Review: Hippo Campus – Bambi

Hippo Campus

On Hippo Campus latest offering, Bambi, they continue to stretch out their unique brand of indie rock and get their audience to come along for every note of the thrilling LP. Hippo Campus have plenty of credibility and accolades to their name in just a short amount of time, and they could have gone any number of directions with their second full-length album. What we are left with is hard to classify, yet incredibly strong, work of art from the five-piece group from St. Paul, Minnesota.

The album opener, “Mistakes,” begins with a softly sung, and almost faint, vocal delivery while the midway point begins to bring on the other samples and noise elements that are prominent on this record. “Anxious” follows this introductory track with the quirky brand of Indie/Emo rock that we have grown accustomed to from the band over the years, while still bringing in fresh elements to the Hippo Campus sound. The first real hook that got me sucked into this record is when singer Jake Luppen shouts, “Tried screaming but I won’t believe it/I’ll tell them what they want to hear then/Just give me a week or two to find it/Then maybe we’ll get back to the place we started.” This is precisely what anxiety feels like making you do: screaming from the inside, all the while doubting yourself that it was the right path to take.

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Review: The Living End – Wunderbar

The Living End - Wunderbar

The Living End return with what is probably their best album in over ten years. It ticks every box it needs to, and then some. This is their first release under the Rise Records banner, and their first time working with producer Tobias Kuhn. Tobias is better known for producing multiple titles for folk/electronic band Milky Chance, so, it’s bit of a gamble to go with a producer who more often than not is embedded in the electronic music landscape. But it paid off handsomely for the men from Melbourne, Australia.

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Review: Marissa Nadler – For My Crimes

Marissa Nadler

“When they take me down the corridor, they’ll secure my wrists with ties” Marissa Nadler croons in “For My Crimes,” the title track and album opener of the American songwriter’s eighth album. Nadler takes on the perspective of an individual on death row in a songwriting exercise, pleading to not be remembered for their crimes. The opening title track is a seemingly simple song. It’s not even close. “For My Crimes” – per the album’s press release, is labeled as “a sweeping, vaguely Southern drama of voices, strings, and acoustic guitar, that walks the line between character song and personal indictment by metaphor.” – I couldn’t agree more. The song brings listeners into a haunting atmosphere shaped by eerie backing vocals from Nadler’s friend and collaborator, Angel Olsen, clear and emotive acoustic guitar, and swells of strings. All these elements combined create a sprawling, remorseful story. In For My Crimes, Marissa Nadler seeks hard truths through turmoil. The album follows Nadler as she ponders whether love is strong enough to get past numerous struggles, from the distance to falling out of love. Nadler’s delicate, mesmerizing voice alongside gentle plucking of the acoustic guitar and layered strings form an unforgettable collection of songs to add to an already impressive discography.

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