MTV about his recent album:

Regardless, Farren still wanted to make a solo record, and he wanted to be the one who recorded it. “I was sick of paying somebody $10,000 to be mean to me,” he says only half-jokingly. Perhaps it should’ve been expected given lines of his like, “Why can’t I bear to be alone with myself?” (2016’s “Say U Want Me”) and “I hope you never see me like the way I see myself,” (Born Hot’s opener, “Bizzy”), but Farren’s chronic insecurities are woven into the fabric of his musical history. He was so nervous about how people would react to his independent work that he decided to make his debut a Christmas album (and donate all the money to charity) in order to protect himself from negative criticism.

The Future of Apple Music

Jason Tate

Zane Lowe talked with Wired about the future of Apple Music:

There’s also the matter of how livestreams fit into the picture. After events with Shawn Mendes, French rap group PNL and Tyler the Creator, who did a live performance of his album IGOR, streamed on Apple Music the night before it came out, Lowe says “live music is definitely on the horizon” for the service. It’s all part of the team’s bid to “eventise” – his word – album launches. In the case of Tyler the Creator, “fans can tune in, then after watching it maybe you go to the album.”

When it comes to someone like Billie Eilish, who now has her own Beats 1 show, the Apple Music team realised that their pre-adds, which allow users to register their interest in an album before it’s out, had made people more invested in her March 2019 album When We Fall Asleep, Where Do We Go?

New Interview With The Menzingers

The Menzingers
Jason Tate

Greg Barnett of The Menzingers talked with Atwood Magazine about the band’s upcoming album:

Absolutely. I don’t think in this kind of climate, you can not go full in with it. I think we’d be doing a disservice to the song and how we all feel if we didn’t fully go in and make a statement. That was one of the most difficult parts of writing that songs. I wrote like 20 verses-I can’t even count. We wrote them over and over again, because it’s hard to say everything you want to say in three and a half minutes. It’s really tricky. I wanted to stay on theme of who I am as a person. I didn’t want it to come off as pretentious. I wanted it to feel how I typically write songs. It was a challenge to hone in the lyrics to a way that I felt comfortable with and happy with and said as much as I wanted to say. At the end, I was really happy.

Green Day Team Up With NHL

Jason Tate

Green Day have teamed up with the NHL:

The league is announcing a two-year partnership with Green Day that includes an opening song for NBC Sports’ “Wednesday Night Hockey.” The song, “Ready, Fire, Aim” isn’t custom-made for the NHL and will be on Green Day’s next album, though it’s likely a matter of time until Green Day or another band follows what Hank Williams Jr. and later Carrie Underwood did for the NFL.

Concord Music Buys Victory Records

Victory Records
Jason Tate

Ed Christman, writing for Billboard:

Terms of the deal weren’t disclosed, but Billboard estimates that the Victory company had $4.5 million-$5 million a year in revenue and further estimates that Concord paid somewhere in the range of $27 million-$34 million for the Victory company. […]

The Victory catalog will go under Concord’s Craft Recordings catalog team and “to the extent that we put out new albums from existing artists, Fearless is the most likely home” to market such albums, Salm says.

Meanwhile, Victory’s 30-person staff will remain employed by Brummel, who sources say has a “limited” non-compete clause that will allow him to pursue opportunities in the music business going forward, if he so chooses. The staff will work on Brummel’s other businesses which includes a third-party merch business, plus some real estate and other investments. Also, they will be involved in assisting with on-boarding Victory’s catalog and royalty payments onto Concord’s platform over the next few months.

Jim Adkins Talks New Jimmy Eat World Album

Jimmy Eat World
Jason Tate

Jim Adkins of Jimmy Eat World talked with Rocksound about the band’s upcoming album:

For me, what I felt was something interesting to explore was how every moment of your existence you have a choice between continuing what you’re doing, and doing something different. There is always resistance in doing something new. If you feel anxiety or depression or general dissatisfaction in whatever your personal condition is like, it’s really strange that there’s still resistance to deviating from that. To explore that, you really have to come to a present choice – that’s the difference between existing and truly living. Like I say in the song, ‘You can survive but not exactly live’. It’s like anything would be better than what I’m doing right now, but I’m too afraid to change it. It’s not a natural response for us to change

What Does Blink-182 Want to Say?

blink-182
Jason Tate

Mark Hoppus of Blink-182 talks with Vogue about the band’s new album:

For their new material, the group asked themselves one question: What do we have to say about the world today? “The world is in a really strange place right now,” lead singer Hoppus tells Vogue. “This record is about being a human being in 2019: the joy, fear, and anxiety of it.” He’s not wrong. From a U.S. president who’s more corrupt than ever to technology making us all feel disconnected and sad (“people are growing distant from one another,” Hoppus says), the daily headlines can be, well, a tad overwhelming; on Nine, Blink-182 use music to cope with it all.

The iOS 13 Bible

iPhone
Jason Tate

Federico Viticci’s incredibly detailed review of iOS 13 was released today:

Amidst a deluge of new features and design updates, iOS 13, more than its predecessors, makes clear that Apple doesn’t consider iOS just an operating system anymore: it’s the platform upon which the company can build other experiences. In a way, the modern iOS is to Apple devices what Mac OS X was to the original iPhone: a stable technological foundation, ready to be taken in new directions.

No one is writing more in-depth and helpful reviews of iOS and iPadOS these days. And I don’t say that just because there’s some really good bookmarks and screen shots in the Safari section.

Amazon Music Launching Lossless Streaming Tier

amazon
Jason Tate

Amazon Music is rolling out a new lossless streaming tier.

Amazon is launching a new tier of its music service today, dubbed Amazon Music HD. It offers lossless versions of audio files for streaming or downloading at a price that aggressively undercuts Tidal, the main competition for this kind of audio. Amazon will charge $14.99 a month for the HD tier, or $12.99 if you’re an Amazon Prime customer. Tidal’s Hi-Fi plan costs $19.99 monthly. The new plan was rumored a few months ago.

Sum 41 to Play ‘Chuck’ in Full on Upcoming Tour

Sum 41
Jason Tate

Deryck Whibley of Sum 41 talked with Alt. Press about playing Chuck live on their upcoming tour:

It’ll be our longest, for sure. I think they’ll be two-hour sets. Not sure if it’s going to be 2:05 exactly, but definitely two hours. The good thing about those two is that they’re relatively shorter records, so it makes sense to play them at one show.

The thing is, we never played every single one of those songs before. Some of those songs we’re going to be playing, we’ve never played ever. There’s maybe a good four or five songs we’ve never gotten around to playing when the album came out. So yes, you are learning stuff. But there’s also the brand-new record: We’ve never played a lot of those songs off Order In Decline; they were built in the studio, but live is a whole different thing. What I’m trying to say is, there’s a lot of rehearsing going on.

Read More “Sum 41 to Play ‘Chuck’ in Full on Upcoming Tour”