YouTube Announces ‘Recap’

YouTube

YouTube is joining the “end of year stats” game and have announced a new “Recap” feature.

Recap will be available starting today for YouTube users in North America, and roll out to the rest of the world this week. Your Recap can be found right on the homepage, or under the “You” tab, accessible on mobile devices and desktop.

YouTube Recap uniquely highlights interests, deep dives, and moments you explored this year, based on your watch history. You’ll get a set of up to 12 different cards that spotlight your top channels, interests, and even the evolution of your viewing habits, or which personality type you fall into based on the videos you loved to watch!

YouTube Altering Videos With AI

YouTube

Ashley King, writing for Digital Music News:

YouTube reveals [they’re] using artificial intelligence to make video enhancements to content on its platform without first informing content creators. Confirmed to be applied to a subset of YouTube Shorts, the undisclosed changes have left some creators feeling unsettled about how their work is being used. It also raises questions about the overall implications of undisclosed algorithmic mediation.

YouTube Music Turns 10

YouTube

Sarah Perez, writing for TechCrunch:

YouTube is celebrating 10 years of its YouTube Music app on Thursday with the launch of new features that bring it closer to rival Spotify and others. The app will now include “Taste Match” playlists, which are playlists that combine multiple users’ overlapping interests, similar to Spotify Blend. The app will also start notifying users of upcoming releases, merch, and concerts, and is partnering with Bandsintown to help fans discover concerts when watching videos and Shorts on YouTube itself.

YouTube in Talks With Record Labels Over AI Music Deal

YouTube

Financial Times:

YouTube is in talks with record labels to license their songs for artificial intelligence tools that clone popular artists’ music, hoping to win over a sceptical industry with upfront payments. The Google-owned video site needs labels’ content to legally train AI song generators, as it prepares to launch new tools this year, according to three people familiar with the matter.  The company has recently offered lump sums of cash to the major labels — Sony, Warner and Universal — to try to convince more artists to allow their music to be used in training AI software, according to several people briefed on the talks. 

Unionized YouTube Workers Learn Google Laid Them Off

YouTube

Jason Koebler, writing for 404 Media:

Thursday evening, the Austin, Texas City Council was set to consider and pass a resolution calling on Google to bargain with a union of YouTube Music workers who are based in the city. While one of the workers was speaking to thank the council, Google laid all of the workers off: “To be supported by the city of Austin and also our allies in the labor community gives us the motivation to keep this fight going,” Jack Benedict, a member of the Alphabet Workers Union was saying to the council.

One of his colleagues, Katie Marner, walked up to the pulpit: “Not to interrupt, but they just laid us all off,” she says. “They just laid us all off. Our jobs are ended today. Effective immediately.” A bell rings. “I’m sorry, your time has expired, but we’ll follow up on this,” Austin mayor Kirk Preston Watson says.

YouTube Negotiating With Labels Over AI

YouTube

Lucas Sha, writing for Bloomberg, details the record labels and YouTube negotiating an AI tool that would let people create content using major musicians’ voices:

When YouTube hosted an event for creators in late September, the company unveiled a bunch of new AI-powered tools, including ones for video backgrounds and dubbing.

YouTube had hoped to unveil a tool that would let users perform using the voices of major musicians. Imagine you are an amateur creator uploading a video or a song, and you could sound like Dua Lipa.

Just one problem: None of the major music companies have agreed to participate — at least not yet. Music companies have some questions, and YouTube is still working to supply the answers.

This could be a pivotal moment for the use of AI in the creative industries. For all the fuss about the potential of AI, many of the most-hyped new tools have yet to establish meaningful commercial relationships with artists (aka rights holders). That’s why there are so many lawsuits; nobody has decided how copyright law is going to work in this new(ish) field.

While this is just a test — YouTube wants to try the feature with a little more than a dozen artists — it is still a negotiation between the largest music service in the world and the largest music companies that could result in artists consenting to the use of their work.

Look, I get it, I’m old and not cool and am probably yelling at clouds, but I can’t put into words how much I hate this idea.

Inside YouTube’s Plan to Win the Music-Streaming Wars

YouTube

David Pierce, writing for Protocol:

One easy knock on music-streaming services is that they’re all the same. Their libraries may differ slightly at the margins, but they all have about the same 60 million or so songs in their catalog. And Mariah Carey’s “All I Want for Christmas is You” sounds pretty much the same anywhere you play it.

Except on YouTube. There you can watch the original version, but also the Carpool Karaoke version, a duet Carey did with Justin Bieber, the scene from “Love Actually” that features the song, and countless live performances, covers and remixes. Want to learn a dance to the song in time for this year’s holidays? Want to learn to play the song on the guitar or piano? Want to hear a smash-cut version of President Trump singing the song? Want to know how that song got to be so irritatingly ubiquitous? That’s all on the first page of the YouTube search results. YouTube has a corpus of unique music content that none of its rivals can touch.

YouTube Music Cracks Down on Rampant Chart Manipulation

YouTube

Sarah Perez, writing for TechCrunch:

YouTube will no longer allow paid views and advertising to influence its YouTube Music Charts, the company announced this morning. Instead, it will calculate its rankings based only on view counts coming from organic plays. In addition, it’s changing its methodology for reporting on 24-hour record debuts to also only count views from organic sources, including direct links to the video, search results, Watch Next and Trending — but not video advertising.

YouTube Renews ‘Cobra Kai’

YouTube

YouTube has renewed Cobra Kai for a third season and will be releasing their original shows free, with ad-supported windows, in the future:

YouTube has ordered a third season of Cobra Kai. But before the Karate Kid sequel returns with more episodes, the streaming video platform is hoping to attract a bigger audience for the show.

On Sept. 11, YouTube will make the first two seasons of Cobra Kai available to watch for free with ads. Episodes of season two will be released weekly. Previously, those seasons were only accessible for people who paid $12 per month for subscription service YouTube Premium.

YouTube Executives Ignored Warnings, Letting Toxic Videos Run Rampant

YouTube

Mark Bergen, writing for Bloomberg:

Wojcicki and her deputies know this. In recent years, scores of people inside YouTube and Google, its owner, raised concerns about the mass of false, incendiary and toxic content that the world’s largest video site surfaced and spread. One employee wanted to flag troubling videos, which fell just short of the hate speech rules, and stop recommending them to viewers. Another wanted to track these videos in a spreadsheet to chart their popularity. A third, fretful of the spread of “alt-right” video bloggers, created an internal vertical that showed just how popular they were. Each time they got the same basic response: Don’t rock the boat.