Violin, Golf, and Stories From the Road

Yellowcard

Sean Mackin of Yellowcard talked golf and violin with Golfweek:

Mackin doesn’t remember the name of the course where he made his first albatross, after all it was in the early 2000s and he was just tagging along with some members of NOFX and Bad Religion while on the Vans Warped Tour in Chicago. He does remember hitting a pretty good push-draw 2 iron about 220 yards uphill to the green on a par 5, though. But after five minutes, the group couldn’t find his ball.

“I go, ‘Oh I’ll just drop’ and Jay Bentley from Bad Religion, like one of my heroes, he’s like, ‘Hey, just check the hole man.’ And it was in the hole,” said Mackin. “They’re hooting and hollering, I didn’t even see it go in. The rest of the day was a blur. To this day, like 20 years later, that whole crew still calls me double eagle or deuce. So that’s pretty awesome.”

Review: Yellowcard / Hammock – A Hopeful Sign

Remix albums can be a bit of a mixed bag. They exist sometimes to fulfill a contractual agreement between an artist and a label, to give new takes or perspectives on songs, or in the best case scenarios, to re-imagine songs in a way that makes it feel like you’re hearing the tracks for the first time all over again. Yellowcard have paired up with the ambient music duo of Marc Byrd and Andrew Thompson, better known as Hammock, to re-imagine some of their classic hits, as well as some noteworthy deep cuts, for a compilation affectionately titled A Hopeful Sign. Given the fact that Yellowcard’s latest EP, Childhood Eyes, featured several key collaborations, it makes perfect sense for them to continue down this path in their musical journey. Ryan Key shared, “Yellowcard is in a new place where we are collaborating with other artists more than ever before. I have found Hammock in my top three most played artists every year for nearly a decade now. Hammock are one of the defining and most pioneering artists in the post rock and ambient space. We have taken so much inspiration from their work over the years so first becoming friends, and then unexpectedly getting to work together on new music were dreams come true.” By taking a brave step forward in their partnership with Hammock, Yellowcard remain “top of mind” in these re-imagined tracks that breathe a new and fruitful life into some of their most beloved songs.

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Review: Yellowcard – Childhood Eyes

Much like seeing an old friend that you thought you’d never run into again, reunions bring back a flood of memories that make you realize just how important these people are in your life. When Yellowcard announced that they would be playing a show at Chicago’s Riot Fest in 2022, the band realized that there was still a lot of positive energy that happens when they get together. When I last chatted with lead vocalist, Ryan Key, he mentioned that there was a feeling within the Yellowcard camp that their last two albums, Lift a Sail and their self-titled, were made “more for them” in the band and that this latest EP, Childhood Eyes, would have the potential of getting longtime fans of the band excited in the direction they’re taking. Key mentioned in a different interview, “We knew we were writing an EP which meant we only got five songs, so we had to really make them special. And I think there was an immediate sense of bringing it back to Paper Walls—the idea that we need to make something that we’re proud of, but also something that gets Yellowcard fans excited about what we’re doing. So at that point, we picked up the guitars and started demoing and, honestly, I think these five songs could have just been on that record in 2007. And I love that.” By getting that familiar, yet glorious feeling of reinvigorating their passion for playing music together again, Yellowcard have made a dramatic collection of songs that not only lives up to the legacy they built, but hints at the possibility of more music in the future.

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