Underoath Talk With Revolver

Underoath

Underoath sat down for a lengthy chat with Revolver:

“Every record we’ve ever done, people find a way to hate it,” he continues. “When an artist makes something that I don’t understand right off the rip, especially if it’s an artist that I love, I want to listen to it and understand why. Not until all five of us are stoked does a song make it out of the studio. That’s how it is every time we make music … Whatever you [eventually] hear in your speakers is exactly what excites Underoath at this moment.”

The All-American Rejects Discuss Future

All American Rejects

The All-American Rejects talked with Variety:

The Rejects decided to leave Interscope on their own terms. “We weren’t dropped,” notes Ritter. “We negotiated our way out of that building because it didn’t feel like it was a home for us anymore. They had Imagine Dragons records.” The band continued to tour relentlessly, and the burnout set in. “We did a couple of tours in that break and they just didn’t feel right at all,” says Gaylor. “By the end of them, we were like, I don’t want to do this. Packing on the bus to go home like…” He widens his eyes as if stunned, staring into the abyss.

Turnstile Talk With NYT

Turnstile

Turnstile sat down with The New York Times to talk about their upcoming album:

“There is something exciting about being able to make music in a way where there’s no formula, there’s no expectation,” Yates, 35, said. The band’s 2021 album, “Glow On,” propelled it from the upper echelons of the underground into a dramatically larger landscape that included TV commercials, Grammy nominations and a spot opening for Blink-182’s arena tour. With a new album, “Never Enough,” due June 6, Turnstile is pushing its sound further, and the stages are set to get even bigger, leading to an inevitable question: Can the group retain its magic (and its mission) as it grows?

Vinyl, Me Please In Trouble

The Denver Post:

“It seems VMP has stopped shipping records entirely and they’re still charging for memberships that promise new releases,” he continued, echoing more than 100 complaints reviewed by The Denver Post across Reddit, social media, YouTube, and VMP’s Discord server. “There has been zero communication and no response from customer support for over a month now.”

Spotify Stock Drops on Latest Earnings Report

Bloomberg:

Spotify Technology SA shares tumbled on Tuesday after the streaming company gave a muted outlook for profit and subscriber growth in the current quarter. 

The Stockholm-based company forecast gross profit margins of 31.5% in the second quarter, missing analysts’ average estimate for 31.6% according to data compiled by Bloomberg. Spotify sees monthly active users rising to 689 million, less than the 694.4 million analysts expected.

The All-American Rejects Talk New Single

All American Rejects

Tyson of The All-American Rejects talked a little with Stereogum about their new single:

To be able to walk away from it for a second was — a lot of people are afraid to do it. I mean, I was afraid to do it, but I was so burnt out. There’s a big difference between a crafter and an artist. People that craft put in their 10,000 hours and they excel at their work. I felt like we were turning it into a craft as opposed to an artistry. I know that might sound silly coming from a guy who wrote “Dirty Little Secret,” but I was 22 when I wrote that. I think now being on the other side of 30, I have a perspective that I didn’t have when I was younger. Having this ability to inherently be able to craft a song is something that a lot of people lean on and just keep pumping out and serving the beast and shaking the purse strings for a commerce as an end result.

Warner Music Group Files Lawsuit Against Crumbl Cookies

Legal

Warner Music Group is suing Crumbl Cookies:

“Defendants have misappropriated at least 159 of the most popular and valuable sound recordings and musical compositions in the market, using those creative works to build [Crumbl’s] brand profile and drive massive sales to Defendants without any compensation to [WMG],” the lawsuit reads.

“The audio track generally runs the full length of the Crumbl Videos and includes the most familiar portion of the sound recording and underlying musical composition, such as the hook or chorus,” WMG claims. The music giant cites examples such as Lil Mosey’s “Blueberry Faygo” played over a video promoting blueberry cheesecake cookies, another promoting yellow sugar cookies to Coldplay’s “Yellow,” and a third promoting Kentucky butter cake to BTS’ “Butter.”

Blog: “Why I Left the Attention Economy”

Linked List

Joan Westenberg:

At some point, every creator hits a wall – it’s not burnout exactly. It’s misalignment. You find yourself fluent in a language you no longer believe in, you know how to hack the algorithm, when to post, what to say, how to craft the dopamine-hooked headline. You’ve learned to manufacture the kind of work that gets rewarded, but somewhere in the process you forget why you started making it at all.

The economy of attention doesn’t ask what you think; it asks how fast you can say it, how loud, and how often. And if you play long enough, you stop making anything for the people you care about and you start making it for the feed. The result is a race to the bottom with a leaderboard, a machine that needs to be fed even if it’s chewing up your integrity.

Preach.

The other byproduct of having been in that “game,” is you start seeing it everywhere. Numbers will go up, numbers will go down. Authenticity is the only thing that will last.

AI Generated Music Is Hard for Humans to Detect

AI

Deezer reports that around 18% of new tracks uploaded to their platform are AI generated:

“AI generated content continues to flood streaming platforms like Deezer, and we see no sign of it slowing down,” said Aurelien Herault, Chief Innovation Officer, Deezer. “Generative AI has the potential to positively impact music creation and consumption, but we need to approach the development with responsibility and care in order to safeguard the rights and revenues of artists and songwriters, while maintaining transparency for the fans. Thanks to our cutting-edge tool we are already removing fully AI generated content from the algorithmic recommendations.”

Meanwhile, a new study says humans aren’t great at detecting AI generated music:

“The average score was 46%,” O’Donnell reveals. “And for a few genres, especially instrumental ones, listeners were wrong more often than not.” O’Donnell says when he watched people take the test, he noticed that qualities they confidently flagged as AI compositions—fake-sounding instruments, weird lyrics—were not always right.

“Predictably, people did worse in genres they were less familiar with; some did okay on country or soul, but many stood no chance against jazz, classical piano, or pop. Beaty, the creativity researcher scored 66%, while Brandt, the composer, scored 50%.” With just a few text prompts, O’Donnell created music that humans couldn’t pick out of a line-up as AI generated. “A few could have been easily played at a party without raising objections, and I found two I genuinely loved, even as a lifelong musicians and generally picky music person,” he shares.

Spotify Back Up After Outage

Spotify is back online after a widespread outage.

The outage seemed to have begun around 6:20 AM ET, with outage reports appearing to peak after 9:30 AM ET, with around 48,000 people reporting issues. Spotify said it was “back up and functioning normally” by 11:45 AM ET. In the early afternoon, around 1,500 outage reports remained. Users across the US and parts of Europe appear to have been affected.

While Spotify did not specify what might have caused the outage, the company was quick to stamp out rumors that a security hack was to blame. The Stockholm-based streamer says reports of that nature are “completely inaccurate.”

Blog: ‘What It Feels Like, Right Now’

Flag

Chuck Wendig:

It’s hard to focus. It’s hard to focus on the things in front of me, that I need to do. It’s hard to focus on the news, because it’s not just one thing, it’s a hundred things, news like fire ants, like you stepped on their mound and here they are, swarming, and each ant feels meaningless in the context of all these angry fucking ants. Looking at my phone or computer or any connected device feels like tonguing a broken tooth–an electric jolt of pain but one that feels paradoxically satisfying, like if I poke the bad tooth, maybe I’m fixing it, maybe poking it makes it fall out and the pain will go away. Which I know is fucking stupid so then I stop doing it — stop looking at the phone, stop poking the tooth. But there’s a little rat scratching in the back of my head and it makes me wonder, what are you missing, what aren’t you seeing, remain vigilant, constant vigilance, there’s a great wave coming, a wall of fire, a meteor, a swarm of wasps, better look, better click, and then I look, and am rewarded. By some definition of that word, “rewarded.” My anxiety is rewarded because things are bad, and things are happening constantly. 

Great essay. That very feeling is what I’m trying to avoid these days. Trying to fill the space with things that fulfill me and not continually stick my hand (and brain) directly into the hornet’s nest.

No Fakes Act Reintroduced in Congress

Variety:

The Recording Academy’s Grammys on the Hill Advocacy Day culminated on Wednesday with a press conference on Capitol Hill with Senators Chris Coons (D-Del.) and Marsha Blackburn (R-Tenn.) and Reps. Madeleine Dean (D-Pa.) and Maria Salazar (R-Fl.) to announce the reintroduction of the “NO FAKES” Act, standing for “Nurture Originals, Foster Art, and Keep Entertainment Safe.” The bipartisan, bicameral bill is intended to advance creators’ rights by protecting their voices and likenesses from the unauthorized creation and use of digital replicas. Also at the press conference were stakeholders from the Human Artistry Campaign – where the Academy is a founding member – along with Google, MPA, RIAA, SAG-AFTRA, and YouTube.

Blog: Text-Wrap: Pretty

Webkit.org:

 Often, as a web designer or developer, you are creating a template to be filled with different versions of content. There is no “hand tweaking” typography on the web, especially when the layout is fluid, reflowing to fit different shapes and sizes of screens. So what can we do now to better express the expectations of quality from traditional typography, while still relying on the mechanization brought by today’s computers?

One solution is text-wrap:pretty. It’s intended to bring a new level of polish to type on the web by leveraging paragraph-based algorithms to solve long-standing problems.

This looks really good. I’m excited to play around with this when I can find some spare time.